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Arson, Inc.

as Grandma

1949
Man from Oklahoma

as Grandma Lane

1945
The Suspect

as Mrs. Packer

1945
The Princess and the Pirate

as Landlady of the 'Boar's Head Inn'

1944
I'm from Arkansas

as Matilda Jenkins

1944
Rosie the Riveter

as Granma Quill

1944
The Chance of a Lifetime

as Edna Counihan (Uncredited)

1943
The Boogie Man Will Get You

as Amelia Jones

1942
Dawn on the Great Divide

as Sarah Harkins

1942
You Belong to Me

as Ella

1941
Li'l Abner

as Granny Scraggs

1940
The Border Legion

as Hurricane Hattie McGuire

1940
Colorado

as Etta Mae

1940
Undercover Agent

as Mrs. Minnow

1939
Mountain Rhythm

as Ma Hutchins

1939
Sabotage

as Mrs. Hopkins

1939
Riders of the Black Hills

as Mrs. Peggy Garth

1938
Paradise Express

as Maggie Casey

1937
Hollywood Cowboy

as Violet Butler

1937
The Leavenworth Case

as Phoebe Leavenworth

1936
Ruggles of Red Gap

as 'Ma' Pettingill

1935
Maybe It's Love

as Landlady

1935
Here Comes the Navy

as Droopy's Mother

1934
Lazy River

as Miss Minnie Lescalle

1934
The Vampire Bat

as Aunt Gussie Schnappmann

1933
Ladies They Talk About

as Aunt Maggie

1933
My Lips Betray

as Mamma Watscheck

1933
Panama Flo

as Sadie

1932
This Reckless Age

as Rhoda

1932
Blonde Crazy

as Mrs. Snyder

1931
Maude Eburne Maude Eburne

Birthday

1875-11-10

Place of Birth

Bronte-on-the-Lake, Ontario, Canada

Biography

From Wikipedia, the free encyclopedia Maude Eburne (born Maud Eburne Riggs, 10 November 1875 – 15 October 1960) was a Canadian character actress of stage and screen, known for playing eccentric roles. Eburne began her career in stock theater in Buffalo, New York. Her early theater work was in Ontario and New York City, debuting on Broadway to great acclaim as "Coddles" in the 1914 farce A Pair of Sixes. "When I first came to New York... I said I didn't want to be beautiful young girls or stately leading women, but wanted parts that had something queer in them, especially if there were dialect." She continued to play mainly humorous domestic roles on stage, appearing in productions such as The Half Moon (1920), Lady Butterfly (1923), Three Cheers (1928) and Many a Slip (1930), before her first significant film role — and first sound film role — in The Bat Whispers (1930), director Roland West's sound remake of his 1926 silent feature The Bat.
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