I'll Do Anything

1994 "She's the most maddening female he's ever met. And she's only six years old."
5.5| 1h55m| PG| en| More Info
Released: 04 February 1994 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His budding relationship with attractive production assistant Cathy Breslow is made complicated, while the precocious child is overly accustomed to getting her own way. Matt eventually faces the choice of family vs career in a particularly difficult way.

Genre

Drama, Comedy

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Director

James L. Brooks

Production Companies

Columbia Pictures

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I'll Do Anything Audience Reviews

SpuffyWeb Sadly Over-hyped
GazerRise Fantastic!
Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Wizard-8 It would be very interesting to see the original cut of this movie, which was a musical but had its songs cut out after a test audience indicated that the songs in the movie were terrible. (I'm surprised that not even a bootleg of this cut has leaked out.) I will entertain the possibility that the songs were indeed bad and that the movie was improved by the reworking. But as it is, the movie isn't particularly successful. It does have some interesting behind- the-scenes moments that show the working of the Hollywood machine behind the curtains, and the performances aren't that bad. However, the movie can't seem to make up its mind whether it is a comedy or a drama. It might have been possible to mix those two genres, but as it is here, the two extremes don't seem to fit together. Also, the key relationship in the movie - between the Nick Nolte character and his daughter - seems for the most part not very in-depth, so much so that the emotional ending doesn't seem deserved. The kind of slow pace of the movie as well as its length (almost two hours) doesn't help matters. It's not actively bad, but there's not much that will stick in your mind after watching it.
CrystalSparkles4 I probably wouldn't be able to find one other person that I know that has seen this movie. But that doesn't say anything about the film, which I think is obnoxiously cute. The little girl Jeanie is SO wise in her youth, she's this typical spoiled, wild child that is left with this man (Nick Nolte) that she doesn't know and acts the way she should (which is mostly why I like the movies so much) It's realistic in it's portrayal of her. It's one of those movies that I only see when it comes on UPN Sunday mornings (which I believe another commented on ha-ha) but it's true. That's the only that that anyone will probably ever see it. Don't look for too much to happen during it, it's a flat plot but full of really good characters and nice crying scenes for the girls ha-ha.
steinw When I watched this movie I had two questions in my head:1) Where have I seen her (Joely Richardson) before? 2) Why is Nick Nolte doing this part, and not Ted Danson?The answer to Q1) is not so very interesting, but it is 101 Dalmatians. The answer to Q2) is more interesting. It seemed like Nick Nolte was trying to look and act like Ted Danson, especially in the beginning (when the character was young). And normally the original is better than the copy.Besides those two questions I think the movie was OK entertainment, but not more than that. The film is not trying to tell us something. If they wanted they could have made much more out of the issue "How is it to be a child actor?", but they didn't. Fair enough.Don't spend your money buying this film, but watch it if it gets aired on a TV.
basit Just caught this flick on Cable by accident. lazy Sunday afternoon, and Contact was playing on TNT for the 50th 'premiere' time, so I figured, what the heck.And actually, it's kinda interesting I thought. Nick Nolte and kids are always terminally cute for some reason (ref. Three Fugitives with Martin Short). He's like like a big St. Bernard dog.Anyway, the story is OK, losta phony LA movie folks earnestly searching for themselves, blah, blah, blah. Somewhere in there, there is some genuine humor and heartfelt sentiment. Actually not all that mushy. Tracey Ullman is horrible as always, but apart from that an OK Sunday afternoon flick.