Dancing on the Edge

2013
7.4| 6h3m| NA| en| More Info
Released: 04 February 2013 Released
Producted By: Endgame Entertainment
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.bbc.co.uk/programmes/p013qqwt
Info

A black jazz band becomes entangled in the aristocratic world of 1930s London as they seek fame and fortune.

Genre

Drama

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Director

Production Companies

Endgame Entertainment

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Dancing on the Edge Audience Reviews

Jeanskynebu the audience applauded
SpuffyWeb Sadly Over-hyped
Pluskylang Great Film overall
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
blanche-2 For so many people not liking this, it has a high rating here on IMDb. I enjoyed it but see its flaws.I am not familiar with the work of Stephen Poliakoff, so I can't comment on the criticisms of him.The series is about a black jazz band in the 1930s who is discovered by a music journalist, Stanley Mitchell (Matthew Goode). With Wesley's help, the group is booked at the upscale Imperial Hotel and even entertain Prince George (erroneously described during the program as the Prince of Wales, who was actually Edward, Prince of Wales). The band becomes successful and is written up often by Mitchell. With two talented singers (Wunmi Mosaku and Angel Coulby), they come to the attention of a record company and radio. But tragedy strikes, and the ensuing events threaten to ruin the band.I'm at a disadvantage here because I'm not familiar with early '30s jazz music, but the critiques say the music presented is actually from a decade later.The songs are original to the production, which were also criticized. The producers certainly could have found actual songs, but I suppose they didn't want to pay for the rights. A couple of the songs weren't very good.It's an expensive production with some excellent actors: Goode, who I've always loved, Chiwetel Ejiofor as Louis Lester, the leader of the band, Anthony Head, John Goodman, Tom Hughes, and Jacqueline Bisset. Very formidable.There was also criticism that the series did not really evoke the '30s. I thought it looked wonderful, particularly the hotel scenes. But I agree, there was something missing in the period feel. Fascinating to me was the statement in the series that the Brits didn't know what Americans sounded like until the advent of talking pictures, as well as the talk of the wireless. One really does get the feeling of limited communication and how far we've come. Suspenseful, well-acted, this could have been more fascinating with some stronger writing, attention to period details, and maybe some cutting, perhaps to four episodes instead of six. The research wasn't perfect -besides the Prince of Wales ID, there was also the reference to Clark Gable. In 1933, Clark Gable was just coming onto the radar in the U.S. Ronald Colman would have been much better. The devil is in the details.
michelesofaraway Well as they often say in this drama that anything is possible...I have watched one part so far and loved every moment of it, the costumes, jewels, pomp and ceremony, snotty old stuffy people at the hotel...the Musical Express go getter editor. Watching all the characters are a joy to see unfold in this very enjoyable period story about a Jazz Band and the people that they get involved with.There is an underlying story of something strange that is going on, murky perhaps, which is keeping the suspense up. The strict civil servant working in the immigration department in the 30's and the problems with foreign people, it was all so different in this time and Dancing on the Edge really captures the moment, Thoroughly enjoyed it so far and looking forward to watching more. Please read all the reviews because everyone has an opinion and thank goodness I ignored the first review and watched it.
skipp-5 Personally, I was glued to Dancing on the Edge - Whilst I found the story intriguing, what really captivated me was the whole look and feel of the production - the costume, scenery, Architecture, and the overall 1930's feel to everything. I thought it was lavish, and very classy, and each scene a treat for the eyes. I also felt that the acting was superb,with some great performances from what was a terrific cast. The final episode in particular, with Julian edging nearer a breakdown, edged up the tension and whilst it seemed obvious what would happen in the end, the scene where Masterson confided in Lady Cremone of his love for Julian and his final demise in the café were captivating.
imattheendofmytether Well with two episodes to go I really am disappointed with this show. The trailers looked exciting, sexy and well... gripping. What have I seen instead? Stereotypes, lots of "terribly, terribly, awfully, awfully" speaking and contrived scenes.I don't get why Stanley is so hell bent on pushing the Louis Lester Band (although it's more a one man show as the rest of the band are sidelined except the two singers). The larger of the two singers is just so wet I want to slap her around just to get some form of response that isn't "wide-eyed wonder". Jess - well just don't care what happens to her.Where is the racism I was expecting to see? - sorry one mention of a couple on a boat wanting their cutlery changed, and seeing the same thing demonstrated in the dinner hall moments later, does not make for racial tensions.Where is the jazz for that matter? A program about jazz should have more jazz music in it, not two full songs and a few snippets. I don't ask for much but there should be more music involved somewhere.All the rejects from the Great Gatsby (sorry rest of the cast) are just annoying, pouty privileged spoilt brats who are ultimately forgettable.There is only one character I want to know more about and that is the legend that is John Goodman - more of him and his rise to wealth please. The story line is meant to be bringing Jazz to the old ballroom scene of London. While I don't know much about the history of London jazz I think it started a little earlier than 1932. The writing just seems stayed and pompous, I don't know about any of SP's work, but I am not sure I want to see other works by him. Don't get me wrong I love a slow burning thriller (Tinker Tailor TV series is as slow as it gets), but there is no "thrill" no tension, no drama - for a drama that's not good.I don't think I am alone in thinking this, but there are just as many who love this show. Watch it for yourself, but don't expect to be knotted up with tension waiting for the next episode, instead sit back with a cold gin on ice and enjoy the costumes, scenery and lighting.