Hell Raiders

1969
3.6| 1h20m| NA| en| More Info
Released: 01 June 1969 Released
Producted By: Azalea Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

In Italy during World War II, an American headquarters is evacuated when German forces break through the front lines. A demolition squad is sent back to the abandoned headquarters to destroy valuable records that were left behind before they fall into German hands.

Genre

Drama, War, TV Movie

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Director

Larry Buchanan

Production Companies

Azalea Pictures

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Hell Raiders Audience Reviews

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Portia Hilton Blistering performances.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Wizard-8 "Hell Raiders" was one of several movies American-International Pictures commissioned from low budget movie maker Larry Buchanan to be released on television. Having seen this film as well as a couple of others made from this agreement, I am not surprised that A.I.P. didn't put their name on the finished product. To call this a cheap movie would be a kindness; there is almost nothing in the way of "production values" on the screen. But the movie suffers from far more than a shabby look. Though the movie only runs 77 minutes long, it is relentlessly padded, such as with liberal use of stock footage, but also with nothing else of significance happening. The mission for the title squad doesn't start until about three-quarters of the movie has passed! And it's not worth the wait - the "action" sequences have absolutely no excitement or bite. Only for those who want to see John Agar at his lowest point in his career.
kevin olzak 1968's "Hell Raiders" is a real anomaly in the jaw dropping career of grade Z director Larry Buchanan, the 7th of his 8 Azalea Pictures titles, and the only one not of the horror/science fiction genres. While Buchanan acknowledged that the Azaleas would be the films he would be best remembered for, he clearly had little affinity for their subject matter, and he displayed even less flair for this actionless WW2 adventure. It remains a mystery as to why Samuel Z. Arkoff decided to do a color remake of AIP's 1958 black and white war picture "Suicide Battalion," starring Mike Connors and John Ashley, rather than another science fiction title, shot in Texas (non union) like most of the others. Some sources have cited this as a lost film, but it has turned up on Encore's Action channel, plus a DVD release in a boxed set of obscure war films. The uncredited script was penned in 1958 by AIP regular Lou Rusoff, Arkoff's brother-in-law, dead at age 51 by 1963 (his last film was "Beach Party"!). The drab story is simple: Major Ronald Paxton (John Agar) and Captain Brad Stevens (Richard Webb) lead a band of 6 volunteers on a suicide mission to destroy a deserted Allied headquarters in 1944 Italy, a lakeside location with barren trees revealing an autumnal landscape, previously used by Buchanan in 1967's "Mars Needs Women." Inept filmmaking at its most visually unexciting, compounded by a constant barrage of offscreen gunfire and explosions, all obviously dubbed in post production (nearly every gun that fires, no bullets are seen). Five minutes of actual black and white war footage is woven into the first half hour of exposition, followed by the soldiers partying on leave in a deserted town for 72 hours (though another 25 minutes, it only SEEMED like 72 hours!). The actual mission only begins after 55 minutes, and is no better than anything that came before. In what turned out to be his last starring role, John Agar, veteran of Buchanan's earlier "Zontar the Thing from Venus" and "Curse of the Swamp Creature," is at least professional, but the character, like all the others, is strictly one note. Richard Webb and guest star Joan Huntington, busier on television than in lower budgeted fare, supply the other two thirds of a laughable romantic triangle (once Agar kisses her goodbye, she's never seen again). Buchanan regular Bill Thurman, perhaps best remembered by non horror fans as Cloris Leachman's inattentive husband in 1971's "The Last Picture Show," easily stands out in a showy part as Tex, forever a private, who looks after the younger members of the squad. Jeff Alexander, like Agar from both "Zontar..." and "...Swamp Creature" (plus 1973's "Horror High" aka "Twisted Brain"), only gets a minute or two as an unnamed German captain, disappearing just when it seemed we would get a slimy villain to spice things up. By far the worst performance comes from Annabelle MacAdams, the acting pseudonym for Azalea's regular dialogue director Annabelle Weenick, best remembered for her villainous asylum director in 1973's Texas-filmed "Don't Look in the Basement," helmed by former Buchanan editor S. F. Brownrigg. She resembles no less than notorious San Francisco loon Nancy Pelosi with her wide eyes and brunette wig, mangling the English language as an Italian brothel madam. It's no wonder there are few comments on this obscurity, little seen even in its heyday (I did catch it during the 80s on Cleveland station WJW-TV), and easily the most forgettable title among Larry Buchanan's popular Azalea features, strictly for completists only (I'm sure Larry would not disagree).
Homer900 Wow. Found it on Movieplex Echoes of War. Let's see. First the two officers, Agar and Webb, are way too old. The Uniforms seem to be a hodgepodge of Vietnam-era and WWII/Korean War-era clothing. The Germans at first seem to be carrying Gewehr 41(W)semi-auto loaders, but then the German soldier who is watching the "squad" take 10 and shoots the stereotypical young and scared soldier is using what appears to be an early wood-stocked model of the FN91, a post war rifle.Constant battle sounds that are looped, the American weapons, when they fired, (M1s, M1-carbines, .45 pistols, etc) only fire one round, though semi-automatic. This was due to the film makers evidently not using blank adapters in their weapons. When they show the Americans firing, each fires a round, and then the action cuts to the Germans. As we watch the Germans, we hear intense American firing.When a German soldier is firing at the squad with an American .30 caliber machinegun, they move to a close up of him as he shakes the weapon and you hear the firing. Funny, he continued to shake as the firing stops then starts again.I could go on, but after about 30 minutes, I had had enough. I can't believe I wasted so many electrons watching this horrid excuse of a movie.
georgegauthier This is a truly terrible movie. Because of the cast, I gave it a try but gave up after ten minutes. The principal cast including John Agar and Richard Webb were much too old for their roles, 47 and 53 respectively. The lengthy opening documentary about the course of the war was pointless and inaccurate. What did the war of the bombers flying from England have to do with EOD (explosives experts) fighting in Italy? EOD are often brave soldiers but who would ever call them Hell Raiders?I would have ended there, but IMDb wants ten lines. OK, I reiterate: This is a truly terrible movie. Because of the cast, I gave it a try but gave up after ten minutes. The principal cast including John Agar and Richard Webb were much too old for their roles, 47 and 53 respectively. The lengthy opening documentary about the course of the war was pointless and inaccurate. What did the war of the bombers flying from England have to do with EOD (explosives experts) fighting in Italy? EOD are often brave soldiers but who would ever call them Hell Raiders?