Grindhouse

2007 "A double feature that'll tear you in two!"
7.5| 3h11m| R| en| More Info
Released: 06 April 2007 Released
Producted By: The Weinstein Company
Country: United States of America
Budget: 0
Revenue: 0
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Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers before each segment.

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Director

Jason Eisener, Robert Rodriguez, Quentin Tarantino

Production Companies

The Weinstein Company

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Grindhouse Audience Reviews

Steineded How sad is this?
Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
CrawlerChunky In truth, there is barely enough story here to make a film.
Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
cinemajesty Movie "Interlude" Review: "Grindhouse" (2007)Indulging on bloody violence, gore and plainview morals of the b-movie-cinema of the 1970s and early 1980s comes double infusion of troublemaker directors Quentin Tarantino & Robert Rodriquez in two times 80-Minutes-plus editorials for "Planet Terror" and "Death Proof" in legendary grindhouse movie house occasion starring a Hollywood cast from three-times cameo Bruce Willis over Kurt Russell and Josh Brolin to Rose McGowan as one-leg-machine-gun Go-Go dancer Cherry, Rosario Dawson and stunt-woman Zoe Bell as man-chasing sirens with friends, Quentin Tarantino himself as The Rapist on blowing-up to proportions military bases of phantom menacing Bio-Weaponry in "Terror" and a climactic high-speed live-action car chase in "Proof" under digitally graded scratches, color fall-outs to complete burning-up release prints, supported by guest directors Eli Roth & Edgar Wright for a half-time trailer show from "Machete kills" to "Werewolves pursuits" and beyond.© 2018 Felix Alexander Dausend (Cinemajesty Entertainments LLC)
big-gun Quentin Tarantino and Robert Rodriguez take us back to the good old days of the drive-in B movie double feature. Complete with fake movie trailers and the scratches and pops common in older films, Grindhouse is an entertaining look back for those of us old enough to remember the drive- ins of that era. I'd consider it an entertaining first look for those who aren't.Planet Terror, directed by Robert Rodriguez, is set during a man-made zombie apocalypse. A bio weapon created by the army turns people into flesh eaters. A small band of survivors tries to stop the soldiers and the end result of their weapon while escaping with their lives. Tarantino and Bruce Willis both appear as soldiers. Rose McGowan has a gun for a leg. Does anybody else that's kinda hot?Death Proof, directed by Quentin Tarantino, is set in Tennessee with Kurt Russell as a scarred stunt man using his car to murder women. Tarantino appears again as a bar owner. If you're an aficionado of 60's and 70's movies, you'll see little nods to several throughout. Checkout Grindhouse, it's a trip.
gavin6942 It's ladies night and the feeling's right... for Stuntman Mike. After encountering a group of girls at the local tavern, he decides to have his way with them. And not in the way you might think. The second half repeats the event with another group of girls, only this time things go decidedly different.I loved this film. I didn't see it in the theater, but I saw the extended cut on DVD. So I can't speak for the differences other than that I know the lap dance scene is longer and they added in the toe-licking scene, both of which are great. Many people, including my horror buddy Jason, told me this film was slow and Tarantino had lost his edge. And yeah, it was slow, but I think this worked -- it probably seemed worse in theater because it followed the non-stop bull ride of "Planet Terror".The dialog is not Tarantino's best, but it's not bad. There's no quotables like the "royale with cheese" or pretty much the entire script of "Reservoir Dogs". But he makes the mundane, everyday conversation seem like something worth watching. And he knows how to write them. Compare this conversation (the one by the first group of girls) to conversations in other films, and you can't tell me that this wasn't more realistic. So, that's a pretty good job.For those who wanted gore, thinking this was a horror film, you probably were disappointed. Sure, there's some really good blood in the car crash scene (and even a face getting ripped off by a tire) but it happens in under 30 seconds, so you really have to keep your expectations low if you want gore. Me, I didn't mind. The suspense of the story was all I needed to keep me waiting to see what Mike was going to do next. He was a weird guy, both maniacal and calculated.Tarantino, or whoever did the casting, knew what hey were doing. The first group of girls was just alright, but since we wanted them to die it was okay we didn't find them as attractive. But in the second group, we have Rosario Dawson (whom I don't generally like, but was okay here) and the love of my life, Mary Elizabeth Winstead. Actually, the love of my life is Mandy Moore, but Winstead is the best horror has to offer. That cheerleader outfit was divine.Also, I loved the soundtrack. Tarantino is great at exposing viewers to 1970s music they've long since forgotten or never even heard of. The Coasters "Down in Mexico", April March's "Chick Habit" and the thumping "Hold Tight" are just stellar. Sure ,he could throw in some modern pop or rock songs, get a soundtrack that sells millions. But why? He's mining gold right here. Just as he's done on "Kill Bill" and all films before. He made "Stuck in the Middle With You" a bigger hit than it ever was the first time out.Some have complained it's too self-referential, with the subtle in-jokes about the other movies, including Texas Ranger McGraw, the Vipers outfit, the "tasty beverage" and more. Screw the critics. Self-referencing, or any referencing at all, makes a solid film. It's that subtlety that pays off for the alert