Baby's Day Out

1994 "No Bib. No Crib. No Problem."
6.2| 1h39m| PG| en| More Info
Released: 01 July 1994 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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Baby Bink couldn't ask for more: he has adoring (if somewhat sickly-sweet) parents, lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents—especially the three enterprising kidnappers who pretend to be photographers from the newspaper. Successfully kidnapping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.

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Director

Patrick Read Johnson

Production Companies

20th Century Fox

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Baby's Day Out Audience Reviews

SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Humbersi The first must-see film of the year.
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
tdrish Picture "Home Alone", subtract the bratty eight year old boy, add a baby, and instead of home, you have a baby wandering the streets from two bumbling rejects. That's Babys Day Out! This 1994 classic comedy fails and succeeds all at the same time. Perfect for little kids, but falls short of any high expectations from anyone with an average IQ. Some scenes stand out, some fall completely flat on the face. ( The gorilla protecting the baby from the crooks was priceless! Funny to the bone!) The story is paper thin, as Babys Day Out relies heavily on the "slip on the banana peel" jokes that will leave half the audience laughing, and the other half saying "this is stupid". Two grown men think they've mastered the ultimate plan: kidnap a rich family's baby for ransom. Unfortunate enough for them, their plan is sabotaged by the child himself, who is leading them through a maze of mousetraps. It's a cat and mouse chase to get the baby back, so that they can get their payday, however, the baby is just too smart for them. The guys just fall into trap after trap, everything from a construction site, to a zoo, and not to mention the baby's own drool as a handy little defense from these bozo creeps from hell. Babys Day Out is highly unbelievable, but entertaining nonetheless. Also, it seems as if the baby's day out isn't random, but following the story according to its favorite book! Fun, fun, fun. It wasn't fun watching the baby facing a few perils, a few very dangerous perils, however, the timing always seems perfect, and the child always comes out harmless. As I said, perfect for children, since the profanity is close to zero, however, it doesn't offer anything new that hasn't been done thousands of times before. Most will ignore it, and watch this with a smile, which I'm sure is what Hughes wanted in the first place.
Erik Goetz This movie was capital G Good. I liked the three criminals the most. You had the weaselly thin one Norby (the brilliant Joe Pantoliano), the big goofy one Veeko (a breakout performance by the criminally underrated Brian Haley) and then the "smart" guy Eddie (and when I say smart, you will see that none of them are that smart) played by Airheads and Godfather 3 legend "Fat" Joe Mantegna. Three classic performances that carry the whole movie. I don't want to give too much away, but don't go to the bathroom when they get to the gorilla exhibit. Or the construction site!!! Those scenes almost made me go to the bathroom on my futon!!! The baby gets pretty boring after a while, but it's fun to think about how they had to keep rotating the twins every time one started crying or whatever.
iroquoisjoe ...make them watch this movie.I was seriously praying for it all to end long before end credits scrolled (...my end or the movie's end. I wasn't choosy at that point).I laughed once. It was a moment of weakness. I'll tell you exactly when it came. After the excruciatingly unfunny (and unnecessarily long) baby-burning-man's-crotch scene there was the actual moment when the fire had to be put out and watching one of the kidnappers vigorously stomp on Joe Mantegna's groin in an enthusiastic attempt to extinguish the flames actually made me chuckle out loud. The happiness was short lived.Eventually, I was fantasizing about someone kicking me vigorously in the gonads to distract me from the rest of the movie. It was seriously that bad.The 'who cares' implausibilities about what was happening to the baby in question was only separated by the melancholy acting of the 'mother' and 'nanny'. I don't know which was worse.Ultimately...torrent it (don't ever pay for this) and keep it on hand in case you have to go all Jack Bauer on your neighborhood Al Qaeda suspect. Otherwise, keep it from your eyes. It will hurt.
Benjamin Cox I miss the old Tom & Jerry cartoons that the BBC used as Saturday afternoon filler, plugging the gap between the football and various "light entertainment" shows. The priceless combination of slapstick violence and humour made a lasting impression on a lot of people, few more so (I suspect) than the late John Hughes. Feeling like a elongated Baby Hermann adventure, this movie (penned by Hughes) is possibly as close to a cartoon-style caper without the need for animation as we'll ever see. Trouble is, I'm not a kid anymore and this movie needed to provide more than a trio of dumb crooks to muscle its way into my heart.Little baby Bink (Adam & Jacob Worton) has got things pretty cushy. His maid (Cynthia Nixon) looks after him on behalf of his rich parents (Lara Flynn Boyle & Matthew Glave), who live in a big mansion somewhere out of town. But a trio of inept crooks (Joe Mantenega, Brian Haley and Joe Pantoliano) somehow kidnap Bink and hold him for ransom. Sadly for them, Bink escapes and leads them on a wild chase across the city. Surely it's not beyond the abilities of these losers to catch him again, is it? "Baby's Day Out" is not a film for critics, stacked to the rafters as it is with hammy performances, a deeply implausible plot and a strange feeling of deja vu, as if each set piece has been cut-and-pasted from somewhere else. But because the whole thing is so goofy from start to finish, you can't help but fall for its charms. Bink is horribly cute, laughing and gurgling on cue brilliantly well. As for the three stooges, they all perform with plenty of gusto and a knowing wink to the camera as though they know this is just paying the bills. There is also an unusual sense of reality to it, highlighted by the odd fact that almost nobody notices a baby crawling around a building site or a zoo except our little gang of would-be kidnappers. The ending also felt a bit of a let-down, especially when you realised the plot contrivance behind Bink's quest for freedom.It's certainly no classic but "Baby's Day Out" is an oddly enjoyable family film but one that only the really young will enjoy. It's as comic and sophisticated as a custard pie to the face and whether you'll enjoy the movie depends on how much you like this sort of stuff. I like my slapstick - I still get a kick watching Peter Sellers goof around in the "Pink Panther" movies - but I just felt something was missing from this. Think of it this way - imagine if the final, chaotic scenes from "Home Alone" were stretched out for ninety minutes. At what point do you stop finding the same joke funny? "Baby's Day Out" makes the most of its set-up but in truth, there wasn't much to make a whole film out of.