How Harry Became a Tree

2001
6.7| 1h40m| NA| en| More Info
Released: 01 September 2001 Released
Producted By: Canal+
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

Set in rural Ireland. Believing that "a man is measured by his enemies", Harry Maloney (Colm Meany) sets out to ruin George O'Flaherty – the most powerful man in town, who not only owns the local pub and most of the businesses in the area, but is also the local matchmaker. When Harry's son Gus (Cillian Murphy) – upon whom Harry regularly heaps abuse (mostly mental and verbal) – falls for the lovely Eileen, George helps get the two together. During this time, Harry quietly mobilizes his dastardly plans.

Genre

Drama

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Director

Goran Paskaljević

Production Companies

Canal+

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How Harry Became a Tree Audience Reviews

Mandeep Tyson The acting in this movie is really good.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Aristides-2 Perhaps the problem with this movie is the fact that the director is a Serbian filmmaker. Or that the co-writer is his wife. It could be that his Balkan background was ill equipped to adapt a Chinese story to a 1920's Irish village. (Maybe the multi-national money people behind this project insisted on using Ireland.) Whatever the reason, when you name your leading character "Meaney", portray virtually all the characters in a realistic style and then have the main character turn into a tree, then you've got a melange that sinks under the woven strands of too many stylistic ideas. I would also like to comment on the cinematographer's lighting (though ultimately the director has to o.k. the look when he sees the dailies.) Disclaimer: I worked as a lighting technician in the mainstream U.S. film industry for 25 years. Most of the time when movies are transferred from film/digital to DVD, the bottom line is to do it as cheaply as one can. One really can't fairly comment on good lighting or bad lighting because of this (this cheap approach also heavily impacts sound transfer). But in this film the aesthetic behind many of the interior scenes was that of a hack; let's bash the light in and shoot it. There's way too much "flat" lighting. That is, no contrast in the light on faces or objects EVEN THOUGH THE LIGHT SOURCES LEND THEMSELVES TO GREAT POTENTIAL LIGHTING; lighting that could help further the story.Good performances don't make it when they are serving a poor story in a technically flawed movie.
rdhad As an American, it took me a bit to get used to the language of rural Ireland in the 1920's, but this film draws you into a world that seems not at all foreign after a while. Unlike the relentlessly depressing "The Field", this is a drama of real tragedies - the small, silly tragedies that we create and that are created for us- and also, of real hope. The original Irish title of this film "How Harry Became a Tree" is so much more fitting than the US "Bitter Harvest" (what were they thinking?), though fortunately the brilliant allegory of the tree is not lost with the title change. Performances are universally outstanding and poignant, the photography beautiful, the music haunting. See this film and see how the Irish continue to astonish with their mastery of language and vision.
seamus.dunphy This is a weak movie; I believe the director's intention was to make people laugh but, in this reviewer's case, he failed miserably. OK, I giggled once or twice but in between that it was a complete bore, uninteresting characters, stupid plot line, moronic and unintelligible symbolism.Colm Meaney did a good job as an actor 'though.
Dirk-84 I went seeing this movie with a group of teaching colleagues at the annual International Film Festival of Gent. It was indeed a festive occasion and we all felt very happy and high-spirited afterwards. I won't easily forget this film and will always highly recommend it to all the people I love, not in the least the students that have been appointed to me.For indeed I believe in the introductory comment by Goran Paskaljevic, the director of this beautiful film, whose presence together with that of the wonderfully acting Colm Meany was of course also part of an utmost enjoyable cinematographic evening.Mr Paskaljevic expressed two things during the measured time of the interview. He hoped that the audience would have a real good laugh and that after leaving his film one would consider the reason(s) for having an enemy.I forgot about the audience, but the movie did certainly make me laugh. And there can only be one consideration : how unwise it is to have an enemy in one's lifetime. Harry did not become the tree of life.