The Auteur Theory

1999 "Sex. Lies. Filmmaking."
4.9| 1h17m| NA| en| More Info
Released: 03 November 1999 Released
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Budget: 0
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At an absurdly self-indulgent student film festival, the directors of the (mostly terrible) short films start getting killed off one by one and a budding British documentary filmmaker decides to investigate.

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Director

Evan Oppenheimer

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The Auteur Theory Audience Reviews

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Cheryl A clunky actioner with a handful of cool moments.
wodehousefan Well, I certainly had a good laugh -- actually, many good laughs -- while watching this film. Quite clever stuff, and a delightful savaging of the pretensions of student and "indie" filmmakers.Especially enjoyed the exploits of The Unknown Filmmaker -- perhaps, following in the footsteps of the protagonist here (the delightfully-named George Sand) I'll do my own documentary, "In Search of The Unknown Filmmaker"!A rousing cheer for this film, what what!
Stevie Meehan Caught this movie on Showtime. Very funny writing, some really clever directing (especially in the intentionally-bad student films). Suffered a bit from what I call "first film-itis", but that's not really a big deal. Actors did a good job.Film was obviously done on a low budget, but the filmmakers did a good job of taking advantage of that, as much as they could. I would've been glad to have caught this on the big screen.I give it 3 1/2 stars out of 4.
PeachHamBeach The Auteur Theory tries hard to be a quietly clever comedy about a self proclaimed "documentary filmmaker" , who believes his work deserves attention and appreciation, and his umpteenth effort to pitch an idea to the snooty bigwigs at the BBC that will open the door to his long delayed stardom and career in filmmaking. Alan Cox plays GEORGE SANDS, the documentary filmmaker, and before he even sits down in front of the snoots, they are ready once again to reject him and send him packing. But he is determined that they should listen to him this time. He had gone to a film festival to shoot a documentary about film festivals when he became "involved in something much much bigger". This movie is not the best of its genre. It's hard even to describe the genre...maybe a comedic mystery. Cox is amusing but Natasha Lyonne, who plays a fellow filmmaker, is really dull and lifeless here. The character's wardrobe seemed interesting, but I have to say her personality was far less colorful. I liked Lyonne better in her other movies. The funniest thing about this film is the films depicted within, the horrible, unintentionally funny student films, especially "The Crap Shoot of Life".
garageland If you've seen a lot of independent films, and have a sense of humor about them (i.e. appreciate them but can laugh at some of the absurdities of them and their world), you should really enjoy this film. It's got a lot of inside jokes about student and low-budget filmmaking, but also lots of stuff that the average moviegoer should catch. Also, a very cool cast. Natasha Lyonne from "Slums of Beverly Hills" and "American Pie" is one of the stars, and there are lots of other recognizable faces.