Heller in Pink Tights

1960 "Story of theatrical troupe that travels through the Old West."
5.9| 1h40m| NR| en| More Info
Released: 01 March 1960 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She's also the object of the attentions of Mabry, a gunslinger who's owed money by the richest man in Bonanza.

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Director

George Cukor

Production Companies

Paramount

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Heller in Pink Tights Audience Reviews

NekoHomey Purely Joyful Movie!
Pluskylang Great Film overall
LouHomey From my favorite movies..
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
mark.waltz Don't expect 100% comedy in this western about the trials of an acting troop making their way through the old west. It's not all feather boas and sequins in this sometimes light- hearted but often dangerous lifestyle where troop leader Anthony Quinn, leading lady Sophia Loren and the remainder of their ensemble face bill collectors, irate or amorous hotel proprietors and Indians as they go from gig to gig. Often, there's a lit more lustful eyes made at the voluptuous Loren with Quinn struggling to keep it altogether. Among the supporting cast are Margaret O'Brien as a supposed 16 year old girl with a mother (Eileen Heckart) who seems to want to sell her off to matrimony, Edmund Lowe as the company villain and Steve Forrest who makes a gamble for Loren's heart. Moderately entertaining, it often switches gears as it goes through various mood swings. I wanted to like it more than I did, although this is a subject matter that doesn't crop up as part of major western plots. The look on the audience's eyes as they watch the goings on stage is thrilling however while the confrontation with the natives is rather frightening.O'Brien seems to be trying to remind everybody that she was "Meet Me in St. Louis's" Tootie, obviously not 16 as Heckart insists and certainly not 20 as she claims to be. Heckart gets some good lines, but I wouldn't call this one of her better parts. Loren, as a platinum blonde, is still enticing, while Quinn just seems to get sexier as he ages. It's colorful but unremarkable, high one moment then disappointing the next.
aj989 The film is the story of an acting troupe (Anthony Quinn, Sophia Loren, Eileen Heckart, Margaret O'Brien) who run into various monetary and Indian problems as they travel across the Western United States.George Cukor, who directed this film, supposedly never liked how the usual western looked. They lacked color, according to him, and in "Heller in Pink Tights," Cukor set out to remedy that. The film is full of vivacious color. From Eileen Heckart's orange hair to Sophia Loren's platinum blonde wig and the various pieces of clothing that they wear. Visually the film is quite arresting. It mixes such loud, bright colors with the colors of such a rigid and tough landscape.While the use of color is certainly interesting, the film never gets quite as far. The story is entertaining, but in a silly way. The chemistry between Loren and her two love interests (Quinn and Steve Forrest) is non-existent. She also looks totally uncomfortable with the blonde wig she is saddled with. Eileen Heckart is fun as the loudmouth actress/stage mother to O'Brien's character, and Anthony Quinn is his usual "dramatic" self."Heller in Pink Tights" certainly is a different kind of Western. I just only wish the film's story would have been as interesting as its use of color.
M. J Arocena The look alone is worth the trouble. Rich, colorful, slightly baroque. Sophia Loren is as good as when she's directed by a great actor's director, this time is not Vittorio De Sica but George Cukor and her timing, her intention as a character is total perfection. Her sympathy is not merely believable but contagious and sympathy was Loren's secret weapon. True, it's not your Ford or Hawks western if anything it's closer to Sergio Leone with a slightly more refined if not feminine sensibility. The showdowns here are not of gun powder but of love power. The Art Direction is superb and the film shouldn't be dismiss because it doesn't fulfill the rules of the genre. This is a Cukor film and that in itself makes it a cut above most movies. Anthony Quinn is also traveling unknown territory very successfully. Eileen Heckart is, as usual, a scene stealer: "She's only sixteen!, only sixteen, do you hear?" she shouts trying to protect her most valuable asset, her daughter, played by Margaret O'Brien wanting to be accepted as a 20 year old. An extra plus for film lovers is a glimpse of Ramon Novarro one of the biggest stars of the silent era.
alexandre michel liberman (tmwest) This is a western made by George Cukor, who would not dream about making a western unless it would really be about something else. This one is about show business and I can understand how anybody working in entertainment would identify strongly with it. Anthony Quinn leads a theatrical troupe formed by Sophia Loren, Margaret O'Brien, Eileen Heckart and the legendary Ramon Novarro through the west. They are pursued by creditors and are really living on the edge. Loren, using her charms, is a big help, but this is hard for Quinn who is in love with her to accept. They come to a town and are going to perform Offenbach's 'La Belle Helene', but the owner of the theater thinks the townspeople will never accept a young woman leaving her old husband for the young Paris. Instead they do the opera 'Mazeppa'. Loren gets involved unwillingly with a gunfighter, Steve Forrest, who seems so tough compared to Anthony Quinn, but as the film goes along we start learning how much courage the whole troupe must have to remain in show business. An unusual film, with a lot of meaning.