Alleluia

2014 "Fervidly dark lovesick horror inspired by the real-life criminal duo, the Lonely Hearts Killers."
6.2| 1h33m| NA| en| More Info
Released: 26 November 2014 Released
Producted By: Savage Film
Country: France
Budget: 0
Revenue: 0
Official Website:
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Michel, a murderous womanizer, meets introverted Gloria online and treats her to a whirlwind one-night-stand. Offering herself as an accomplice in his seductive crimes, the unhinged lovers embark on a deadly odyssey amplified by wild sex, unbridled jealousy, and passionate forays into the dark arts. This smart and gory shocker breathes new life into the lovesick horror genre to serve up a chilling tale of white-hot desperation and terrifying devotion.

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Director

Fabrice Du Welz

Production Companies

Savage Film

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Alleluia Audience Reviews

Rijndri Load of rubbish!!
Limerculer A waste of 90 minutes of my life
CrawlerChunky In truth, there is barely enough story here to make a film.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
billcr12 This is yet another remake of the Honeymoon Killers. It is very loosely based on the infamous Martha Beck and Raymond Fernandez lonely hearts murderers. The real life killers would answer ads and Ray would seduce widows with Beck posing as his sister. They would take the money and run after killing the old ladies. This Belgian version changes the tale dramatically with the pair seducing younger women. The acting is good but I was not thrilled with the story line. I recommend The Honeymoon Killers as a much better movie. Tony Lobianco and Shirley Stoler are perfectly cast as the murderous pair.
mrodent33 This is compelling viewing. One of the funniest films I've seen in a long time.The problem is that I've lived in France and can only take a certain amount of naive French ideas about "la passion" seriously. Without wanting to give away any of the plot, I believe most people in most countries will be able to watch this and laugh out loud most of the time.At it. Not with it.
paul2001sw-1 Fabrice du Welz's film 'Alleluia' could be described as a hybrid true-story/horror/comedy film, and you don't get many of those. A lonely woman hooks up with a con-man: in theory, they'll make their fortune together, but his business is the seduction of his victims (indeed, that was how he met his partner) but she is pathologically jealous of each of their supposed marks. Cue some brutal scenes, and some quite imaginative, effective and genuinely portrayals of what it is like both inside and outside of her head. As for him, he shrugs his shoulders each time a con-trick ends in an unwanted early bloodbath, and moves onto the next target. It's clever, but the protagonists are so crazed, and so devoid of anything resembling a conventional moral compass, that it's hard to feel too sympathetic or involved. But the disastrous duo are at least fresh on our screens, like Bonnie and Clyde in the hall of mirrors.
sugarfreepeppermint Based on the same true terrifying history that was the blueprint for Deep Crimson (1996). It shares with that film, the same naturalness in which the warped way of thinking of the murder spree couple is relayed. However this 2014 version is set in Belgium, and there is a lot of deviant sex and gore-ish bloodshed on display. Despite being rather squeamish myself, the magnificent acting and the story itself held me captivated from beginning to end. The director treats us to various cinematographic effects (sometimes music video like) to create a certain mood; in particular to embellish the perverse. Despite, the gruesome content of the film, there were moments where I was in stitches with laughter, because the main actress, Lola Duenas, was so convincing in her role, that when she was howling with laughter, so was I. The same goes for male main actor, Laurent Lucas. Both manage to convey excellently the pitch black humour present in the script. The song featured half way throughout the film, out of left-field momentarily converting the film into a musical, also adds to the macabre aura of the main character, and is a -break the fourth wall- moment, intensifying the creepiness you are then irrevocably immersed in. This song is fully fleshed out into an electro track to great effect for the final of the film. So it's not just randomly inserted in there.The Belgian director / writer of this film has certainly proved that he is a master of his craft (and in my opinion far outshines his French contemporaries).