Goodbye First Love

2012
6.7| 1h48m| NR| en| More Info
Released: 20 April 2012 Released
Producted By: ARTE France Cinéma
Country: Germany
Budget: 0
Revenue: 0
Official Website:
Info

A 15-year-old discovers the joys and heartaches of first love with an older teen, but in the ensuing years, cannot seem to move past their breakup.

Genre

Drama, Romance

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Goodbye First Love (2012) is now streaming with subscription on AMC+

Director

Mia Hansen-Løve

Production Companies

ARTE France Cinéma

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Goodbye First Love Audience Reviews

CommentsXp Best movie ever!
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Janis One of the most extraordinary films you will see this year. Take that as you want.
paul2001sw-1 One of the first things you notice in Mia Love-Hansen's film, 'Goodbye First Love', is that the supposedly fifteen year old protagonist looks much older; it turns out, there's a reason for this, which is that the drama is going to follow her over several years, so the age of the actress was necessarily a compromise. In fact, the film is conceptually not dissimilar (though heterosexual, and less generally ambitious) from 'Blue is the Warmest Colour': a sensitive and well-drawn story about a talented, attractive young woman whose life is overshadowed by the memory of an intense early relationship. As in real life, when someone is pointlessly in love with someone who does not desire them, you partly want to scream "get over it!", especially when they have obvious advantages they could be exploiting; but humans aren't that simple, although the ending is a touch underwhelming, the story is nicely observed. And if you generally like emotional films about beautiful young Parisiennes, you'll like this one too.
twincitytony i love french cinema this is a horrible example, you can take nothing away from it but your lost time, the young couple are attractive the guy is a deadbeat she refuses to accept it, she a architect, very unplausible dialogue makes no sense written on a 12 yo level bright people don't accept abuse or mistreatment more than once i don't care how big there parts are there money or there looks, the people that do either want abuse or are not too bright i guess french cinema is dumbing down now, this is been made by someone who did not listen in class, there reason i like movies from France is they don't fob off a load of crap like this. this is for the french people that thought jerry lewis was funny
oOgiandujaOo_and_Eddy_Merckx Louis Garrel recently made his first feature film as director, Le Petit Tailleur, in an interview afterwards he admitted that his film was of a Paris that did not exist anymore, where the young went to the theatre to see Kleist. His film, as this one, contains a nostalgia for the New Wave. This is tacitly admitted in Goodbye First Love when Sullivan mentions that he went to a party in the suburbs where kids went to have sex and take drugs, a piece of shrapnel that doesn't fit in the jigsaw of this movie. The young of the developed world live with their eyes burnt out.Goodbye First Love tells the story of Camille, in love with Sullivan, and how she copes with losing that love and moving on with her life. There's something pristine about the way that young animals love and lust together, narcotic and somewhat illusory, but on the threshold of paradise; and actually the most astonishing part of the film practically occurs in an Eden. One its successes is the casting of two actors who have an obvious sexual compatibility, which lends credibility to the treatment.Mature love comes, but lies in the cradle of shared creativity and mutual respect, which should represent a superannuation of first love; but flesh is not just. For Camille, riding on the pannier rack of Sullivan's bicycle and grasping his body will always be the seed of her crystal.Goodbye First Love, by the way, is an incredible aesthetic treat (my favourite part may well have been when the two rake over the ashes of their love, lying together likes ravens in a shattered tower, all a creation of capturing colour carefully). I felt privileged to have watched it, to have been let inside what's a meagerly-camouflaged auto-biography from Mia Hansen-Løve. I may well love and be loved back one day, but it won't be the Hamelin song that Mia has let me see, and I'm grateful to her for this facsimile.
adriangalvarez One of the worst french films I have ever seen. The plot seemed interesting, and I have no doubt it could have been a much better film. But it is annoyingly slooooooooowwwww, I even watched 20 minutes at 2x (since I watched it subbed, I could read the subtitles either way) before definitely shutting it down. Full of meaningless scenes. It could have last 60 minutes and, perhaps, been a little better. I almost had a nervous breakdown due to its incredibly slooooowwwwww pace (I know I already said that, but I still cannot believe how slooooooooowwww it was). My recommendation... don't waste your time, go find another film.