Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

jc-osms Somehow I'd missed this old Christmas episode of David Tennant's "Dr Who", but even watching it in mid-April, found it to be one of the best of the whole new-Doctor episodes I've seen.Cleverly riffing off the ever-attendant speculation on who will be the new Doctor, Russell T Davies cheekily casts one of the then prime contenders for Tennant's trainers, David Morrissey, opposite the incumbent, intriguingly as an apparently till-now unknown Victorian incarnation of our favourite Gallifreyan time-lord, complete with his own Martha-like companion, sonic screwdriver and even his own TARDIS.Davies spins out the confusion just long enough before he gives us the crafty explanation leaving room for a big (and I mean big) finish where our Doctor naturally saves the day in a massive C-Gen set-piece against the backdrop of London itself.There are some great in-house jokes, none more so than Morrissey's Doctor's explanation of the acronym of his own TARDIS and yet it's his Heath Robinson-type contraption that saves the day rather than Tennent's own. This episode cries out not be taken too seriously as every serious Dickensian reference is riposted with light-hearted sideways nods at more contemporary action characters as the Doctor makes a Superman-type rescue of a young boy and of course that whole over-the-top "Transformers"-style climax as the gigantor Cyber-King is brought back down to earth, almost literally.Morrissey's great as the deluded Jackson Lake, Tennant as usual is too-cool-for-school, gently bursting Morrissey's bubble, while Dervla Kirwan makes for a great villainess. I enjoyed that Tennant flew solo on this occasion, his between-partners status causing some considered reflections on the transient nature of all his past fellow-travellers.This was classic Who, one of the best I've seen and also offers a tantalising look at an alternative future Doctor who didn't quite get the nod, but would surely have done well in the part in an alternative future.

dramachat If you were a fan of Tennant before Doctor Who and one of Morrisey before The Walking Dead, then this episode is a dream. As an adversarial pair in Black Pool, these two actors chewed up the scenery and gave an audience something spectacular. In this episode they truly work off that chemistry as eventual allies, and the performance is one based on familiarity and trust. That permeates the episode. RTD gives enough cheek (Rosetta), sentiment (the son) and emotional foreshadowing (the next Doctor) to create a fully satisfying episode. To look back and see The Governor in such a sympathetic role speaks volumes to his talent.As to Tennant - well, if you're a fan, you know his work here, there, and recently on Broad Church speaks for itself. Wonderful episode.

ShadeGrenade The Tardis lands in Victorian London at Christmas. Hearing someone calling his name, the Doctor rushes off, to find a young woman cowering in terror from something behind a locked door. A young man ( David Morrissey ) in Dickensian clothes appears, proudly announces himself as the Doctor, and takes charge of the situation...Another Christmas, another 'Dr.Who' Christmas Special. I enjoyed this one, but for a change I'll start this review by stating what I did not like about it. Firstly, the Cybershades were awful, reminiscent of the sticky tape and cardboard box monsters of the classic series. It was impossible to be unnerved by creatures that looked exactly like what they were - blokes in gorilla suits wearing coal scuttles. Worse, there was no need for them to be there. Cybermats could have been used instead. Secondly, the mystery of the 'next Doctor' was unnecessarily protracted. All the Doctor had to do was to whip out a stethoscope and listen to Lake's heart ( apparently such a scene was filmed but deleted from the finished broadcast ) to see if he was a Time Lord. Lake believed himself to be the Doctor after being exposed to a backfiring info stamp. Now we know Morrissey will not be the eleventh Doctor - thank heavens for that. Colin Baker was wrong when he said the role of the Doctor was 'actor proof'. The wrong person in the role would kill the show forever. Morrissey was hammy as 'the Doctor' yet first-rate as 'Lake'. Loved his 'sonic screwdriver'! His 'companion' was called 'Rosita' in a nice homage to Billie Piper's 'Rose'. The Cybermen seemed a bit wasted, getting to do little more than march about and look menacing. The scene in which they attacked funeral mourners was brilliant though, emerging through a snowstorm just as they did back in 1966's 'The Tenth Planet'. The real villainy came from sexy Dervla Kirwan as 'Miss Hartigan', easily the best female villain in the show for some time. She had joined forces with the Cybermen to help them construct a 'Cyber King', a giant Cyberman who proceeded to stamp Godzilla-like on poor old London Town.Why did the Cybermen need children to work in their factory? Surely adults could have done the job more efficiently.Tennant as ever performed wonders with what was basically an average script. The appearance of the earlier Doctors was nice, and there were some good jokes. As I said earlier, I liked this very much, and, following its repeat at Christmas 2010 ( presumably to take away the bad taste left by the appalling 'A Christmas Carol' ) enjoyed it even more. The Russell T.Davies era of 'Dr.Who' looks more and more impressive with each passing year.

Joy H The Next Doctor as a whole was "okay". The script was very dull. The saving grace was David Morrissey playing the said 'Next Doctor'. His performance was astoundingly good - really exceptional - he gave it all he had; but definitely wasn't OTT (like his counterpart). Mr Morrissey exhibited a quality well above this production, and it blew me away. I shall certainly be looking out for him in future. The stand-out factor of the show was the giant robot at the end rising from the Thames and stomping on Olde Worlde London; it really did look fantastic and the CGI dept did a very fine job indeed. The big aspect of the show that genuinely upset me was their use of a REAL graveyard to shoot a Cyberman group attack scene; it was covered with paper snow and the actors were running/falling all over the graves, which for me personally isn't acceptable for any production. The graveyard could easily have been constructed in a studio, thus negating this most disrespectful behaviour. Overall, not a bad show; however it was just the talent of David Morrissey and the giant robot that saved it, otherwise it would have been totally forgettable.