Onlinewsma Absolutely Brilliant!

Megamind To all those who have watched it: I hope you enjoyed it as much as I do.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Paul Allaer "Ghosts" (2005 release from Germany; 85 min.; original title "Gespenster" a/k/a "Ghost, not in plural) brings the story of Nina (played by Julia Hummer), a teenager whom we first meet when she is doing community work in a park in Berlin. Nina happens to meet Toni (played by Sabine Timoteo), a twenty-something woman who is a drifter. Nina wants to help her in any way she possibly can (which is not much). In a parallel story line, we get to know a French couple, the wife of which seems a very troubled woman who is looking for a young lady whom she thinks is her long-lost daughter. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.Several comments: this movie is written and directed by Christian Petzold, one of Europe's top directors in my humble opinion. Some of his other works include 2000's "The State I'm In" (also starring Julia Hummer), 2007's "Yella" and the excellent political thriller "Barbara" from 2012. I'll go see anything from this guy. Second, even though Amazon lists this as a 2009 release, it really was released in 2005. Third as already mentioned, Julia Hummer reappears in a Petzold film. Here she is pushing her age limit (she is 25 in real life, playing a 16 or 17 yr old), but it doesn't take away from the immense talent that she is. (She would appear also in Petzold's "Carlos" TV mini-series.) Fourth, the movie does a great job setting up the various characters, and is not afraid to let you wonder for quite some time as to how all the pieces fit together. A movie that challenges the mind, what a concept! Iron Man 3 this ain't. At just 85 min., this movie flew by in no time and at the end of it I didn't want to say goodbye to these characters. What better compliment can you give a movie? Bottom line: if you are in the mood for a top-notch foreign movie that challenges your mind and lets you do some of the mental work yourself, you cannot go wrong with this. "Ghosts" is another great film from German director Christian Petzold that begs to be seen. HIGHLY RECOMMENDED!

crappydoo The movie's story is pretty good and well thought out. The acting is very convincing too, and the characters of Toni and the mother have acted very well. It was also good to see that the director has not gone out of his way in over dramatising the proceedings and has dealt with the sensitive circumstances in a delicate way. Certain scenes and story lines of this film will stay with me for a period of time.So in a nutshell, this film may be recommended to others as it is indeed pretty good; however it is not a great film as there was something missing. However I cannot put my finger to it and explain what exactly is. The movie is recommended for its sensitive story.

m_mckechneay I've seen this film more than once now, and there's always someone complaining about the "obvious construction" of the plot afterwards. But then - this is part of Petzold's game: he plays along with the rules of genre.It's very nice, how the highly improbable story of how the two girls (Timoteo/Hummer) meet, is again mirrored in another, even more improbable story, that the girls make up for a casting. This film is a journey between fact and fiction, it's more about potentials, things that might have happened in the past or might be happening in the future, than it is about actual ongoings. It's a reverie, sorts of - so apt enough there are a lot of motives, Freud might have found interesting for his dream analysis, like all the "doppelganger"-constellations. Also, I think, "Gespenster" might be interesting to be watched in comparison to current Asian cinema of the uncanny: Petzold's everyday urban architecture also feels haunted in an unobtrusive, strangely familiar way. This film is not about the obvious. To describe it as the story of two girls who meet and eventually become friends and lovers, or as the story of an orphaned mother, who searches Europe for her lost daughter, clearly doesn't say much about the nature of "Gespenster" at all.

two-rivers This was just another marvelous film of the Berlin Festival. But unlike "Yes", by Sally Potter, which I had seen some days before, where after leaving the cinema I felt a strong desire of wishing to embrace the whole world and was just happy to be alive, this time quite the opposite thing happened: there was something that dragged me down, and the air suddenly felt cold and hard to breathe. It was as if, all of a sudden, there was nothing left, all hope, all future had been taken away to a dead place.Nina's life seemed to be dismal and locked, but then, one lovely day, there appears that kind of luminosity that opens up the horizon and makes her believe in the fulfillment of her dreams. There was nobody at her side but suddenly she finds a companion, just out of nothing, someone who was able to share the most hidden feelings of her life. That person was Toni, a vagabond girl who does not seem to have any roots, just like herself.But the film's title is "Ghosts", and ghosts appear and disappear as they wish, there is no way to retain them… Ghosts also represent the hidden fantasies of people, strange ideas that occupy your mind and are only perceived by yourself, hiding away from all other people. Françoise, a French woman, is a victim of such ghosts. She once lost her child daughter in Berlin, who apparently had been robbed from her in a supermarket, in just one moment of inattentiveness. Now time has passed, and Françoise is back in Berlin, still looking for the missing child.Nina could be that child, after all she has got that same scar at her ankle and the heart-shaped birthmark between her shoulder blades which seems to prove her true identity.And Nina adopts that idea, after all she is not only in desperate need of a companion, she also longs for a mother. But in the end she is empty-handed, Toni has disappeared with a man, and her supposed mum turns out to be a sick woman. "Marie is dead," concludes Françoise's husband, and the statement could not be more disillusioning. Nina is just a "niña", a girl without name, there is no hope for any divine fulfillment. There is no Marie in this world to accompany our lonely lives. Therefore, in the end, we see Nina all alone, about to walk along the road that has opened up before her, into a future that seems joyless and uncertain.