The Show

2017 "It's a matter of life and death."
5.6| 1h44m| R| en| More Info
Released: 21 September 2017 Released
Producted By: Lighthouse Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

An unsettling look at reality television, where a disturbing game show has its contestants ending their lives for the public's enjoyment.

Genre

Drama

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The Show (2017) is now streaming with subscription on Max

Director

Giancarlo Esposito

Production Companies

Lighthouse Pictures

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The Show Audience Reviews

ReaderKenka Let's be realistic.
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.
Kayden This is a dark and sometimes deeply uncomfortable drama
kosmasp Reality TV has gone too far and it should not move any further. Also society might derail if it continues this path. So let's watch out for that. The predictable preachy plot of the movie is one thing and at least it doesn't take any prisoners. But the message is being hammered so hard, that any subtlety is being lost entirely which is a shame.The game show concept we see here and the blood lust of the viewing public is almost comical. Not because of the consequences, but because of the cliches it serves to. So the inciting incident at the beginning will spin the whole thing out of control, but with a very easy to spot goal/target. If you shut out the obvious, you may be able to "enjoy" the movie ... if not you may stay clear from this
Melissa Mendelson We turn our blinders on to the ugliness of this world for there is so much ugliness. The news is a barrage of horrific tales. The internet is infinite with fact and fiction. Games and Apps claim our minds, throwing the white wool over our eyes to distract us, but the scars remain. And we are angry. We are hurt, broken, and mortified at the society that we live in today, and we want escape, an outlet to take us away. But the golden age of television is long dead and burnt to an ugly crisp, and Reality Television is king, shedding light on corners of life that maybe are better never to be known at all. But we got a taste for it now.Our attention spans have shrunken down to the size of dimes, and we may only remember yesterday. But days long ago, ugly videos have crept across the internet, showing horrific scenes of death. In the late nineties, there was a series called, Faces of Death, and even Saddam Hussein's execution was live and viral. Some of us didn't turn away. We watched instead as the lights went out and blood was shed, and maybe we even told ourselves that this was entertainment. But how hard have we fallen to become primal once again, bent on other people's misery and even their death?The sad truth is that we are numb to misery and death. It is no longer fiction. It is entertainment from shows such as Scare Tactics to Ridiculousness to Law & Order True Crime. We have a taste for it. We need it to forget our own ugliness, our own scars and lose ourselves in the lives of others, but what if those others took their lives right before us? Would we look away? Would we feel something, or would we want more, maybe even believing that their death would be justified by a kind deed or promise of a better future? But what kind of future awaits us, if we treat death as nothing but a circus act? The road to hell is paved with good intentions, a hard lesson learned for one, who has spun death around and around like a wheel of fortune, only to have it stop on another's fate, but in the face of death, he could not let go. And in that sacrifice for life did our numbness break for we are not barbarians. We are human, and we feel. And we hate to feel for there is too much ugliness to this life, but sometimes, we need a strong dose of reality to bring us back from the brink. And like with Disconnect and Trust comes The Show, another blunt movie to peel back the layers of society and make us question who we are.
SteverB This was a far better film than I thought it was going to be. The premise seemed a little stale, so I didn't go into expecting much more than a semi-gory splatter film. It's really much more than that. There were some subplots that the film could have done without -- the boy with cancer, for example -- but otherwise the script and acting were very good.I have a feeling that those trashing the film here don't want to face the fact that we as a society could very well be stepping into the realm this movie portrays; that we're only a step or two from bloodthirsty savages. If certain laws had loopholes, and a cable network wanted to air a show like this, it's a pretty sure bet that it would be a hit. We're not talking about a world in this film that is THAT fictional.
Harrison Tweed (Top Dawg) The story/writing was very interesting and what hooked me into watching this film. Right from the start, the score was overbearing. All the main actors except for Giancarlo Esposito (who's performance was outstanding) gave a poor performance, especially Josh Duhamel. What's with this guys cone-head helmet hair? The directing was decent but could have been much better, especially in directing the actors to better perform as most were unconvincing. It's a shame, as this film had a lot of potential. Still, a decent watch and a 7/10 from me.