Emerald City

1988 "A tale of two cities. Four people. And life's little pleasures . . . Money. Lust. Temptation. Greed. Power. Ambition."
5.3| 1h32m| NA| en| More Info
Released: 09 December 1988 Released
Producted By: Limelight Productions
Country: Australia
Budget: 0
Revenue: 0
Official Website:
Info

A comedy of life's temptations - lust, greed and power. The city in question is Sydney and the colour green signifies greed and envy in David Williamsons amusing satire on its film and publishing industries. The story centers around the Rogers family, loosely modelled on Williamson's own.

Genre

Drama, Comedy

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Director

Michael Jenkins

Production Companies

Limelight Productions

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Emerald City Audience Reviews

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Marco Trevisiol When 'Emerald City' was released, expectations on it would presumably have been high. A quality cast including the underrated John Hargreaves, then young rising star Nicole Kidman and solid acting talent in Robyn Nevin and Chris Haywood. But even more significant for that was that David Williamson had written it, based on his own play. And Williamson had as much box-office clout as anyone in the Oz film industry at the time, having helmed numerous successful films (sometimes based on his own plays) ranging from Don's Party to Phar Lap.Alas, when released in 1988 the film was a disappointment as it received little critical praise, minimal box office and was quickly forgotten. Why was this?What lets it down is that instead of feeling like a film on its own terms, it feels like a filmed version of the play. The theatrical style comes through in the overacting and the lack of a cinematic feel, so therefore it feels like actors acting instead of characters behaving and interacting. As a result the potential impact is muted.The blame for this is largely at director Michael Jenkins, whose career was largely in TV and it shows. His efforts here pale in comparison to that of Bruce Beresford, who made excellent films out of two David Williamson plays in Don's Party & The Club.Despite that, the film is worth a look. Being a Williamson play, there are plenty of good lines and scenes with some occasional incisiveness at the artistic milieu the film concentrates on. The four main actors are all entertaining to watch (although Hargreaves is a bit over-the-top at times), with probably the best performance by Robyn Nevin who makes her character multi-faceted and surprising and convincing.Overall, a missed opportunity but not bad.
ptb-8 This slick entertaining "witty" 1988 production is, in this new century worth seeing just to see Nicole Kidman on the cusp of DEAD CALM stardom and for those who know Sydney well, a chance to see how much the city skyline has changed in the past 22 years. EMERALD CITY refers to the capitol and capital of Oztralia and this film is about making films here in the 80s. Apparently this is supposed to be fascinating to the plebs in the multiplex and as a result the film falls flat for those not in the film industry or for anyone who feels Sydney Theatre Company plays like this get made into smart arse so- called comedies. It is an in-joke only for those very mean people the film is about. Some very nice scenes for cinema buffs of the fabulous State Theatre our very own 1929 Picture Palace still standing, and some great shots of Nicole's crotch as she is described as a sex object by her screen lover Chris Haywood. Nicole's Mum and Dad must have been mortified at the premiere to hear their gorgeous nubile daughter described thus especially when she is exercising on screen with her legs wide open. Desperatelty urbane and with awful 80s clothes and hair EMERALD CITY is now a curiosity.
ormas I am suprised that the rating for this film is so low. Whilst it is admittedly not one of the greatest films of the decade, the film is a competent and amusing story of Sydney in the mid-eighties and Sydney-Melbourne rivalry.It's humour is typically David Williamson. I like it and would recommend it to anyone.