Attila

2013 "Back from the Dead"
2.1| 1h30m| NA| en| More Info
Released: 31 December 2013 Released
Producted By: The Asylum
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.theasylum.cc/product.php?id=232
Info

When American soldiers inadvertently steal Attila the Hun's secret riches, the wrath of the barbarian is awakened; the mummified warrior will stop at nothing to kill the intruders.

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Director

Emmanuel Itier

Production Companies

The Asylum

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Attila Audience Reviews

Moustroll Good movie but grossly overrated
Reptileenbu Did you people see the same film I saw?
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Armand a bad movie ? not exactly. only awful. small ordinaries tricks, blood and fake history's use. and a film about nothing with ambition to became a series. absurd, illogical but useful like each bad movie for a strange form of fun who has not the status of irony but only surprise. it is not original, only clone of clone of clones of many stupid movies who are not sense, not script, not actors and represents just a small place near hard pornography. because the source, maybe the purpose are the same. only problem after its end is the choice of Hun leader. which is his huge sin for be victim of this form of cultural garbage ? so, only mercy for the poor Attila saves the film for few days after the meeting. but it is far to save it in real sense.
Paul Magne Haakonsen Alright, well what can be said, this is definitely not one of the finest moments in the movie-making history of The Asylum. When I saw their logo on the screen as the first thing, I sort of lost motivation to watch this movie. And had I checked IMDb first and seeing how the movie has been rated, I would have stopped dead in my tracks and spent my time on something else. But then again, from time to time (rare as it might be, though), The Asylum do manage to put out a movie that surprises and turns out to be great. "Attila", however, was definitely not one of those rare instances.The storyline in the movie was adequate, take it for what it is; supernatural nonsense without any coherency towards realism. This movie is a no-brainer; the type you could watch during a really bad hangover.The acting in the movie was wooden and rigid, and that really did nothing to help lift up the movie. But the acting wasn't the main detraction against the enjoyment of the movie. It was the effects and the stupidity of it all.This movie failed on so many occasions and accounts. First of all, what scientist with a significant discovery in the staff of Moses, would examine it so carelessly and without protective devices, such as gloves, brushes, etc. to preserve the found and not contaminate it? And the scene itself where he cuts his finger on the unnaturally ragged and sharp teeth of the corpse was so forced and staged, it looked like he wasn't even trying to make it look like an accident. And what happened to those fangs once the corpse resurrected, they just turned into normal teeth, right...As for the subject of the found piece of the staff, sure I can buy into blood resurrecting the long dead Hun warrior, given the supernatural storyline, but where did his pristine outfit come from? And why was it only his face that was a decayed zombie-like visage, while the rest of his body was ordinary whole and without a trace of decay?Proceeding with the awakened Hun warrior; bullets fired against him produce sparks upon impact with his person. Wait, what? Seriously? So the guy is made of metal? It was just ridiculous. And how would a person from the period of Attila know how to roll under a moving car, directly under the chassis to break the car and take it out of commission? I was laughing so hard when I saw that scene.The movie's cover looks alluring and interesting, but it is so far from the actual contents of the movie as it could almost physically be. Do not get suckered in by the cover, because you are setting yourself up for a most horrible disappointing.If you enjoy super campy and cheesy movies with horrible story lines and even worse effects, then you might find some perverse enjoyment in watching "Attila". Otherwise, then I wouldn't really recommend that you spend your time on this particular movie.
Max_Lucas I have never seen anything good come from Asylum. I gave them at least 20 chances to prove their name to me. But lets face it, Asylum movies = 1-2 star rated movies. It's an insult to us to think we would enjoy these. My question is, even with such poor ratings and name stealing titles how do they stay in business!? I for one would like to see them gone. I wish actors would realize that doing an Asylum movie is actually bad for their career.This movie is just another typical Asylum Movie. Low budget, poor acting and directing. Boring. Special effects are a joke. Maybe if I lived in a state where pot was legal and I was high as a kite, I might find a movie like this or any Asylum movie entertaining? Probably still not.This movie was their last chance to show me something good. They failed. I will no longer watch anything made by Asylum. I hope others who feel the same way do the same thing and not support them in any way.
rcarterphotography "Attila" contains action, plot and story-line reminiscent of movies made in the 1950's. The easy- to-follow story, fast paced action and of course..lots of blood reminded me of my youth sitting in a small-town theatre on a Saturday afternoon. If "Attila" were done in black and white I would have questioned the filming date. Under the direction of Emmanuel Itier I believe "Attila" hits it's mark. Cheik Kongo shows his incredible athleticism as the Nomad and scares the bejesus out of you without the utterance of a single word. Chris Conrad's portrayal of "Vito" makes him a believable hero and Mikayla Campbell's "McVee" the perfect heroine. Stunts were all too prevalent and often made you wonder "How'd they do that?". Xin's martial arts work was true artistry. Other strong performances came from Hossein Mardani as "Fleetwood" and Poncho Hodges as "Bulldog". Would like to see more from the screen writing team of Anthony Ferrante and Emmanuel Itier.