Cubussoli Very very predictable, including the post credit scene !!!

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Humbersi The first must-see film of the year.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Stevieboy666 A newly wed couple's car breaks down near a small village whilst travelling across Europe, only to find themselves targeted by a cult of vampires. No Dracula here, no Christopher Lee, Peter Cushing, not even Michael Ripper, but that is partly what sets it apart. Some people don't like that it lacks the blood or sex of other Hammer movies (it is now rated BBFC 12). However, this film is just so beautifully shot & has an amazing use of colour, it is also well acted & it introduces magical rituals & a cult, elements that become popular in the later films. It also appears that vampires here can be active during the day, providing they keep out of the sun. But the reason that I have scored this 8/10 is for the glorious masked ball scene, simply wonderful.

moonspinner55 Exquisite-looking vampire outing from Hammer Films, quite beautifully photographed by Alan Hume and scored by James Bernard, was the studio's attempt to keep the genre going without the services of their star, Christopher Lee. Plot concerns newlywed couple in early 1900s Bavaria lost on the roadway and running out of petrol near the castle of one Dr. Ravna (Noel Willman). He invites them to dinner, where he checks out the Mrs. A few days later, the couple is invited to a masquerade ball, where the husband is drugged and the wife taken away into the clutches of Ravna, the vampire prince among a throng of devoted bloodsuckers. Marvelous tale comes complete with its very own Van Helsing in the guise of Clifford Evans' Professor Zimmer, who has been waiting to exterminate Ravna for many moons. Director Don Sharp doesn't rush through this narrative; he takes his time to set the stage, though buffs may find his pacing a bit slow. Sharp certainly doesn't skimp on the bloodletting, particularly at the rousing finish. Good show! *** from ****

Scott LeBrun Edward de Souza and Jennifer Daniel play the Harcourts, a honeymooning couple who strand themselves in the Southern European wilderness. They graciously accept the hospitality of a castle dwelling local family called the Ravnas, led by a pleasant patriarch (Noel Willman). Unbeknownst to Gerald Harcourt, this aristocratic family has sinister plans for his wife, so he must call upon a vampire expert named Professor Zimmer (Clifford Evans).A little more mystery may have added to the overall impact; as it is, we're all pretty sure of where this is headed. But that doesn't mean that this isn't good, under rated Hammer. It looks positively gorgeous (especially on Blu-ray), just like the majority of Hammer product, and is intoxicatingly atmospheric during its uneasiest moments. One does feel that they are in the presence of true Evil. James Bernard is again an essential element to this formula, adding another eerie score to his resume. The costume ball that plays into the story allows for one good twist. The film is directed by Australian born Don Sharp, definitely an under rated genre director during this era (he deserves to be just as well known as frequent Hammer director Terence Fisher). Screenwriter Anthony Hinds updates the action a bit; this takes place in a slightly more "modern" period than many Hammer stories, since the Harcourts are getting around in a car. His resolution offers another interesting twist that this viewer hasn't seen in any vampire film before.The cast is excellent. Evans is no Peter Cushing, but he's a reasonably engaging vampire hunter. Daniel and de Souza are very likable. Willman is an effective villain, and Barry Warren is likewise solid as his son. Peter Madden and Vera Cook are appealing as the innkeepers, and John Harvey impresses in his brief turn as a police sergeant. The young ladies present are often sumptuously lovely."The Kiss of the Vampire" entertains in deliberately paced, ominous fashion; it's a Hammer film that deserves to be better known.Seven out of 10.

ian-433 Modest Hammer potboiler with all the studio's virtues intact: good acting, economical direction, neat photography, an unpretentious script and tight pacing. Edward de Souza and Jacqueline Daniel are the English honeymoon couple menaced by a chateauful of vampires led by Noel Wilman. Clifford Evans does a forceful job as the grizzled Van Helsing figure; it's just a pity they didn't develop his character a bit more. Befanged Transylvanian minxes Jacqueline Wallis and Isobel Black add to the sex quotient. Director Don Sharp gets right down to business from a splendid opening sequence set in that oh so familiar graveyard at Bray Studios. The trusty forest location at Black Park - another familiar day's outing for the Hammer crew - is well used, too. If only the bats at the climax looked a bit more real. Not a full-blooded Hammer classic, but quite perfect in its own minor key.