Amy

1998
6.7| 1h44m| NA| en| More Info
Released: 27 August 1998 Released
Producted By: Australian Film Commission
Country:
Budget: 0
Revenue: 0
Official Website: http://www.amythemovie.com/
Info

Amy's father, Franco, was a popular rock musician accidentally electrocuted while performing on stage. The psychological trauma leaves Amy mute and deaf. So the 8-year-old is brought by her mother, Tanya, to Melbourne to diagnose the reasons for her continued silence.

Genre

Drama, Comedy

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Director

Nadia Tass

Production Companies

Australian Film Commission

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Amy Audience Reviews

BlazeLime Strong and Moving!
GurlyIamBeach Instant Favorite.
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Alasdair Orr Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
jesshall Amy is one of the first Australian movies in a long time to hit a true cord! For those that have hit a hard time and know what it is like to live on the outskirts after having been given a glimpse of the high life, this movie will hit home.Performances by Rachel Griffiths, Alana De Roma & even Nick Barker are outstanding.The soundtrack complimnents the film from every angle Nick Barker has outdone himself.This is a movie that that moves and is capable of making us all feel.On a side note even those of us that find Ben Mendelson annoying can live with his performance in this film!
rumagent While this movie starts out pretty well. However, it soon degenerates into utter rubbish. It begins well enough. Interesting characters, good cast and what looks to be a good story, but soon whatever promise was there to begin with is drowned in 80 minutes of happy ending and increasingly horrible singing. In the end, I wish I was the one being deaf.I rated it 2/10. Gigli is worse - but not much!
grinna I liked this movie but I was a bit confused as to what sort of movie it was - I would say it was a pot pourri of type. Was it a drama with quirky little pieces of dark comedy and surrealism thrown in for good measure? One wonders whether the director or producers could not make their minds up as to what type of movie it would be. Perhaps everyone got their way. It might have made more at the box office if it had been a children's story - which it probably is, if you take out the swearwords, and family violence etc. In my opinion, this great cast of actors might have been a little bit let down by the script, which could have built better stories of victory over adversity with each character, and also added a little more surrealism.This movie certainly showed some dramatic snapshots of some of the lives and situations of people living in Australia. The coppers singing whilst searching for Amy was fantastic. Mendelsohn's 'lyrics of life' were also deep and meaningful.Alana De Roma's performance as a singer and actor were excellent. Golly, has she got a future!I would rate this movie as a 6.5 out of 10; well worth watching.[Was it a touch of irony that one time Melbourne rock legend Bobby Bright played the busker on the street? Why wasn't he singing "Hitch Hiker"?]
Steve Baker The latest film from Australians Nadia Tass and David Parker (Malcom, The Big Steal, Stark, Mr Reliable, Ricky And Pete and Pure Luck) works superbly in some respects and woefully in others.A little girl (Amy Enker) sees her rock star father (Nick Barker from The Reptiles) die from electrocution on stage. She then seems to be unable to speak or to even hear others. Her mother (Rachel Griffiths) refuses to have her daughter taken from her by welfare and they hide out in inner city Melbourne. There they meet assorted misfits and desperates including a musician called Robert (Ben Mendelsohn).These film makers enjoy adding a slight touch of surrealism to their movies, especially to the peripheral characters. In Amy this takes the form of stupid eccentrics, in particular singing policemen, which some may find the most appealing element of the film but which I found annoying; only a distraction from that which is so much more effective.The dramatic aspects of Amy are particularly strong. Rachel Griffiths and Ben Mendelsohn are two of our most emotive actors. The essential element of the film is the emotional pain the little girl and her mother are enduring caused by the death of a man they both loved dearly. Their grief is strongly portrayed.The search by these two for a solution that may allow the daughter to escape her self imposed withdrawal from the world is poignant and demanded a film that steadfastly remained a drama.Dad's electrocution, an utterly hateful paparazzi photographer and a helplessly crying young lad reeling from domestic violence and drunkenness are all I needed from Amy. The rest didn't fit at all.It was also pretty unlikely that the little girl could sing so well, but hey, that's entertainment!