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Everybody Loves Jeanne

as Claudia, mère de Jeanne

2022
My Little Sister

as Kathy

2020
The Staggering Girl

as Old Sofia

2019
The Holy Family

as La Mère

2019
The Escape

as Anna

2018
Amnesia

as Martha Sagell

2015
In a Rush

as Mina

2012
Page Eight

as

2011
The Giants

as Rosa

2011
Final Arrangements

as Nickye

2008
Cortex

as Carole Rothmann

2008
Chrysalis

as Professeur Brügen

2007
UV

as Mother

2007
The School of Flesh

as Madame Thorpe

1998
K

as Nora Winter

1997
Women

as Barbara

1997
Young Catherine

as Johanna

1991
Dark Eyes

as Tina, Romano's Mistress

1987
Joan Lui

as

1985
Wagner

as Mathilde Wesendonck

1983
The Amateur

as Elisabeth

1982
The Formula

as Lisa

1980
Fedora

as Fedora

1979
Bobby Deerfield

as Lillian

1977
Black Sunday

as Dahlia

1977
Marathon Man

as Elsa

1976
Only the Wind Knows the Answer

as Angela Delpierre

1974
And Now My Love

as Sarah / Her Mother / Her Grandmother

1974
Marthe Keller Marthe Keller

Birthday

1945-01-28

Place of Birth

Basel, Switzerland

Biography

Marthe Keller (born 28 January 1945; Basel, Switzerland) is a Swiss actress and opera director. She studied ballet as a child, but stopped after a skiing accident at age 16. She changed to acting, and worked in Berlin at the Schiller Theatre and the Berliner Ensemble. Keller's earliest film appearances were in Funeral in Berlin (1966, uncredited) and the German film Wilder Reiter GmbH (1967). She appeared in a series of French films in the 1970s, including Un cave (1971), La raison du plus fou (1973) and Toute une vie (And Now My Love, 1974). Her most famous American film appearances are her Golden Globe-nominated performance as Dustin Hoffman's girlfriend in Marathon Man and her performance as a femme fatale Arab terrorist who leads an attack on the Super Bowl in Black Sunday, both of them were ill-fated characters at the climax of each film. Keller also acted with William Holden in the 1978 Billy Wilder film Fedora. She appeared alongside Al Pacino in the auto racing film Bobby Deerfield, and subsequently the two of them were involved in a relationship. Since then, Keller has worked more steadily in European cinema compared to American movies. Her later films include Dark Eyes, with Marcello Mastroianni. In 2001, Keller appeared in a Broadway adaptation of Abby Mann's play Judgment at Nuremberg as Mrs. Bertholt (the role played by Marlene Dietrich in the 1961 Stanley Kramer film version). She was nominated for a Tony Award as Best Featured Actress for this performance. In addition to her work in film and theatre, Keller has developed a career in classical music as a speaker and opera director. She has performed the speaking role of Joan of Arc in the oratorio Jeanne d'Arc au Bûcher of Arthur Honegger on several occasions, with conductors such as Seiji Ozawa and Kurt Masur. She has recorded the role for Deutsche Grammophon with Ozawa (DG 429 412-2). Keller has also recited the spoken part in Igor Stravinsky's Perséphone. She has performed classical music melodramas for speaker and piano in recital. The Swiss composer Michael Jarrell wrote the melodrama Cassandre, after the novel of Christa Wolf, for Keller, who gave the world premiere in 1994. Keller's first production as an opera director was Dialogues des Carmélites, for Opéra National du Rhin, in 1999. This production subsequently received a semi-staged performance in London that year. She has also directed Lucia di Lammermoor for Washington National Opera and for Los Angeles Opera. Her directorial debut at the Metropolitan Opera was in a 2004 production of Don Giovanni. Keller has a son, Alexandre (born 1971), from her relationship with Philippe de Broca. Description above from the Wikipedia article Marthe Keller, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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