Solemplex To me, this movie is perfection.

Greenes Please don't spend money on this.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Janis One of the most extraordinary films you will see this year. Take that as you want.

trashgang A Giallo in it's purest form. I came across a lot of advertising for this flick and finally found it at a convention and I don't regret it picking it up. The way it was shot and the score used is typical giallo and the black clothed killer with his hidden face and gloves makes it all perfect.The story is rather simple but that doesn't affect the flick itself because it contains some nasty killings with extremely good effects and even gory and nasty shots. And naturally it also contains a lot of nudity, never full frontal. if you are into giallo's and are afraid to pick one up after the disastrous Giallo (2009) of the master himself, Dario Argento don't doubt it if you come across this one. Worth seeing.Gore 2/5 Nudity 2/5 Effects 3,5/5 Story 3/5 Comedy 0/5

jackierouge I saw it at Sitges this year and i was impressed by the quality of this crazy and bloody Italian flick. Zampaglione clearly knows his stuff and with this new film he shows all his love for the genre. . Tulpa visually looks fantastic,and it's a well performed addition to Italian cinema, most importantly it does what it intends to do, it remains faithful to the Giallo mentality, and breathes life back into a dead area of the horror/thriller genres. Zampaglione even goes as far to bring back the traditional Giallo killer, a dark shadowy figure, with face covered, black hat, and those leather gloves . There are also some incredible and elaborated murders you will never forget. Giallo fans will love this one.

kosmasp If I were to judge the movie and rate it for quality, then one "star"/point out of ten would have been too much. Dialog, acting (if you can call it that), script in general, almost nothing seems to work. If you see it as a horror movie that is. So in keeping in tradition with the latest "Giallo" (not only the movie, but also) by Argento, it stays true to the master by being as ridiculous as possible.Don't get me wrong there are good actors in this and it was produced by the wonderful Marcia Grazia Cuccinota, but those ingredients do not work. Which made me feel a bit bad for the filmmakers and the producers at the Frightfest screening were I watched this. Because most people were laughing and obviously the producers were stunned in a negative way about that development. Something that was one of the things people talked about after the screening.So sit back, relax and prepare yourself for one of the most hilarious comedies you've seen in 2012. Even I had to surrender to the sheer weight of nonsense and couldn't resist laughing. Better than crying, I tell ya

markgordonpalmer TULPA (2012) No giallo, or few, have ever really featured stunning dialogue and wonderful scripts.This was no exception. But the scenes in the s&m club, the odd occult barman, doorman (or door hermaphrodite) and general sense of unease were rewarding. Set in the world of big corporate business, someone is bumping off the boardroom at unnerving frequency. The manner of the deaths of the sharp-suited girls and boys, is dreadful - strung up on a merry-go ride with barbed wire hanging at the edges or locked in a box cut and bruised with a few hungry rats to gnaw away the hours with (in a lovely touch, the unseen man in the box is forgotten about until the end credits, when we go back to him as if we have just remembered there's someone left to save). The film has a witty edge that could be mistaken for being entirely serious - hence some laughs in the audience at FrightFest. Giallo, as a genre, is often at its best when playful and painful in equal measure. This film clearly riffs on classic Italian horror director Dario Argento's work. Interestingly, Argento himself at the start of the festival in an onstage Q&A mentioned that many directors copy his style, sometimes good (as in Black Swan), sometimes really bad. Tulpa I think does reference classic Italian giallo with reverence and good effect, although few crime films are ever much good set in a corporate environment. When Tulpa breaks free from this environment, there's a lot more fun to be had, especially in the warren-like red light-bathed sex club or just escaping up trees in the Italian countryside in the dark. I liked the way the killer grew more and more unhinged like their world was crumbling, about to be found out. I never would have guessed who the killer was. But then, I was having too much fun with the killer's nice (if a little weird) side to suspect.Giallos have featured the occult before, but this one was still a refreshing homage to Hitchcock and Argento and everyone else inbetween -and the cheer when you know who (the odd chap) saved you know who (the pretty one) from you know who (the killer) - wow! That strange bloke needs his own show..mark gordon palmer