Enemy at the Gates

2001 "A single bullet can change history."
7.5| 2h11m| R| en| More Info
Released: 16 March 2001 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad in WWII.

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Director

Jean-Jacques Annaud

Production Companies

Paramount

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Enemy at the Gates Audience Reviews

Scanialara You won't be disappointed!
Sexyloutak Absolutely the worst movie.
Onlinewsma Absolutely Brilliant!
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
adonis98-743-186503 A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad. An excellent film about War and Skills but also one that benefits from excellent perfomances from Ed Harris, Jude Law, Ron Perlman, Bob Hoskins and Rachel Weisz. The movie might not please everyone as a whole especially fans of Saving Private Ryan or We Were Soldiers but it packs some good things and some nice emotions for a War film plus Ed Harris demise? is a moment of respect and good direction along with great acting in a film that benefits from all that. (10/10)
willclayburn This film will always have a place in my heart, a classic heroic tale, the hero fighting not for any real cause but because he must.He finds love and his enemy. his rise to glory is meteoric but he must face the enemy all is on the line his glory his love and his life.taking place during the great patriotic war(WWII, eastern front) the desperate cause of the USSR to beat back the tide of Nazism, men are forced to fight with meager means our hero is one of the grunts and by chance he lives and is brought out to the war effort as a hero than he fights the pressure and the feeling of his inability but he faces all challenges and faces great hardships.
A_Different_Drummer In the grand tradition of Old Hollywood, this international co-production seeks to frame the key battle of WW2 (the REAL key battle, not the ones from the John Wayne movies) as a morality tale involving a love triangle.It is a bold idea, and beautifully executed.In fact an argument could be made -- and I will make it -- that any flaws in the execution (it lags a bit here and there) are the result of the film-makers' "reach exceeding their grasp" and they attempted too much, more than one film could ever accomplish.But what a film it is! You viewer feel as though you are there, making history. The four stars involved have, each of them, never given a bad performance in their careers and they surely maintain their records here.Ed Harris in particular -- although he has less screen time -- will always to this reviewer seem a vastly under-rated actor. (This review written in 2017 where an older Harris still uses his charisma in a defining role for HBOs Westworld .... and nails it.) Recommended? Absolutely! In the Metacritic data that IMDb so helpfully provides I could not help but notice one reviewer commenting that, well, it sure isn't in the same class as SAVING PRIVATE RYAN.Which is the irony of doing film reviews. I have never not once thought of wanting to see SAVING PRIVATE RYAN again, but this film is one I like to revisit every few years. Magnificent.
NateWatchesCoolMovies Jean Jacques Annaud's Enemy At The Gates makes a harrowing impact on the WWII genre, with a scope and vision that successfully transports us to the nightmarish battle of Stalingrad, near the tail end of an era of never ending bloodshed and terror. The large scale battle scenes which usually populate this type of film have been distilled into a much more intimate and exciting style of confrontation: elite sniper warfare. In the hollow, ash laden shell of a once great city, Russian patriot and expert sharpshooter Vassily (a barely acceptable, miscast Jude Law) tries to survive a nerve rattling battle of both the will and the gun against the German's answer to his legendary tactics, icy Major Koenig (a primal Ed Harris). Another man, Danilov (Joseph Fiennes) is a brainy scholar who spins tales of his friend Vassily's heroic exploits to stir Russia into a frenzy effort in the desperate final weeks of the war. The two are steadfast friends and vital assets to both each other and their country, until of course, a girl comes between them. Tania (Rachel Weisz) is a Jewish soldier who falls deeply in love with Vassily, boldly acted by her in a powerfully affecting sex scene that shows what passion Rachel is capable of in her work. She has the skill to turn a character that's purposefully written to fail the Bechtel test miserably into something more than the script ever envisioned, and is one of the best actresses working today. There's a grouchy supporting turn from Bob Hoskins as an infamous military higher up, and a brief but memorable appearance by Ron Perlman as a disillusioned Russian soldier who's taken enough crap and seen too much. What makes this film such a winner is the excruciatingly suspenseful sniper battle between Vassily and Koenig, each a coiled viper of awaiting violence, scanning the horizon along with the camera, breaths drawn alongside the audience, ready to spring into explosive action and knock our socks off in one of the most impressive wartime duels in cinema. It's been said that the purest form of war is one on one. This film takes that notion and runs laps with it, throwing unending tension at us that doesn't let us go from its vice grip till the blood flows in tandem with our ragged exhales, long pent up in clammy apprehension.