Luck

2012

Seasons & Episodes

  • 1
7.4| TV-MA| en| More Info
Released: 29 January 2012 Canceled
Producted By: Red Board Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.hbo.com/luck
Info

A drama set in the world of horse racing focusing on lives of owners, jockeys, trainers and gamblers who are all tied to the same horse track.

Genre

Drama

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Luck (2012) is now streaming with subscription on Max

Director

Production Companies

Red Board Productions

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Luck Audience Reviews

Contentar Best movie of this year hands down!
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
chaos-rampant This was cancelled early, it's unfinished work, so that even after 9 hours of narrative time it feels like only the first few pages have been turned; but were we any better for having seen six seasons of The Sopranos rather than two, did it enrich that much more?I came to it for Mann, one of the preeminent makers of the alert eye in our time, the finished thing turned out to be in the template of The Sopranos and Deadwood where the actors and word are the vessels for drama. It is complex plotwise and immersive enough because colorful characters articulately snarl at each other; but complex expression is not deep intuition, immersion is not concentration. So it might seem like complex work if you get caught up in the schemes for money and ownership and here is where the lack of resolution will disappoint, it ends just as the stage has been set for conflict. But if you don't get tangled up in them, you can discern all that matters. The racetrack as the stage of drama with desperate souls caught viewing by the sidelines at what they have chosen to have a stake in. The Jewish mobster who wants to buy off the racetrack will win against his rival but at what cost to his soul? Loved ones will perish, it could be a grandson or a horse, so that we finally awaken at what had been valuable all this time.It's all in the horses and what they exemplify, magnificent creatures that everyone should spend some time with. Characters of course ignore the horses as anything more than ticket slips that buy them a seat in that arena of spectacle where their presence can be rewarded with the anxiety of winning or losing. To what purpose? So they can carry the drama with them in unfulfilled lives until another scheme the next day.So this is the insight to leave this with, it's in Mann's pilot and the last episode. The horses race marvelously simply for having the exhilarating capacity to do it, there is no "horse race" for them and only running, doing without ego. The viewers watch from the sides transfixed. Would any of this have meaning for them had they not hedged a bet that imbues the beauty with the anxiety and drama of winning or losing? Would they be at all there? Would you?So if you're disappointed that we don't get to find out how any of the schemes pans out (Turo's race fixing, the old man's legal trouble), you become like they are, bogged down in meaningless schemes. Meanwhile what has the capacity to enrich had been right under your nose all this time, simply being there to take care of something for its capacity to be what it is; the woman who arranges the horse caring program for inmates inserts this notion in the small portion we have. But with the caveat that it will not always be there for you to postpone it. A horse might have to be put down. A show might be cancelled.
Board I subtitled five episodes of "Luck", and although at times it seemed promising, and Dustin Hoffman was great as always, it always seemed like it never took off. The pictures were mostly beautiful, and everything was as well-filmed as a great Hollywood thriller, but the storyline couldn't keep up. Every episode seemed to simply faze out in the end with Dustin Hoffman falling asleep in his hotel room. I don't necessarily need a cliff-hanger like in Prison Break, where Michael Scofield said "We break out… TONIGHT!" at the end of each episode, in every single episode of a show like this, but there was barely anything in this show that made me want to watch another episode. Besides this, the dialogue was extremely cryptic. I've been making subtitles for a living for five years. At times I get a documentary about some strange subject I don't know anything about, so I have to look up a lot of things, but never before have I had a fictitious show, where the dialogue has been so difficult to understand as in this one. It wasn't so much that they mumbled, but the lines were just strange. Maybe it was supposed to be the way "real people" speak in this environment, but it didn't exactly help the viewer. This mostly happened when the four friends who were betting on race horses were on screen. They were of course at times using "insider language", but most often it was just non-sense they were talking. Although I'm not American, I doubt if most Americans would understand the dialogue in this show. I was lucky to have a script when I had to subtitle what Nick Nolte said. I would think barely any native speakers would be able to understand what he said, as it sounded like he was speaking through his death rattle.
AMichaelL Luck was an epic show. In only 9 episodes, it weaved together numerous, insanely complex story lines which many people probably had trouble following. But what started as a 'too dense for anything but pretense' project soon turned into an amazingly broad show whose characters included mafia, rounders, trainers, jockeys, agents, horse owners, and many others - to create an incredibly smart show which, in my opinion, sought to expose the world of horse racing to the many who are uninformed, or simply would not normally care. The characters and writing were top notch, and this definitely should have been allowed more time to flesh out.Hopefully another network won't be as scared of PETA and will pick it up.
jkiernan-1 LUCK is absolutely true to the " sport " ( business ) of horse racing . It is indeed a petri dish of our society as 1 reviewer has put it . The cast is sterling . The imposition of slots into the pari-mutuel industry is a fact of life today as well . The aging demographics at the track today underscore the need for other types of " gaming " alternatives for the public to have a reason to visit the " track . " The advent of slots at tracks have enabled the tracks to increase their purses for each race which , in turn , helps to insure that owners will continue to run their horses there . This is a " business " after all as LUCK so accurately portrays .