Fresh Airedale

1945
6.7| 0h7m| NA| en| More Info
Released: 25 August 1945 Released
Producted By: Warner Bros. Cartoons
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Shep the dog is seen by his master as loyal and loving, but the cat knows he is really a self-centered, conniving weasel who lets burglars in the house and takes credit for the good deeds of others.

Genre

Animation, Comedy

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Fresh Airedale (1945) is currently not available on any services.

Director

Chuck Jones

Production Companies

Warner Bros. Cartoons

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Fresh Airedale Audience Reviews

Intcatinfo A Masterpiece!
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
larocque492 This is in the very top tier of Looney Tunes cartoons from director Chuck Jones. It feels more cohesive and less abstract than something like Dover Boys, but completely separate from his later, best known work. It was produced in 1945, right as beautiful, fully drawn backgrounds for cartoons were reaching their peak. The animation of the characters is also impressive, and conveys personality much better than most one-shot characters. And as an added bonus, there's actually a great subtext in its unusual subject matter that could apply to any number of subjects, political or social.When forced to interpret the situation of a steak gone from a plate, which owner wouldn't believe the cat was the selfish ingrate and the dog the stalwart champion? It raises some interesting questions about preconceived notions, though I don't believe it was intended to answer them or send any particular message. The last scene in particular gives the impression that there is indeed some serious motive behind the ludicrous story, related somehow to hero worship and public figures not at all turning out to be who they seemed to be. But this is just icing on the cake - even if you don't think about what it means, it's a wonderful cartoon all around.
TheLittleSongbird That Fresh Airedale is directed by Chuck Jones and has Mel Blanc doing voices is reason enough to see it or any cartoon for that matter. Fresh Airedale does have much to admire about it, at the same time however it is very easy to see why anybody would dislike it. It is very different to what we usually see with Jones, here is a darker and much more scathing approach in alternative to the witty laugh-a-minute one we are used to. There have been times where being different can work and others where it doesn't, Fresh Airedale is an example of the former though it does have a tone and approach that either will take some getting used to or is not going to bode well with people. Like with me this said, you may be one of those who didn't care for it first time, finding the change of pace not easy to swallow or finding it went over your head but on repeat viewings you pick up on what was missed first time round and you appreciate it more. Talking about what is so good about Fresh Airedale, the animation is fine, objects, character designs and frame blend and flow smoothly, effort clearly was made in making it as detailed as possible and the colours are still lush while maintaining the darker tone of the story. Fresh Airedale is also beautifully scored, with great energy and also sensitively to the more dramatic bits. The writing, remarkably ahead of its time, takes a scathingly cynical edge and is satirical in tone without coming across as too overly mean-spirited, it is very sharply observed throughout and manages a couple of funny moments. The story is paced well and even though in terms of plotting you are never quite sure of what it's trying to do the message makes its point, and while it's a depressing one it doesn't come across as too heavy-handed. In terms of characters, the most relateable is definitely the cat and it is him you find yourself rooting for. The dog Shep is portrayed as a sociopath with no redeeming qualities, and a great job is done making the audience hate him, not everybody will like having the main character being the one you dislike most but the approach works wonderfully within the cartoon and what it's trying to say. The voice work is excellent, Mel Blanc has had more to do before but he still puts a lot of vigour into his characterisations, while Frank Graham is also great. The ending in a way does underwhelm in the sense that there is no justice when the cartoon is literally crying out for it, however Fresh Airedale while not appealing to all tastebuds is most interesting and really well done in almost all respects. 9/10 Bethany Cox
agj8012 I absolutely LOVE this cartoon. It may very well be my all-time favorite cartoon. But I must warn people of this cartoon, because people either understand the message that this cartoon is attempting to convey and love the cartoon, or people don't understand it and hate the cartoon. Now why would anyone hate a cartoon? Because this cartoon has one of the most sadistic plots in Hollywood history. An evil dog named Shep is continuously stealing, attempting to kill other dogs, and many other things. Meanwhile, a cat is continuously saving the day, only to be accused of the incident in the first place. The thing that really bothers people, though, is that justice is not served at the end. Shep the dog becomes a national hero after the cat saves two dog's lives and Shep takes the credit. I am glad that the cartoon ended this way, because too many movies and cartoons end with the good guy always winning, and that takes away some of the credibility of the story. This is a very bold cartoon, and is also absolutely hilarious, but its not for everyone. I believe that the message that this cartoon tries to make is about how the media always tries to find some scapegoat for every problem in America, and people always blindly follow the media without checking the facts. WATCH IT.
swestley This is a hilarious cartoon. It is an anomaly for a Chuck Jones short in that it is mean-spirited to the core...with absolutely no 'justice' served to the protagonist; but like the vast majority of his WB cartoons, the timing is to a T. And if you like the more well-known classic Warner shorts, you will most certainly relish this forgotten gem. At the same time, you'll likely understand why it vanished. This was clearly Jones finding his voice; after directing various 'Disneyish' cartoons like the Sniffles series, Tom Thumb in Trouble, etc (all great by the way), he got a little nasty. Had he not, though, he may never have found his way to the extraordinary ones that were to follow.