Angels Crest

2011 "One town. One life. One wrong turn."
5.7| 1h32m| R| en| More Info
Released: 30 December 2011 Released
Producted By: Process Film
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.magpictures.com/angelscrest/
Info

The small working-class town of Angels Crest is a tight-knit community resting quietly in one of the vast and stunningly beautiful valleys of the Rocky Mountains. Ethan, one of the town's residents, is a young father but not much more than a kid himself. He has no choice but to look after his three-year-old son Nate, since mom Cindy is an alcoholic. But one snowy day, Ethan's good intentions are thwarted by a moment of thoughtlessness, resulting in tragedy. A local prosecutor haunted by his past goes after Ethan, and the ensuing confusion and casting of blame begins to tear the town apart.

Genre

Drama

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Director

Gaby Dellal

Production Companies

Process Film

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Angels Crest Audience Reviews

Clevercell Very disappointing...
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Leofwine_draca I watched this film because the DVD cover fooled me. It renamed the movie as ABANDONED and featured an intense cover featuring a snowbound corpse and what looked like a hunter. Could it be an horror/thriller type film? The answer is nothing like. This is instead a small, community-focused drama entitled ANGELS CREST, made in Canada, and a film where virtually nothing happens for the entire running time.The story is about a little kid who wanders off in the snow and ends up dying. This proceeds to act as a catalyst for all the relationships between the local townsfolk to implode at which point everybody blames each other, scapegoats emerge, and everyone spends the whole movie arguing. A few familiar faces, like Elizabeth McGovern and Mira Sorvino, show up and give quite horrid performances. There's very little incident and just a whole lot of unlikeable characters who you just wish would get off the screen. No atmosphere, no suspense, and very little drama, ANGELS CREST is a real bore.
G Connolly There is nothing challenging in the screenplay of this film, and the decision seems to have been taken to create a movie of a kind of easy access. It tries to treat a terrible occurrence in everyday lives, in a normal, small town community in those very terms, without making anything sensational.The film deals with issues which are always relevant to so many people - loss, guilt, coping, addiction and, let me say kind of demonology perhaps in authority - in the most basic terms. Unlike similar kinds of films, this one never thinks it knows, never thinks it has to go beyond the fundamental realities of these situations in order to picture them well. For me, this leaves a lasting impression and means that I can think about these issues actually, much more easily than if I had not seen this film. That's a rare occurrence in movies, to me. Usually I find that my mind is vacuumed by the end of a film, whether or not it was said to "deal with" issues or treat issues for discussion or awareness in the audience.A nice, serious film which seems to present something of real life. Certainly of real life concerns, without patronising, feeling the need to suggest that life is more than life really is, nor getting lost in a fictional world of fantasies that have no real meaning for humans today.There are twists, and the elements develop which allow the viewer to make conclusions for himself / herself. This then becomes the essence of this movie beyond the lovely cinematography, the latter becoming as an echo the expression of the ongoing, inexplicable beauty in life, a backdrop to the pain, struggles and torture.Though the script is simple, with no pretensions or irrelevant ambitions, some viewers looking for something else may consider this a weakness in the film. For myself, it is a very strong point in a well crafted piece, from original idea, through very good, simple dramatic acting, to a full, beautiful, simple, understated presentation in the whole production.
jfarms1956 This movie is for the over 30 crowd. There is not enough action in it to hold interest for younger viewers. There is too much time spent in the movie with people running around and cursing one another. The actors try to do a good job, but with a bad script, it makes it difficult. The movie should not have spent so much time with the people running around trying to find the boy and condemning each other. More time should have been spent after finding the boy and contemplating what it meant to each of them (fewer supporting cast members). Loss of a child is more of a personal tragedy. The finding of the child did provide poignant moments. I would not watch this movie again, but I can understand how it might help those who have lost children knowing that others suffer as well. Bad things happen to good people. If movies can't entertain or teach, they should be able to help us somehow in our own lives. I give it 3 thumbs for those it might help.
Valntime1 I am Paul Wayment's sister and this movie doesn't even remotely resemble my brother's life... It was a cowardly attempt to write a story and present it in a way that cheaply takes pieces out of a horrific real life situation and pass it off as cinema.The story of my brother Paul and his son Gage is heart breaking...and teaches human frailties and timeless lessons. Please don't compare this piece of trash to my brother's tragedy. The Pulitzer Prize written story about Paul Wayment is a more accurate piece than what was loosely written in a book or screenplay. A story as haunting as my brother's needs to be told as a true story. There are countless lessons to be drawn but this movie takes a powerful story and destroys any good that could have come from it. Sorry hated it.