and insightful that really drives a film home. Kevin Smith, who I think has a lot in common with Tarantino, is very self-referential. And you know what? It makes his films gold because you won't catch all the connections your first time.Let's list off the amazing cast: Kurt Russell (Stuntman Mike), Rosario Dawson, Jordan Ladd, Rose McGowan (who is much hotter as a brunette and a former love of mine, but I'll take her as a blonde), Mary Elizabeth Winstead, Zoe Bell (Uma Thurman's real-life stunt double, and Quentin Tarantino as Warren the Bartender. Priceless.If this film bored you in theater, give it another chance. I think the extended edition really adds some missing flavor. Sure ,you're not getting the sex and gore and non-stop thrills, but there's something about this film that really captures the style it was shooting for (the style of "Dirty Mary, Crazy Larry") in a Tarantino vein. I think it kicks a llama's butt.
MovieProductions Grindhouse? What the hell does that mean? Is this even something I'd enjoy? A typical moviegoer would say ask those questions. One who's typical night out includes seeing a high budgeted film in a theater with anti-sticky floors, nice leather seats, and viewing the cinematic experience in the finest audio and video presentation possible. Not to mention, one who's spending a mere ten bucks on a late outing with a soul film, that typically, doesn't deliver what it promises. Grindhouse is exactly the complete opposite of that. Grindhouse is typically defined as a double feature, in which two B-flick films (oh no, you won't find a DeCaprio here) play back to back, while trailers serve as the intermission. Not to mention that grindhouse experiences consisted of those annoying product placements and how heavily they emphasize on a restricted rating. As for people that know what a Grindhouse is and misses the experience they once had, well folks, here's your chance! Step right up and pay your ten bucks for two films, fake trailers, "restriction" cards, and a restaurant advertisement. Don't go in searching for the latest Hollywood actor, some fancy set pieces, or a clear picture and chances are, you'll probably have a fun time. THE MOVIES ____________Planet Terror: ***1/2 out of (****) or 8/10. Basically, this film has a copy-and-paste script since the plot is paper-thin and it involves the usual, "virus breaks out and people get infected" concept. However, that's what makes this film more overall effective. Planet Terror is the first film to be featured in the double-bill and rightfully so. The performances are top- notch, the pacing is brisk, the body count is plentiful, and it's just boatloads of fun. How can you go wrong with a Fergie cameo, a Quentin Tarantino cameo, Robert Rodriguez in the director's chair, severed balls, a go-go dancer with a machine gun for a leg, and her Mexican companion? Planet Terror is the finest B-flick I've seen because Rodriguez proves to us that even though your film is intentionally bad, that doesn't mean it has to have weak dialog or characters. It can have great characters, some funny one-liners, and a brisk pace added to the mix. Highly recommended.Death Proof: ***1/2 out of (****) or 8/10. Okay, I know many will beg to differ with me putting both movies on par with each other, but let me ask you this. How is it fair to say one film is better than the other when both films are in two entirely different ballparks? If you want a break-neck pace, a "get-to-the-point" direction, and hardcore thrills, see "Planet Terror". However, if you ask for a little more character development and a rather smoother pace, seek out "Death Proof". Honestly, this film is underrated. I mean, yes, there is a lot of redundant dialog, but I was entertained and that twenty minute car crash sequence even made me like this movie more. I can't really say I liked one film over the other. Both set out to do what they wanted and succeeded greatly.THE FAKE TRAILERS ___________________Machete: *** out of (****) or 7/10. You've just *beeped* with the wrong Mexican! That's just one out of many cheesy moments. From a badass Mexican to a three-way pool scene to a priest with guns, this will quench the thirsts of avid B-flick fans. While I liked the faux trailer, it loses a star (or three) because it didn't keep my interest as the others did, but it was still good.Werewolf Woman Of the S.S.: **** out of (****) or 10/10. No lie, I absolutely loved this trailer. I mean it truly showcases how such of a douchebag Hitler was, a nice campy tone, and a Chinese Nicholas Cage. Can this get any better? Apparently so since I gave it a terrific rating.Don't: **** out of (****) or 10/10. This trailer or Thanksgiving was my favorite, even though I love Werewolf Woman Of the S.S. I've always been a sucker for haunted house films and slashers and when I found out "Don't" was a mixture of those, I jumped with joy. Seriously, Edgar Wright is a genius. If this becomes a movie, I'm seeing it.Thanksgiving: **** out of (****) or 10/10. By the next sentence, you're either with this trailer or not. A knife to the vagina, A swallowing woman who's boyfriend's head is later decapitated, a turkey stuffed with dead bodies, a man humping a dead body filled with turkey, and a dead poor Grannie. Thanksgiving is a wet dream for B-flick lovers. The picture, the voice-over, the money shots. It's all there. OVERALL EXPERIENCE _____________________Grindhouse: ***1/2 out of (****)Overall, Grindhouse is one hell of an outing. Two nearly perfect films, flawless fake trailers, and corny product placement make this a solid recommendation. If you are wondering folks, I saw the WHOLE thing. From the opening "Machete" fake trailer to the credits of "Death Proof", I have seen Grindhouse in its fullest. This could not have happened if the sweetie pies over at Vivendi Entertainment didn't release their Grindhouse Blu-ray. Rodriguez and Tarantino, please, please, make another Grindhouse flick!!