A Bullet for a Stranger

1971
6.1| 1h34m| NA| en| More Info
Released: 23 September 1971 Released
Producted By: Flora Film
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Info

John and George McIntire are a couple of naive brothers who travel to a lawless western town to see their father. The bumbling siblings get themselves into big trouble after they beat up a member of a gang of extortionists. Fortunately, a mysterious roving gunfighter decides to help the guys out of their jam.

Genre

Western

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Director

Giuliano Carnimeo

Production Companies

Flora Film

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A Bullet for a Stranger Audience Reviews

Stometer Save your money for something good and enjoyable
FeistyUpper If you don't like this, we can't be friends.
RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Chris Haskell Seriously, where did Spaghetti Western Comedies go? The literal translation (best I could do) is "The Smoking Colt ... Call Him Cemetery" and don't worry about the fact it doesn't translate well, every other portion of the movie does. There is an amazing theme song, good humor, plenty of gun fights, just in general a real positive energy throughout the entire film. The quality of the print was pretty awful, so I hope someone picks this up and restores it. The man called cemetery is a grizzled veteran of Westerns All'Italiana who appeared as the anti-hero several times and knows how to stare down a bad guy and can not-be-bothered-while-people-are-shooting-at- him with the best of em. Take the time out to watch this forgotten gem.Rating: 30/40
Chung Mo Written by the director of the famed Trinity comedy western films and directed by man who helmed 3 of the four official Sartana films, this outing works and doesn't at the same time.The story of two greenhorn brothers fighting against a gang terrorizing ranchers is trite and only provides a reason to bring together the two main characters of the movie, Ace of Hearts/Cemetery (played by Garko) and Duke (played by Berger). Both are uber-cool bounty hunters who know and respect each other well and find themselves in a situation where they are working for opposite sides. Whenever these two actors are on the screen, either together or solo, the film is interesting. The direction is uneven as well, sometimes it's very stylish and well photographed, other times banal and full of gratuitous zooms. The script might have worked if the English actors who were chosen for the greenhorn brothers weren't so miscast. Bruno Nicolai's theme for the film is great but, like many of these films, it is repeated to the point of near insanity. The audio is very muffled in the English soundtrack and the print going around at this time is slightly cropped.So it's not a complete waste of time, if a better print ever shows up I might watch it again.
ma-cortes This exciting picture displays Western noisy action , gun-play , fun situations and bits of humor. The film gets the comic remarks from Western parody united the features of typical Spaghetti . ¨Camposanto¨ is an entertaining SW with lots of mayhem , crossfire and funny incidents and fun ; however , being slightly mediocre . This time the new hero is named Camposanto o Cemetery (John Garco) who looks exactly like Sartana , he is a tidy and rapid gunfighter . Camposanto protects a young pair of brothers , sons of a baron land whom is blackmailing some hoodlums (Ivano Staccioli) . Cemetery join forces with Duke (Austrian actor resident in Italy named William Berger who played several Westerns and unforgettable co-starring in ¨Sabata¨ as the banjo man) , another blond and long-haired gunslinger against nasties who are suborning cattlemen . The dark , elegant hero , a freelance gunman , named Camposanto (Gianni Garco or John Garco) appears to chase the nasty gunfighter and discovers the rackets and killings . The confrontation will be inevitable between the town's despots , a cruel murderous , and , of course , Sartana .This first movie on Camposanto character starred by Gianni Garco is plenty of action , shootouts , tongue in cheek , double-crosses, twists and loads of violence . This bewildering picture gets the humorous remarks from Western parody combined to features of Spaghetti . Camposanto is another hero of second class in the S.W. genre as Sabata (Lee Van Cleef) , Sartana (Gianni Garco) or Cuchillo (Tomas Milian) . Cemetery character bears remarkable resemblance to Sartana . ¨Cemetery¨ or ¨Camposanto¨ is a two-fisted and tough gunfighter with technical weaponry (like a Western James Bond) and a lot of tricks similarly to previous Sabata . Giuliano Carmineo , alias Anthony Ascott, directed various Sartana with George Hilton who replaces Gianni Garco , as Hilton played more natural and roguish than Garco who was cold and peculiar . This entertaining picture gets the humorous remarks from Western parody combined to features of Spaghetti . The movie gets the usual Italian Western issues , such as : greedy antiheroes , violent facing off , quick zooms , exaggerated baddies , among them . It appears secondary actors who are habitual in Italian Western and Peplum genre , such as : Nello Pazzafini , Ivano Staccioli and Rick Boyd . Special mention to androgynous Franco Ressel , Spaghetti's customary as a powerful tyrant . Enjoyable musical score by Bruno Nicolai , Ennio Morricone's usual collaborator , full of guttural sounds and whistles . Average cinematography by habitual Stelvio Massi and atmospheric set decoration by Carlo Leva .The picture was regularly directed by Giuliano Carmineo or Anthony Scott , subsequently he directed another Spaghetti-hero named Sabata with Gianni Garco in the title role . Giuliano Carmineo realized several Spaghettis , most of them featuring mainly the same cast again , such as "Di Tresette Ce N'è Uno, Tutti Gli Altri son Nessuno" ,"Lo Chiamavano Tresette... Giocava Sempre Col Morto" that actually was the last time George Hilton/Chris Huerta and Carnimeo worked on such a western comedy together , ¨The moment to kill¨, ¨Find a place to die¨ , ¨Uomo Avvisato Mezzo Ammazzato... Parola Di Spirito Santo¨ (original title) or "His Name Was Holy Ghost" , ¨They call me Hallaluya¨ , and the Sartana movies : "Have a Good Funeral, My Friend, Sartana Will Pay" , ¨Sartana the gravedigger'(69) ,"Sartana's Coming, Get Your Coffins Ready" , ¨Light the fuse Sartana is coming¨(1971) , among others . Giuliano also directed other kinds of genres , as Sci-Fi : ¨Exterminators of the year 3000¨, ¨Computron¨, Giallo : ¨The case of the bloody iris¨ , Crime thriller : ¨Secrets of a Call Girl¨ , Buddy movie films : ¨Convoy Buddies" or "Kid Stuff" , "The Diamond Peddlers" . This "They call him Cemetery¨ is clearly inferior to his entries in Sartana series . Rating : 5.5/10 . Acceptable and passable .
Woodyanders George (likable John Fordyce) and John McIntire (the equally engaging Chris Chittell) are a couple of naive brothers who travel to a lawless western town to see their father. The bumbling siblings find themselves in big trouble after they beat up a member of a gang of extortionists. Fortunately, shrewd and lethal mysterious gunfighter Camposanto (the great Gianno Garko, as smooth and charismatic as ever) decides to help the guys out of their jam by teaching them how to fend for themselves. Director Giuliano Carnimeo, working from a blithely silly and playful script by Enzo Barboni, relates the breezy story at a constant brisk pace, maintains a properly lighthearted tone throughout, and stages the wacky slapstick brawls and energetic shoot-outs with real verve (the climactic thrilling and dynamic confrontation between our heroes and the bad guys in particular seriously smokes). William Berger delivers a terrifically assured and commanding performance as crafty and deadly rival gunslinger Duke; the easy and natural chemistry between Berger and Garko makes all their scenes together a total pleasure to watch. Bruno Nicolai's rousing, twangy, and spirited score hits the stirring spot. Stelvio Massi's lively widescreen cinematography boasts a lots of crazy zooms and fierce pans. An immensely enjoyable and often amusing comedic romp.