Chekist

1992 "The face of death"
7| 1h31m| NA| en| More Info
Released: 15 September 1992 Released
Producted By: Sodaperaga Productions
Country: Russia
Budget: 0
Revenue: 0
Official Website:
Info

Srubov is a part of CHEKA, the secret police Lenin established after the Bolshevik Revolution. They arrest, interview for a minute, try in ten seconds, and execute intellectuals, aristocrats, Jews, clergy, and their families. In the building basement, five people at a time are shot as they stand naked facing wooden doors. No one to remember their last words; no martyrs, just anonymous bodies. Daily, the kangaroo court, the executions, the loading of bodies onto wagons. Srubov is cold, distant, sexually dysfunctional, and a deep thinker, hated by former friends and his family. As he tries to reason the nature of revolution and the purpose of CHEKA, he slowly goes mad.

Genre

Drama

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Director

Aleksandr Rogozhkin

Production Companies

Sodaperaga Productions

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Chekist Videos and Images
  • Top Credited Cast
  • |
  • Crew
Igor Sergeev as Срубов - председатель ГубЧК
Aleksey Poluyan as Jan Pepel
Mikhail Vasserbaum as Isaak Kats
Aleksandr Medvedev as Ivan Mudynya

Chekist Audience Reviews

SpuffyWeb Sadly Over-hyped
GazerRise Fantastic!
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
denis888 Oh, what can I say here? Do you want to watch sikly green-yellow-gray movie with tons of gore, unnecessary nudity, with a total lack of any decent plot, with awful actors' performance, with terrible message, with inbearable thiving on brutality, with all the possible Russian 1990's cliches and twists? You got it - Chekist is probably one of The Worst and Unnecessary Movies ever made. Shallow, sick, awfully executed mess. I cannot even say more - serious filmmakers maybe have to watch this as an example of how Not to make films.
jrd_73 The Chekist creates its power through repetition. Three men set in an office, one reads names, and the other two pronounce the sentence (almost invariably execution by firing squad). Then, the condemned (always in fives) are taken from their underground cell. They are led through the bunker until they get to a large room with doors at the far end. They are ordered to strip and face the doors. Then, they are shot. Afterwards, the bodies are hauled from the bunker via a pulley system and placed in truckbeds. After the trucks are full, they are driven from the compound. The victims cross all age barriers, old men or young women, all are treated the same. These images repeat over and over again. Nearly half of the film are these scenes. Some will find it hard to watch. They are even harder to forget.These executions are overseen (and seen) by Andrey Srubov, a bureaucratic official who shows little emotion as he carries out his job to make Russia better by eliminating those who could be a threat to the communist utopia. Srubov discharges his duties with emotionless efficiency. However, there are hints that even he is not immune to what he witnesses daily. His home life with his wife and mother is a cold, sterile atmosphere. People avoid Srubov because there are very few in this city that has not lost someone they love to his efficiency. As the film progresses, an occasional condemned man will be revealed as someone whom Srubov knows personally. These final meetings are horrifying. They, perhaps, even disturb Srubov.The Chekist may not be a film for everyone but it is one that will produce a response. One cannot watch this film passively.
tom jones I have seen this movie, and must say that it is what someone sees on the brink of madness. The only qualm i had was its portrayal of the officer as the hero. He was made out to look the part as a good guy, where in reality he made the decisions. Is not an officer above the law more responsible for his decisions then his brethren, only to fall short of some fictitious reality??? He shows release by death and this death is not real, a trophy for a killer giving path to a monolithic person above billions of disappeared. My personifage of this character is simply this, the fear of all fears is one's mind. Not to be the judgementor, but the movie screams terror far surpassing the characters in Jacob's ladder, or even apocalypse now in lunacy. This man is a destroyer of world's yet lives like a rat knawing for air. The headless horseman, the idle terror that lurks in the minds of others to have one struck down by this "idol." An idol who does this for a job does all that has come before it and has deserved his mother's supper. An elaborate decadence on part of the fugitive. This movie shows that fear IS the mind killer without one word. Signifying a gang. Much like Rumblefish yet the officer's character is in league with any I have not seen as of yet. This personality is generosity of a sick nature put to life. If murderers can move about their daily tasks, climb ahead spiritually, why not humble men? a better question, why not the telemarketing machine that is Hollywood? Hence the great purge prior to the Jewish holocaust of killing nearly 1 million semite aryan civilians by the jews, turks and dravidians of our modern age is indeed true. If you like this movie, try leo tolstoy, for russians have the uncanny ability of recreating history with unbelievable realistic incarnations of their own past.
bob wolf A small Russian town in the early 1900's is the backdrop for this deeply disturbing film about a group of communist revolutionaries called the cheka-men who spend their days rounding up their political rivals for execution.The majority of the film takes place inside the basement of a charnel house. We are witnesses to execution after execution as people are killed with rapid expediency and professionalism. Men, women and children are forced to strip, stand against a wall, and then are shot. When the dead are removed, five more are brought in and the atrocity is committed again.There is not a moments reprieve from the brutality as director Rogozhkin plants the camera and the story inside that basement. I found his examination of the assassin's mindset most interesting. Early on, the cheka-men seem indifferent to their jobs, but as the film winds down, we see that all the killing has slowly begun to erode their very souls.Igor Sergeyev is amazing as the ambitious chekist who finds himself caught up in a machine of death that he helped to create and slowly losing his mind.The film is like passing a car accident on a highway, it's horrible and you might not like what you see but you can't take your eyes off of it. A disturbing film that is hard to forget.