Barrio Cuba

2001
6.2| 1h45m| NA| en| More Info
Released: 05 November 2005 Released
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Budget: 0
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Over several years, we follow three households and their emotions in a barrio of Havana. Magalis is a nurse, rarely happy. An older man, Ignacio, professes his love for her; her father and her brother quarrel over her brother's sexual orientation; she thinks about leaving Cuba. Santo's wife Maria is expecting their first child. Tragedy strikes and Santo leaves, drowning sorrows in alcohol and crime while his son grows up in the care of an aunt wondering where dad is. Vivian and Chino are in love, passionate, but childless. The pressures of a society that demands grandchildren strain their relationship.

Genre

Drama

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Director

Humberto Solás

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Barrio Cuba Audience Reviews

Stometer Save your money for something good and enjoyable
Exoticalot People are voting emotionally.
Spidersecu Don't Believe the Hype
MoPoshy Absolutely brilliant
Vincent Pollard This is without doubt one of the worst films I have ever seen.I was really looking forward to it after going to Cuba for the first time this summer and seeing the tough life people live there and being a fan of Humberto Solás' early work.The acting is truly dreadful and the script is worse - with all the important plot information delivered to the viewer through hackneyed dialogue in the least discreet way possible. The music is incredibly abrasive, which given Cuba's bountiful supply of great musicians is inexcusable.Very disappointing. It's hard to believe this is from the same director as Lucía.
Otto Rodriguez Barrio Cuba is one of those movies that become memorable in an instant. It reflects crudely the Cuban reality. The plots don't need political discourses, they are dramatic and crude enough. It shows a country in ruins and the hopeless state of mind of Cubans. You have to have lived in Cuba or at least be extremely familiar with the Cuban reality to really grasp what this movie is all about. In my view the only flaw is that at the end Solas had the opportunity to beautifully link all the three plots in at least two different scenes, the one of Mario Limonta standing in front of a train and the scene at the airport, where a Cuban family is returning to visit their relatives in the island. Kudos to Humberto Solas!
teesee_03 This is an awful movie, on so many levels. Technically, it's simply inept; it is shot with little or no supplementary lighting, so the interior scenes appear muddy, with large areas of murky shadow. The colours generally are drab and washed out.To call the script melodramatic is an understatement - any of these situations could have been transplanted from a low-budget soap. These filmmakers need to realise that getting the actors to cry a lot doesn't guarantee that the audience will, too. Embarrassed laughter was the main response at the showing I attended.Finally, there is little that is uniquely Cuban about the the situations in this movie. Yes, it does show that life for the poor in Cuba is not wonderful, but it would have been better if the movie had explored more deeply *why* the situation of the characters is so desperate, and what it is about Cuba, its economy and its political situation that means that its people have to live that way.I was looking forward to seeing this film, but I came away from it deeply disappointed; unfortunately, the good intentions which may have been behind it simply couldn't make up for an overwhelming lack of talent.
tomohara We saw this film at April's Reel World Film Festival in Toronto having visited Havana in mid-March. Three unconnected stories of universal challenges for several Havana barrio residents. Strong characters deal with loneliness, unrequited December-July love, and family's support needs; mother's death in delivery,father's flight and despair,grandma's device to bolster abandoned son's self-esteem;passionate married couple deal with conception and stillbirth, grandparent's expectations, brother's family's emigration to US. Great editing and photography. Several interesting bits contrasted our Cuban experience (Part of our stay was in an all-inclusive resort) - In film some characters disparage fellow Cubans for seeking the tourist's tips and another mourns his lost grocery store business. Some resentment or jealousy, some distress with change, but more generally, accommodation and acceptance.