3x3D

2013
5.9| 1h10m| NA| en| More Info
Released: 22 May 2013 Released
Producted By: FUNDAçãO CIDADE DE GUIMARãES
Country:
Budget: 0
Revenue: 0
Official Website:
Info

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Genre

Drama, Comedy

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3x3D (2013) is currently not available on any services.

Director

Jean-Luc Godard, Peter Greenaway, Edgar Pêra

Production Companies

FUNDAçãO CIDADE DE GUIMARãES

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3x3D Audience Reviews

Greenes Please don't spend money on this.
Listonixio Fresh and Exciting
Borserie it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
otaran Earlier I watched many movies of JP Greenaway, some films of Jean-Luc Godard and not watched Edgar Pêra movies at all. I was watching a 3x3D movie on Kyiv Molodist festival - I was interested to see how the maitres can work with new 3D technologies. I am proposing to evaluate each parts of movie separately: JP Greenaway, shot a postcard with vignette, rating 6 for past achievements, we have seen nothing new - for example "A TV Dante" (1989)film - "A dazzling and inventive piece of video-image making...an eye-stitching use of television" according to The Guardian. Edgar Pêra, shot a student skit, rating 4, funny, dizzy from the 3D effects. Jean-Luc Godard, shot nothing, rating -1(negative), used to be a great master, the expectations was to high. Average rating 3=(6+4-1)/3.
NewID Peter Greenaway gets a new dimension for his already multi layered visual style which is very appropriate that you will want Tulsa Luper Cases in 3d version. This time though only wandering around a historical place with many information floating free of time, that you would not get this powerful experience with a real visit to there in real 3D world.Edgar Pêra sees this new 3D hype as the first days of cinema where people were afraid of the train coming on them, and accepts that people as true believers of cinema.Godard talks about when everything gets 1 dimensional, collapsed in a Hiroshima Mon Amour style, and underlines that you can never fully translate real life to cinema.