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To Be or Not to Be

as Maria Tura

1942
Mr. & Mrs. Smith

as Ann

1941
They Knew What They Wanted

as Amy Peters

1940
Made for Each Other

as Jane Mason

1939
In Name Only

as Julie Eden

1939
Nothing Sacred

as Hazel Flagg

1937
Swing High, Swing Low

as Maggie King

1937
My Man Godfrey

as Irene Bullock

1936
The Princess Comes Across

as Princess Olga / Wanda Nash

1936
Twentieth Century

as Lily Garland, formerly Mildred Plotka

1934
Now and Forever

as Toni Carstairs Day

1934
Lady by Choice

as Alabam Lee

1934
The Gay Bride

as Mary Magiz

1934
The Eagle and the Hawk

as The Beautiful Lady

1933
Supernatural

as Roma Courtney

1933
No Man of Her Own

as Connie Randall

1932
Sinners in the Sun

as Doris Blake

1932
Man of the World

as Mary Kendall

1931
The Racketeer

as Rhoda Philbrooke

1929
Big News

as Margaret Banks

1929
Show Folks

as Cleo (as Carol Lombard)

1928
Carole Lombard Carole Lombard

Birthday

1908-10-06

Place of Birth

Fort Wayne, Indiana, USA

Biography

From Wikipedia, the free encyclopedia Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
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