Diamonds

1975 "Diamonds Were Forever"
5.1| 2h0m| PG| en| More Info
Released: 22 October 1975 Released
Producted By: AmeriEuro Pictures Corp
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Charles Hodgson is a British aristocrat who decides to become a thief as a way of getting at his twin brother, Earl, a security expert who has built a supposedly impregnable vault in Tel Aviv, which holds a cache of diamonds. For the caper, Charles enlists Archie, a heist expert, and Sally. He also becomes acquainted with an American woman, Zelda Shapiro, who is in Israel looking for a new husband.

Genre

Crime

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Director

Menahem Golan

Production Companies

AmeriEuro Pictures Corp

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Diamonds Audience Reviews

ThiefHott Too much of everything
Spoonatects Am i the only one who thinks........Average?
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
MARIO GAUCI Elaborate caper movie which, while nothing special, is redeemed by its unusual Israeli setting. Robert Shaw has a dual role as an industrialist and his security device-maker twin (the karate match between the two Shaws constitutes perhaps the film's low-point!). Ex-con and thief Richard Roundtree (often clad in conspicuously outlandish costumes) and lover Barbara Hershey (billed Barbara Seagull) are industrialist Shaw's unwilling accomplices in a diamond robbery – whose security system was devised by none other than his brother (whom he admits to not liking!). Shelley Winters turns up in irrelevant bits as an annoying American tourist; GET CARTER (1971)'s Roy Budd provides the score. Caper movies are among my favorites (maybe, it's because I work in a bank) but this is a very mild addition to that exciting thriller subgenre – chiefly because of an unconvincing plot also involving child kidnapping, a counter robbery from a church to mislead the Israeli police, the gang donning a series of silly disguises and, ultimately, a burglary which remains unfulfilled (again, a fashionable twist in the cynical 1970s but rather ludicrous in this context!).
haildevilman Pretty decent heist flick benefits from better than average perfs from Shaw and Shaft.Golan decides to film it all in the Holy Land which, if nothing else, gives it some excellent cinematography to work in front of.Shaw shows that he could have been James Bond. He looked great in the role. One almost wonders why the Oscars didn't call on him more often.Shaft Roundtree made an excellent balance for him too. He did the hired muscle routine with a touch of class.I'm trying to figure out Shelly Winters role though. It seemed like the producers just wanted to hire her just to hire her. Don't get me wrong. She did fine in the part. But why was it there? Dated a lot. But still a thrill ride.
tonypuma Firstly, it is wrong to associate this alongside any of the Shaft series. The VHS reissue (in EP mode) is evidently retitled to fortify it on the retail shelves. Roundtree is entirely cast different, and fans of Shaft will be disappointed that he doesn't even wear a mustache in the film. Rather, "Diamonds" is one of those action/caper films that seem to fit very comfortably in the 70's. It's hardly jaw-dropping material, but Golan (of the Cannon film group) invested well into this accurately sketched story.The location work on "Diamonds" is superb and justly highlighted. The story starts in Europe but is mostly in the streets, neighborhoods and buildings of Israel, which is somewhat unusual for an "exotic" locale. There's plenty of local flavor injected into the story, and the location plays a big part in the tension of the plot- Israeli police using their own means to track down an international thief and an ominous London businessman. Roundtree is superb, still shining in the Shaft afterglow and Shaw is as consistent as ever (even in the iffy double-casting job). Unfortunately, the women do not fare so well- Barbara Hershey (as Barbara Seagull) whines at Roundtree's character throughout half the film about some unclear relationship issues. And Shelly Winters is...... uhhhhh, well, Shelly Winters as she portrays a lukewarm bit of comedic relief. She plays a stereotype American Jewish woman visiting Israel on a tour to buy diamonds. A peripheral character at best, it could be said that her character exists merely to parody the common Israeli/American tourist. Nonetheless, the action and details of this thriller are the fenceposts here and they hold together a remarkably good 70's flick. The soundtrack, which might at times see more recognition than the film, is composed by cult composer Roy Budd (Get Carter, Stone Killer, etc) and The Three Degrees. It too has been reissued. Overall, it's a nice surprise and I recommend it to anyone who enjoys 70's action cinema or borderline Black action.
major_calloway This is certianly not the best of the 70's crime films, and I am not sure I understand the alternative title 'Diamond Shaft' (with Roundtree top billed) as Roundtree's not playing John Shaft and he's not even playing a cop. It's probably just a way of exploiting his past success in the Shaft films. Anyway, this film is difficult to love or hate, I just found it an adequate quirky little 70's crime film. Robert Shaw is quite a dignified charactor and is also a little mysterious (playing his twin aswell). It's a fun film to watch but is not as good as those gritty 70's thrillers such as French Connection, Taking of Pelham 123 etc. I doubt it's worth recommending, but it was interesting to see Roundtree, Shaw and randomly Shelley Winters, all together.