Game of Werewolves

2011
6| 1h44m| NA| en| More Info
Released: 07 October 2011 Released
Producted By: Telespan 2000
Country: Spain
Budget: 0
Revenue: 0
Official Website:
Info

After 15 years, Tomas, a not very succesfull writer, comes back to the village in Galicia where his family comes from, Arga, apparently to get an award. But he doesn't know the real reason why he is there, to end with an old curse that is been haunting the village for the last hundred years.

Genre

Horror, Comedy

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Director

Juan Martínez Moreno

Production Companies

Telespan 2000

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Game of Werewolves Audience Reviews

SpuffyWeb Sadly Over-hyped
Grimerlana Plenty to Like, Plenty to Dislike
Mjeteconer Just perfect...
Logan By the time the dramatic fireworks start popping off, each one feels earned.
one-nine-eighty "Lobos de Arga" A slow starter but well worth the investment, this Spanish film is "Shaun of the Dead" meets "Wolfman" and doesn't fail to deliver. Don't be put off by the subtitles because the narrative and acting in this is great, very tongue in cheek and dead pan at times but thoroughly enjoyable, you won't need to be a foreign film fan to be able to enjoy this. 100 years after a curse a young writer travels back home to the village of Agra, where he intends to pick up an award and the freedom of the village. Tomás is the writer who thinks he is to be honoured when in fact he is the direct descendant of the werewolf curse. The truth is the that villagers intend to use him to end the century old curse. Can Tomás escape or will the werewolf curse prove to be the alpha ingredient to total blood lust and carnage? Plenty of black humour, plenty of blood and guts, nods to famous horror classics, lots of fun, definitely worth a watch.
Magnimus Stryker I'm a big fan of horror comedy since I first saw Young Frankenstein. This movie is not quite as funny as Pirannah 3DD, and not as badass, just because seeing Ving Rhames say "I ain't scared of no punkass water," or "BRING ME MY LEGS!" just puts a movie on the HNL of badassery; but it has a plot and dialogue that makes it entertaining enough. Contrasting that to the one Hollywood alternative that has a werewolf in it, which is the Twilight quadrupleogy? Is that what you call it when you make a trilogy into four movies to sell more tickets? Anyways, I have seen this movie panned for the special effects; but I've seen films such as Exorcist: The Beginning, that had a much larger budget and spent a great deal of it on really crappy CGI. The werewolves look just fine as monsters to me, and the wire work was decent. If I were the producer/director,with a few millions more in the budget, I could have made a movie with better production value, and even a better aesthetic (like making the werewolves more wolfish; but faulting a director for not having enough money is not his fault. The unemployment rate in Spain right now is so high, that it amazes me an armed revolution has not taken place yet over there, and obviously working in film production must not be easy, and like seriously, I know a couple of girls that are Twilight fans, and they both told me Breaking Dawn part 2 sucked). Still, this film was very engaging and interesting story, so much so, that you will tend to forgive the plot holes.
Matt Kracht First of all, I'd like to say that I appreciate someone trying to return some manner of bestial ferocity to mythological creatures. For those of us tired of melodramatic art movements, like Gothic Romanticism, it's a breath of fresh air to see a monster who, for once, isn't sexy and erotic.On the other hand, this is still an ode to Gothic horror -- it just has all the soap opera parts ripped out and replaced with black humor. So, if you're expecting a radically different approach, then I think you'll be a bit disappointed.The plot is straight out of a Lovecraft or Poe tale, and, indeed, it name-drops both authors halfway through the story. The setup is pretty standard for Gothic horror: a small, rural village; a cursed bloodline; a horrible secret; and, of course, a large mansion. Still, the tropes are used well, making for an engaging and frequently funny story. The humor is very black -- think more like Re-Animator than Evil Dead. Unlike An American Werewolf in London, the comedy part dominates the movie, with little time actually given to gore, horror, or special effects. Of course, this is understandable, given the small budget, but it would have been nice to see more horror, at least.
Chris_Docker Director Juan Martinez Morena (LOBOS DE ARGA) complains that he's tired of seeing vampires and werewolves that are 'cool and f**kable.' He wants monsters you can believe in when you go to bed at night. Not the Bugs Bunny horror of CGI that couldn't fool a five-year old. His werewolves will have maximum special effects and stunts but minimum computer graphics. With a limited budget (much of which went on hair from China), Moreno dishes up a picture that is by turns seriously scary and seriously funny. Meet Thomas, a hapless failed writer who holes up in his parental village of Galicia, Northern Spain. A hundred years ago, his great grandmother cursed the village after abducting and forcing a gypsy to procreate with her. Thomas doesn't know a werewolf is out to get him. He doesn't know the villagers are out to get him. Mayhem ensues. But with a cutting edge comedy narrative you'd better examine yourself for bruises after you leave the cinema. When you laugh that hard, it's easy to forget the damage from where you kept jumping out of your seat. Lobos de Arga is a frank and sincere homage to movies such as An American Werewolf, and swooped the audience awards at the Edinburgh Dead by Dawn horror film festival to come first in competition.