Firewalker

1986 "A pair of down-and-out fortune hunters cash in on high adventure!"
5.1| 1h44m| PG| en| More Info
Released: 21 November 1986 Released
Producted By: The Cannon Group
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A pair of adventurers try to track down an ancient Aztec/Mayan/Egyptian/Apache horde of gold.

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Director

J. Lee Thompson

Production Companies

The Cannon Group

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Firewalker Audience Reviews

Alicia I love this movie so much
Wordiezett So much average
Freaktana A Major Disappointment
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Comeuppance Reviews Max Donigan (Chuck) and Leo Porter (Gossett) are two adventurers/world travelers/fortune seekers who haven't been having much luck in the treasure hunting business of late. When Patricia Goodwin (Anderson) approaches them and invites them to find the ancient gold of the Mayans (or maybe Aztecs...or perhaps American Indians...we're not really sure), Max and Leo agree, and off the three of them go into deserts, jungles, caves and other exotic locations, and encountering plenty of perils and pitfalls along the way. Will they get the gold...or will constantly-oiled-up baddie Tall Eagle (Sampson) prevent them from achieving their goal? Firewalker is an old-fashioned, Saturday afternoon-style adventure film, not strictly an action movie. It's a PG-rated tale, and Cannon probably figured they should break into a younger demographic. This way they could create new Chuck fans at a younger age. Like a drug dealer hooking them in while they're young. Chuck certainly took the opportunity and ran with it, showing off his goofier side. He's a little less wooden here than he is elsewhere, as he chomps a cigar and generally has plenty of good-natured one-liners at the ready. His interplay with buddy Louis Gossett Jr. is a highlight of the movie, as they work well together, and Gossett's charisma helps paper over some of Chuck's deficiencies in that department. They're backed up by some solid supporting players such as Ian Abercrombie of Mr. Pitt fame from Seinfeld, the always-great Sonny Landham, and John Rhys-Davies, who puts in a robust performance as a small-time dictator whose accent changes from Spanish to British to Southern throughout his appearance here. Additionally, fan-favorite Branscombe Richmond did stuntwork on the film and has a very brief cameo as well. And, they spell his name wrong in the credits.As Leo and Max (aren't they The Producers? Maybe Firewalker could become a hit Broadway musical) get into and out of their many scrapes, there's a lot of tongue-in-cheek comedy, silly fight scenes, and supposed Indian mysticism. The enjoyable music by Gary Chang certainly helps this along. Many people have pointed out the similarities between this and the Indiana Jones movies, but another influence seems to be the big, sprawling work of Sergio Leone. But like Gold Raiders (1983) just making the movie lengthy doesn't mean you're automatically in Leone territory. Leone can justify longer films. Chuck Norris cannot. It's not fair, but it's an ironclad rule of filmmaking.And while the movie is fairly fun and upbeat, it's just too long and poorly paced. J. Lee Thompson is an old-school director whose career goes back to the 1950's. We think that accounts for that. He's known in action circles for his work with Charles Bronson, and he does have a grasp for classic Hollywood-style derring-do. On another behind-the-camera note, Aaron Norris was stunt coordinator here, and one of the stuntmen under his charge was Dean Ferrandini, who would later direct him in the unfortunate Overkill (1996).Released on the great Media label on VHS in the U.S., Firewalker is harmless, reasonably entertaining, if bloated, and ideal for younger people who display an interest in action.
jack o'reilly I thought this movie was an excellent buddy - comedy - adventure film . It may not have been a big budget movie but that does not stop you from enjoying it .Chuck Norris is excellent and hilarious he gives one of his best performances as the tough guy and loyal friend who knows how to fight as shown in the bar scene where he defeats an entire bar full of men single handedly but can't shoot straight .Louis Gossett Jr is great as his his sidekick and Melody Anderson as Chuck Norris' love interest . People may say that it is a copy cat spoof of Indiana Jones and Romancing the Stone but I disagree I think it stands alone and is just as good . I personally think that it is better than those two movies and I thought it was funnier and a lot more enjoyable . It is *****/*****
lost-in-limbo Max Donigan and his partner Leo Porter are two soldiers of fortune. Leo is thinking of calling it quits, but when a young lady, Patricia comes by with a map and asks for their help of finding a lost treasure. They take up the task with adventurous results and must face El Coyote, a descendant of Indian priests.What a team! Chuck Norris, Lou Gossett and Melody Anderson gave this buddy flick much-added spark with their cheerful banter and charismatic persona. "Firewalker" does go for that "Raiders of the Lost Ark" appeal, but only in small doses and in a very cheap foray. The comic book premise is outrageously silly and pure corn, but it's an eventful ride with spontaneous actions making it unpredictable and the mockery was a nice touch. It even walks a fine line between the supernatural / superstitious elements. There's not doubt it's quite childish, far-fetched and it might not be a successful blend, but director J Lee Thompson makes great use of the fiery performances, easy-going script (even though it will make you roll your eyes for most part) and stunning locations, which kept me involved. It took a while before Norris released those infamous skills he bestows, but when in the flow. Watch the damage occur! As Norris is on the job. Gossett chips in with nice array of wisecracks and the two formed a great, side-splitting and believable team. Anderson simply radiates in her quirky role. Sonny Landham makes one hammy villain with a hokey evil laugh. At best these are cartoonish characters with a lot of charm and a growing appeal.It maybe wasn't as fun as I remembered it to be when I saw it ages ago, but it's a enjoyably lightweight and unpretentious romp with Norris kicking in with his slow motion jump kicks. Oh yeah!
Jonathon Dabell Can you believe that this film was made by J. Lee Thompson, the director who brought us all-time greats like Ice Cold In Alex, The Guns Of Navarone and the original Cape Fear? Here, Thompson gives us a Raiders Of The Lost Ark variation that is truly as awful as a film can be. "Firewalker" is supposed to be Chuck Norris's attempt to break out of the martial arts typecasting that he had been drawn into, but his efforts at comedy are lamentably wide of the mark. What's worse is the way that good actors like Lou Gossett Jr and John Rhys-Davies are dragged down to standards way below what is expected of them. Everything about this movie is terrible - the only Indy-offshoot I can think of that is worse is the unutterable Allan Quatermain And The Lost City Of Gold.Ineffective soldiers of fortune Max Donigan (Norris) and Leo Porter (Lou Gossett Jr) are drowning their sorrows after yet another unsuccessful enterprise when they are approached by the sexy Patricia Goodwyn (Melody Anderson, from Flash Gordon). Patricia has a treasure map to an Aztec fortune and wants Max and Leo to help her get there. However, there are others who want the treasure too.... and to make matters worse, the treasure is supposedly guarded by the legendary Firewalker of the title.Norris mugs away embarrassingly as the inept hero, giving the kind of performance that scores points for sheer unintentional hilarity. Gossett mugs too, which is disappointing considering that he had not long since gained an Oscar for An Officer And A Gentleman. Anderson - the third point of this wacky trio - has nothing to do but look cute, which she does with all the inexpressive woodenness of a kiddies' doll. There are continuity errors galore for those who enjoy spotting such things (for example, one eye-patch-wearing villain can't seem to decide for sure which eye he's blind in!), while the sets look so cheap and fake that one wonders if they were borrowed from a school theatre props department. Usually films of this type at least have stirring music or adequate bursts of action, but "Firewalker" can't even manage those - Gary Chang's score is utterly bland, and the action is either farcical or boringly predictable. "Firewalker" is an utter catastrophe: the absolute low point in the careers of everyone in front of and behind the cameras, and the kind of film that makes you wonder if being a movie fan is worth the effort.