Deep Space

1988 "They created a monster over lunch. Now it's back for dinner..."
4.5| 1h30m| NA| en| More Info
Released: 01 May 1988 Released
Producted By: Trans World Entertainment (TWE)
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Budget: 0
Revenue: 0
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Secretly engineered and blasted into space by government scientists, a vile monster crash-lands back on Earth and begins killing everyone it encounters. As the death toll rises, veteran cop McLemore bravely steps forward to crush the scary creature.

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Director

Fred Olen Ray

Production Companies

Trans World Entertainment (TWE)

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Deep Space Audience Reviews

Solemplex To me, this movie is perfection.
Lawbolisted Powerful
Listonixio Fresh and Exciting
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Leofwine_draca A prime example of Fred Olen Ray's no-budget output, this cheerful but tacky sci-fi romp happily rips off the film ALIENS so thoroughly that you'll be astonished nobody sued. DEEP SPACE is enjoyable enough to watch in a brainless way and is pretty entertaining for a "bad" movie, but serious film fans should look elsewhere for their entertainment as this movie is extremely constrained by the lack of budget. The dialogue has obviously been written in a hurry, with lots of silly jokes that fall flat whilst even the serious dialogue is fake-sounding. However, there's a lot of action which keeps the film moving at a fast pace, so much so that the lack of budget is readily disguised for a lot of the time.The film opens with a bad animation of "something" falling to earth and its here that the clichés begin. Everything is clichéd about this film, from the characters to their actions to the situation and the dialogue. You have the pair of lovestruck teenagers who inadvertently become the first victims, the old drunk hermit who nobody believes, and the two unconventional cops always getting chewed out by their by-the-book captain. Thankfully the film is pretty tongue-in-cheek too and never takes itself too seriously, realising that the audience won't either. This makes it more enjoyable than you might expect.The slimy alien monster is a total rip-off of the Queen in ALIENS, except that it looks a lot more fake and is less animate. Even the teeth and jaws are the same. The method of death for most victims is to be grabbed by silly-looking tentacles and then 'splattered' to death. The film isn't particularly gory, instead slimy, and every death seems to end with someone's guts getting sprayed across a wall in loving detail. There are some bloody body parts and also a single severed head (of a guy who looks like Einstein) in there too for good measure. Not content with having just one monster, whoever devised this garbage also decided to throw in two decidedly uncute alien baby critters in too, which kind of look like big scorpions and menace women in ill-fitting negligees. That these are "inspired" by the facehuggers in ALIENS goes without saying - they even jump to attack people in the exact same fashion.Charles Napier takes the lead role of the rugged rebel cop and he's actually very good, and it is he who makes the film watchable. Napier exudes a gruff charisma and his character - although deeply clichéd - is impossible to dislike. That's good, because the supporting cast is populated by cardboard characters and good actors giving bad performances. Ann Turkel (HUMANOIDS FROM THE DEEP) has the thankless task of being the female love interest (lured into bed with bagpipes no less) while the slumming Bo Svenson is the hard-as-nails police captain. As usual, Ray populates minor roles with once-famous stars such as Julie Newmar or that B-movie stalwart, Anthony Eisley, who is the victim of one of those "wall-splatterings" I mentioned earlier.If you think about it, nothing much actually happens during the course of this movie, other than Napier fighting teenage robbers (cue exaggerated car crash) and assorted aliens. The end of the film takes place in one of those empty factories so beloved of the horror and action genres and openly rips off ALIEN, as one security guard searches for a cat while slime drips from the ceiling and a monster attacks from behind. Still, you've gotta love the over-the-top finale which sees Napier battling the beast with a chainsaw while Svenson goes at it with a crowbar, an axe, not to mention the arsenal of weaponry that he and Napier use on the creature. It's that kind of movie. DEEP SPACE is a pretty poor film, but its never boring and Napier is good value as the lead, so genre fans may well get a kick out of watching it.
yeodawg Alien spin-off I love these str8 to video monster movies. You can always guess what inspired them. In this one somebody saw the movie ALIENS with the space marines who-haaaing it up around the spacecraft. They decided it would be cooler if the alien crash landed on earth and a salt and pepper "MIAMI VICE" cop team had to deal with it. Wrong, nothings cooler than space marines win a run gun-battle with Alien creatures on a space station. However there were some cool points to be had. This film is so old the clothes are now in style again. The men in black show- up, there were using them long before the x-files. There's a scene in his apartment where he's grabbing every hi-tech gun there is but a GSG-9 only because it wasn't invented yet. This scene rivals the TERMINATOR gun store scene.
udar55 Maverick detectives Ian McLemore (Charles Napier) and Jerry Merris (Ron Glass) find a routine investigation of the death of two teenagers takes a twist when they discover the killer is some kind of mutant alien thingy created by the U.S. Government. Naturally, whatever they do pisses off Capt. Robertson (Bo Svenson, proving he really isn't Napier in real life) and interferes with McLemore's plans on bedding young police woman Carla Sandbourn (Ann Turkel). Just kidding, he has mad bag piping skills that get her to take her clothes off (really!). This low-rent ALIEN rip-off from Fred Olen Ray works mostly due to the lead performance by Napier. He is genuinely funny and totally game for the crazy stuff he is asked to do (chasing mini-aliens around L.A.; chainsawing the monster in the finale). And the aforementioned seduction by bagpipe is truly something you've never seen before. Ray skimps on the gore and nudity (odd for him) but does deliver a nice gooey monster (which apparently comes with its own strobe light). Julie Newmar pops up for a few scenes as a psychic who is always calling McLemore with tips on where the alien is. Nice way to cover your holes, Fred.
gridoon A cut-rate imitation of "Alien" that has an air of sloppiness about it (the script could have been written over a weekend probably), but delivers the goods in the end with some good buzzsaw action and lots of slime. Problem is, it's STILL not particularly better than any other of the dozens of "Alien" ripoffs that are floating around.....(**)