Dark Waters

1944 "Was love or madness to be her fate?"
6.5| 1h30m| NR| en| More Info
Released: 21 November 1944 Released
Producted By: United Artists
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Leslie Calvin, the sole survivor of a submarine accident, goes to her relatives in order to recover emotionally. Unfortunately, she encounters various scam artists led by Mr. Sydney who intend to kill her and steal the family assets. Dr. George Grover helps Leslie to defeat Sydney.

Genre

Thriller, Mystery

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Director

André de Toth

Production Companies

United Artists

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Dark Waters Audience Reviews

Exoticalot People are voting emotionally.
Bereamic Awesome Movie
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Leofwine_draca DARK WATERS is an engaging little movie with a great setting: the almost-deserted bayous of the American South, which provide a hostile backdrop to the hostile storyline. This is one of those descent-into-madness type movies, where you're never quite sure if the protagonist is losing his or her mind, or whether everyone really is out to get them. As such, it's one of the earliest variations on the theme I've seen.The movie benefits from some strong players in the cast, notably Merle Oberon's lead, Leslie, who does the whole haunted-while-remaining-sympathetic thing very well. Franchot Tone, as the doctor who becomes involved in her case, is also very stalwart as a dependable hero type. Thomas Mitchell's villain has more than a touch of the Charles Laughtons about him, and of course there's a nice part for Elisha Cook Jr., too.The story is quite slowly paced but it does take time to build the atmosphere and in the end it pays off with the doom-laden climax which finishes everything up as you would hope. As such films are usually all about the atmosphere, I think this one's readily up to the job.
The_Void This film is often labelled as film noir; but this is incorrect. Dark Waters certainly has some elements of the genre; but not nearly enough for the film to be considered a part of it. That aside, however, this is still is still a very interesting melodrama/thriller. The film is directed by André De Toth, the director most famous for his remake House of Wax; but a director that also did plenty of work within the thriller genre. Dark Waters works well principally because of the atmosphere; but also benefits from a well worked script. The film focuses on Leslie Calvin. Leslie was fortunate enough to be the only survivor of a submarine accident. Naturally, she's emotionally distraught at the situation; and her doctor recommends that she recuperates with relatives. She looks up her aunt and uncle, who she has never seen, and goes to stay with them. However, her recovery soon starts to go awry after a series of strange events and Leslie comes to question her own sanity.The film is slow to start and the first hour mainly focuses on the characters and their situation before the plot starts properly. However, getting there is at least interesting and the final third of the film certainly justifies the wait. The film is bolstered by a host of strong performances; especially Merle Oberon who takes the lead role. She has just the right atmosphere about her to take the role and convinces throughout the film. She gets good backup from Franchot Tone, Thomas Mitchell, Fay Bainter and the ever-talented Elisha Cook Jr who stands out as usual. Director André De Toth implements a thick atmosphere that benefits the film throughout. The film is set in a swamp and this provides an ideal location for it all to take place; as it is moody and ensures that we are always aware that everything we are seeing is taking place in an isolated location. As mentioned, the final third is really well worked and the director ensures that everything boils down to a suitable conclusion. Overall, this is an interesting little thriller and is well worth a look.
Jonathon Dabell Dark Waters is an OK suspenser, helped quite a lot by its atmospheric bayou setting and the against-type casting of Thomas Mitchell. One can't help feeling that a director like Alfred Hitchcock would probably have made a better job of the suspense side of things, while a director like Jacques Tourneur would most likely have done more with the Gothic noir-ishness. However, in the event the film is directed by Andre De Toth who does a solid and workmanlike job without ever really lifting the film above its station.Following a terrible shipping accident from which she emerges the sole survivor, Leslie Calvin (Merle Oberon) goes to recuperate at her aunt and uncle's plantation in the middle of Louisiana. Leslie never really knew her aunt and uncle that well, but in spite of this when she arrives she is troubled by their distant behaviour and the way that they constantly keep getting small details about the family history wrong. Also amiss is the way that Aunt Emily (Fay Bainter) and Uncle Norbert (John Qualen) seem strangely intimidated by the plantation manager Mr Sydney (Thomas Mitchell). At first, Leslie thinks that perhaps her mental state is not right because of the traumatic accident she was involved in. But later, she begins to suspect that something very serious is wrong at the plantation…. maybe even that her very life could be in jeopardy. With the help of her kind and caring doctor, George Grover (Franchot Tone), she attempts to unravel the mysterious happenings before her sanity is tipped over the edge.The film has a reasonably absorbing storyline, courtesy of Frank and Marian Cockrell (plus an uncredited John Huston). A passable level of interest is created regarding Oberon's predicament. The question of whether she is in real danger, or merely imagining that she is, is kept hanging over the proceedings. Miklos Rozsa provides a characteristically melodramatic score that adds drama to the events on screen. It is also good to see Mitchell playing a more ruthless, shady type of character compared to the ones he portrayed in Stagecoach and Gone With The Wind. However, Dark Waters suffers a little from its dated air, with the two leads – Oberon and Tone – particularly guilty of the kind of bland, stiff performing that plagues so many minor films of the era. The shadowy lighting is over-used like some tiresome gimmick and generates only half-hearted excitements, while the photography of John Mescall and Archie Stout mistakes darkness for suspensefulness. But on the whole Dark Waters remains a passable suspense flick in the old-fashioned mould, worth catching on one of those rainy afternoons when there's nothing else to watch.
Chris Gaskin I've seen Dark Waters a couple of times and found it very creepy.A young woman who was shipwrecked goes to stay with her aunt and uncle at their mansion deep in the Bayou to recover from her ordeal. The swamps near to the mansion are suppose to be haunted and it isn't long before strange things start happening including strange voices and lights going on and off on their own. She then discovers these people are not her relations but impostors who want her dead and her late family's money. With the help of her doctor, with whom she falls in love with, they try to stop these impostors.Dark Waters is shot well in black and white, which makes it very atmospheric and creepy.The cast includes Merle Oberon, Franchot Tone, Fay Bainter and Elisha Cook Jr. (The House On Haunted Hill).This movie is worth watching if you get the chance. Very creepy at times.Rating: 3 and a half stars out of 5.