Side by Side

2012 "Can film survive our digital future?"
7.6| 1h39m| NR| en| More Info
Released: 19 August 2012 Released
Producted By: Company Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://sidebysidethemovie.com/
Info

Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.

Genre

Documentary

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Director

Christopher Kenneally

Production Companies

Company Films

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Side by Side Audience Reviews

GurlyIamBeach Instant Favorite.
Noutions Good movie, but best of all time? Hardly . . .
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Matthew Luke Brady "Cinema is like going to church for some people".Side by Side is a documentary about film - specifically explores the history and implementation of digital and photochemical film creation.Side By Side is a documentary focusing on the evolution of film and it shows all different film directors, cinematographers and writers and they share their own thoughts on the film and if it's getting better or worse. There's loads of big name directors in this documentary that tell you all about the art of film and the different type of camera work they used and how it made they film much better.What really got my interested in this documentary is well, it's about movies and I love movies so I thought I would check it out to see what it's like and I picked a good one here, because in this documentary you get to see how there make the movies and how movies should be made according to these film makers. The whole thing is pretty much a opinion base and they give some interesting and quite unique answers that makes you look at some movies in a different way.I was interested from start to finish. I was never bored while watching it and I never know that Keanu Reeves was a good interviewer, I mean he's such a cool guy and at times when he met these director's he had that happy child face on him, full of joy and was interest on what they were going to say. Now for problems: During the documentary James Cameron talked about 3D and CGI and he pretty much talk about how it was part of a art form and how it worked in he's film, but after he said all that the documentary cut to 2 or 3 directors who said that it's the worse thing to happen to movies, and how it becomes the highlight of the movie and not the story or character's, I found it a bit funny how Jame Cameron really went on for what seems to be like a speech about 3D and CG and how it's a groundbreaking master class, and then it get's sh*t on by other directors and it's really funny. I think I would call that bad timing.I wouldn't really call this re-watchable. It's a one watch kind of documentary that I probably won't see again any time soon.If you haven't seen Side By Side then I say check it out. It's got some interesting facts and hearing the directors talk about what's wrong with movies today and how they did it better is spot on enjoyable.
Martin Bradley Don't let Keanu Reeves' involvement put you off, as it almost did me. "Side by Side" is a terrific documentary that examines the differences between the use of traditional film and the development of digital photography. It's mostly made up of talking heads, primarily directors and DPs, but their passion and enthusiasm for the medium is infectious. There aren't too many examples of the uses of either and often the film seems more like an excuse for why digital is preferable to film; it's almost a valedictory to film and that depresses me. Younger and younger audiences are growing up knowing only digital and are losing out on the beautiful, pain-staking imagery of over a 100 years of film.I admit film fades and great movies have been lost but give me the black and white glories of Gregg Toland over a lot of what we are seeing today anytime. Is there room for both? Of course; art is all-embracing. I know I'm old-fashioned in my love of old movies and that, in time, the digital revolution will probably, (hopefully), produce masterpieces as great as "Citizen Kane" and "Psycho". I love high definition and the clarity of well shot digital films but for me it will never match the thrill I got seeing for the first time D W Griffith's "Intolerance" (1916) on a large cinema screen.
maloy_1 Sadly, as a person who has been a part of the filmmaking process for a long time, a lot of what was discussed - the end of celluloid, and the watching of movies on phones, is true. However, the bright side for me, is that there appears to be two schools now for film appreciation. There are twice as many people in the world now as there was in the 50's. people obviously still want to watch films-stories of US. There will always be a place for quality that is best viewed on a big screen in a room bigger than the living room. Humans sharing an experience with other humans, watching a story made well, hopefully , won't disappear. There has been a lot of growth and accessibility for 'pop' film...reality shows etc. That's fine. Change is good, I welcome it. A problem with digital is that product is made too much by ONE person. The great thing with film is that the product like a symphony contains input by a lot of people. Digital pictures are often too narrow and predictable since the technology allows one person to have so much say in the result
Sergeant_Tibbs Firstly, Side By Side gives the very basics of the processes of filmmaking. From stating the obvious in simple science, it's a real dummy's guide. Then it gets to the stuff I hadn't even thought about. In this documentary, I learned so much about the processes of film post- production, in particular in how visual effects are implemented and how colour grading used to work. It doesn't go much into the process of digital post as it's being constantly upgraded, but I know a lot about it from my university studies already so it was fascinating to see how film works and having it explained so well. With an assortment of opinions from very familiar faces and names, it's an almost intimidating look into the art as it shows how much I don't know, but it's stuff I want to know. While the interview footage is well shot, unfortunately the cutaways are very amateurish, especially when it comes to adding pointless inserts of Keanu Reeves with so many reflections of the camera, poor framing and bad sound. Otherwise, the structure and pace of the documentary is well constructed and informed, showing two passionate sides of an argument that makes me excited to become part of this community.8/10