All the Pretty Horses

2000 "Some passions can never be tamed."
5.8| 1h57m| PG-13| en| More Info
Released: 11 December 2000 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://alltheprettyhorses.com/
Info

The year is 1949. A young Texan named John Grady finds himself without a home after his mother sells the ranch where he has spent his entire life. Lured south of the border by the romance of cowboy life and the promise of a fresh start, Cole and his pal embark on an adventure that will test their resilience, define their maturity, and change their lives forever.

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Director

Billy Bob Thornton

Production Companies

Columbia Pictures

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All the Pretty Horses Audience Reviews

Cubussoli Very very predictable, including the post credit scene !!!
SoTrumpBelieve Must See Movie...
GazerRise Fantastic!
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
tomcollinsrocks Billy Bob Thornton is a real director in my eyes. He really outdid himself on this one. The shots were great, the music was perfect, the actors did a great job and the story was very heartwarming. Thank you Billy Bob Thornton, Matt Damon ,Henry Thomas,Penelope Cruz and Ted Tally ! I'm sorry I didn't see it sooner! The Old West is an expensive and not an easy thing to recreate but this film flows right through to the end. Having a good book to start with is a major plus so hats off to Author Cormac McCarthy too ! This movie is a 10 ! I can't say enough so if your surfing around on Netflix, please check it out even though it's already 14 years old.
Robert J. Maxwell It's post-war Texas. Matt Damon and his buddy team up and ride across the Rio Grande to seek their fortunes. They meet, and lose, a sixteen-year-old companion along the way. They find a job at a Mexican horse ranch. The owner takes a shine to Damon, a buckaroo who knows his quarter horses.Then, alas, buscar a la mujer. The owner's daughter, the delicious Penelope Cruz, shows up. She and Damon throw a few winks at one another and the next thing you know they're rolling around in the sack like two coyotes in heat. It's a fast, unexplored, and improbable romance. And, mind you, she is the owner's daughter and not meant for the likes of a handsome young Yanqui who owns nothing but his horse and saddle. Cruz's father and aunt get wind of this. Damon is warned but he cares not.Pow -- Damon and his buddy are in a Mexican prison, charged with something or other. The sixteen-year-old wastrel they met on their way through the majestic mountains is also incarcerated, charged with the murder of two or three people, one of them a police officer. There is no capital punishment in Mexico, so after the corrections officers break the kids ankles they take him out in the desert and shoot him, while Damon and buddy watch helplessly.The two Americans are bailed out by the wise and honorable and candid aunt of Penelope Cruz. Damon, alone, decides to return to the rancho and get it on again with Cruz. But he's brought before the stern aunt who tells him candidly that it's impossible. She gives him money and a horse and tells him to leave. Damon protests that he loves Cruz. "We all are cured of our sentiments," she tells him. "If life doesn't cure us, death will." It's a pretty good exchange. I assume it was lifted intact from McCarthy's novel.The performances are pretty good too. Both Damon and his amigo, Henry Thomas, are convincing as polite but determined Texas youngsters, the kind who "won't change my mind because it's made up, and I'm not the kind of guy who changes his mind once it's made up" -- to quote another Texas youngster who became president. They're well brought up. "Yes, sir." "No, sir." I don't know how Cormac McCarthy, born in Rhode Island and raised in Appalachia, could have pinned down Southwestern character so well.Billy Bob Thornton's direction has it finer touches. He doesn't spell out the obvious for us. When the miscreant kid is taken out to be shot, the execution takes place off screen and we hear only two separate gunshots and we see only the expressions on the faces of Damon and Thomas.At the same time I wish Thornton had been able to avoid three common clichés, despite their pedigrees: choker close ups (Sergio Leone), slow motion (Pekinpah), and freeze frames (Truffaut).It's a long and languid tale of an adventurer barking his shins against reality. It starts slowly but it picks up momentum as it moves along. And each time we think we've reached a climax, there's another one around the corner. The final one is a conversation between a remorseful Damon and a gentle judge, Bruce Dern, and it seems anti-climactic because heretofore Damon hasn't shown the slightest regret at the mayhem he now confesses to and appears to regret.
djdrew103 It's not "True Grit" but it has its own purpose that deserves far better ratings than some give it. Some people tend to take their "mood of the day" and enlist it in their otherwise bland perception. This movie deserves more. It's not high excitement, and action adventure, but its noteworthy.A simple story of three young riders that pursue a goal to travel to Mexico to take stock of a situation concerning legitimate horse trading and breeding, and how the ethnic differences and history divide and interrupt otherwise normal life sometimes to inevitable consequences.Tragedy, sickened personalities and lack of justice involve the audience into what one can't help but be pure genuine interest in the plot and storyline.Dull to some, but life wayn't chuck full of lightnin' fast draws and gun playin' nor overwrought with nothing other than second by second action scenes but more of an intrigue in personalty, honorable characterizations and simplicity of human nature and sometimes it's flaws fighting itself for virtuosity performed and carved out of the countryside between Mexico and the U.S.The eventual climax of the movie should leave the viewer with a satisfaction for watching a movie that didn't waste your time.
J B All the Pretty Horses had its entertaining moments with believable characters, but it failed to capture the book's nostalgic luster. For the most part, All the Pretty Horses followed the generally accepted rule that books are usually better than the movies that are made after them. While it at least followed the same general plot of the book, it also shortened nearly every major episode, which down played the depth and general tone of nearly every scene. Pivotal moments were built up to a crescendo in the book, whereas the movie tried to speed through John Grady's story in an limited amount of time. Sitting at just about 2 hours long, the movie could have(and should have) been made longer to give each epic moment some gravity. In my opinion Billy Bob Thorton may have gotten a better response if he had not punctuated the most dramatic, raw, and realistic moments that the story had to offer in order to keep the movie at a popular time length. However, it had a good western feel in relation to the scenery and landscape. The acting is good enough and does a decent job at character development. To someone who enjoys this genre and has not read the book, there is a good chance it will be enjoyed. This movie may not be entertaining to those who expect a realistic and rugged style of a western, such as McCarthy's No Country for Old Men. For others, the natural beauty and John Grady's character development makes All the Pretty Horses a memorable watch. Reading the book could make all the difference.I have enjoyed a lot more westerns than this one, a lot more, but I would also probably keep watching it if I came across it on T.V. Go ahead and give it a watch. 5.75/10