Steineded How sad is this?

Moustroll Good movie but grossly overrated

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Portia Hilton Blistering performances.

jb-307 This movie is totally worthless. A rating of "One" is 'way too high but IMDb does not allow a lower rating. This movie makes the best argument yet for allowing the scale to go lower. It is incoherent, hopping so much from one scene to another, from one brief beginnings of a boring, meaningless story line to another, from one group of people to another, that it is maddening. All to ultimately no purpose. Do not believe those who, in their written reviews, raise it to the level of total crap. It isn't that good. Awful doesn't quite describe it. The career of Steven Soderbergh is very checkered. This film represents his nadir (so far). The movie public can only hope that he doesn't try to go lower in stealing your money. But, beware, he might, so STAY AWAY from any future film directed by or in any way connected to Steven Soderbergh, because the people connected with that future film cannot appreciate your viewing pleasure if they hire someone who put on Full Frontal. Only by staying away from Steven Soderbergh can we win back our respectability as the movie viewing public. Speak out with your dollars and prevent Steven Soderbergh from putting out any more trash like Full Frontal.

aronaguiar This movie is excellent. Not the same commercial line as Ocean's 12 and 13. Ocean's 11 is perfect, pure Hollywood at its best. The other 2 anyone can see it was made because the crew liked so much working with each other... and a little more $ for all. Maybe, hoping, for funding good movies like this one. The way it leads us into the characters lives, visions, desires and disappointments... Its just beautiful. It shows how the movies about movie making became false. Showing true characters, true people behind them... Not just those absurd situations, that 'Rendevousz' shows. And David Duchovny gave a special touch to the unknown-but-loved-by-all Gus. Its intelligent, sensitive, smart and, above all, True. Again, I think its excellent. I recommend it.

bob the moo It is film star Gus' fourth birthday and he has arranged a massive party in his honour. His friends and colleagues are a group of people with little or not connection between them but we follow them as they come together and collide as they all wake up and get through the day to the party.Opening with the title sequence of the movie within this movie, Full Frontal starts out just as disjointed as it continues. Those looking for more than a collection of individually entertaining and interesting scenes should avoid because the film never once stands together as a whole. Instead the film jumps around in space, time, film stock and approach and delivers a patchwork quilt of a movie. As a result some of it works and is interesting while other parts are just annoying and out of place. It is all a folly and, like others have said, it is a bit like a Hollywood home movie, with Soderbergh given too much freedom to do whatever he wants and letting it all go to pot as a result.The all-star cast are perhaps interesting enough to be worth a look and they do all provide some interest. Keener is brilliant as ever; Pierce is good; Underwood is reasonably good. Roberts wears lots of different hairstyles while Duchovny and Katt provide good side turns. Cameos include Pitt, Fincher, Oh, Jones, Stamp and Soderbergh himself. Mostly all the cast do well and it is not their fault that the film is as disjointed as it is then.Overall then, worth seeing for what it is – a disjointed collection of ideas and scenes with some good dialogue delivered by an all-star cast. There isn't really a film here and I can totally understand why this annoyed many viewers. Sporadically entertaining and interesting, it is nowhere near as clever as it thinks it is and suffers from Soderbergh having way too much freedom.

BradT105 FULL FRONTAL = A FILM VASTLY MISUNDERSTOOD. A masterpiece that should be seen by any film student or film enthusiast. Vastly misunderstood by the masses, this film examines people as are and should be. The (public's) general consensus fails to recognize the film's beauty as a story about humanity and human error. The form, which encompasses both film and digital video, is initially jarring but soon becomes a guide to help learn about characters. The cameos do little but emphasize the importance of the director and his impact he potentially has upon the industry. This film is best seen in context with "Full Frontal" and "Bubble."