Clevercell Very disappointing...

Lovesusti The Worst Film Ever

Borserie it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

lennietofft The take of this film on the werewolf myth, interpreting it as a separate biological race, is refreshing and intriguing. The casting is good, and especially the female werewolf protagonist suits her role well. It contains many bizarre, and at the same time visually beautiful and imaginative scenes, and lots of stunningly beautiful aerial views of Sidney, which in themselves makes the film worth a watch. The only downside is that the progression halters somewhat at the end, and the film seems unsure of how to actually end. I would still say this is one of the best films in the "howling" installment.

Rainey Dawn This one does not really follow in suit with The Howling 1 & Part 2 - even they were very different from one another. Howling 3 takes us on a government chase trying to find these lycanthropes. This clan can have sex with humans, they have pups that they carry in their pouches similar to a kangaroo - and why not they are an Australian clan and they have ties with a Russian clan.The film gets scattered with it's story telling, as if they just filmed some ideas then threw them together to complete the movie. But it is a rather fun movie to watch - unintentionally funny at times.If you are into werewolves it's worth a watch - but really for only those that are really into lycanthropes.5/10

capkronos Having no relation whatsoever to THE HOWLING (1981) or HOWLING II: YOUR SISTER IS A WEREWOLF (1985), this is pretty much a standalone film... and what a strange film it is! Director Philippe Mora had previously made the critically-abhorred second entry and wasn't completely happy with the finished results himself. Since he'd purchased the rights to the "Howling" brand name from the original author, he decided to take a second stab at making a comic werewolf flick. Though the opening credits claims it's based on Brandner's third book in the series, it in fact has nothing at all to do with the book and is based on an original idea by the director himself. Aside from the abysmal HOWLING: NEW MOON RISING (1995), this is the lowest-rated "Howling" title here on IMDb, which I find utterly perplexing. This is extremely bizarre and sometimes off-putting in its weirdness, but it's also frequently hilarious, often very clever and filled with interesting ideas. Instead of being the 2nd lowest rated film in this series on here, I actually think it deserves to be the 2nd HIGHEST rated.Silent film footage from 1905 depicting Australian natives tying a werewolf to a tree and killing it as well as current reports of werewolf killings in the village of Leovich in Siberia send anthropology professor Dr. Harry Beckmeyer (Barry Otto) - later joined by colleague Professor Sharp (Ralph Cotterill) - on a quest to prove the creatures actually exist. Meanwhile, in the small village of Flow, Jerboa (beautiful Imogen Annesley) is getting fed up dealing with her abusive stepfather Thylo (Max Fairchild) and flees her tribe. After a bus ride, she ends up in Sydney and is immediately discovered by Donny Martin (Lee Biolos), assistant director on a horror movie called "Shape Shifters Part 8." He takes her to meet director Jack Citron (Frank Thring, doing his best Hitchcock impersonation), who immediately casts her in his film. Well, if she doesn't mind "being gang-raped by four monsters." And she doesn't. After he takes her to the theater to see "It Came from Uranus," Donny and Jerboa end up falling in love, but what he doesn't realize is that she's actually a werewolf... and a marsupial one at that! Things really take off into the realm of strange once the scientists get hold of a pregnant Jerboa and her tribe sends three female tribeswomen decked out as nuns to get her back.This movie is literally all over the place with its tone. It begins as a campy horror-comedy with a bizarre sense of humor and then, in the second half, begins aiming more for poignancy. It doesn't always work, but it's a consistently interesting film and one of the most original werewolf films ever conceived. Mora deserves more credit than he has gotten for trying something completely different here. The plot makes room for an odd werewolf birthing scene (it's a cute little thing that lives in the protagonists belly), a posse of hunters sent to eradicate the werewolves with machine guns and bazookas (!) and a Russian werewolf ballerina (Dagmar Bláhová) who flees her homeland to meet up with the Aussie tribe and ends up transforming mid-performance. Hell, even the President of the United States (played by Michael Pate) gets involved at one point!The werewolves themselves are handled completely differently than in any other film of this type. These are not monsters who kill for pleasure or even food, and they are not cursed humans, they are depicted as a misunderstood separate species who resort to violence only when they have to as a means of survival. The film draws a fascinating parallel between the werewolves and the thylacine, which were striped marsupials commonly called "Tasmanian Tigers" that lived in Australia and Tasmania until the mid-1930s are were driven to extinction by man. Like the werewolves here, the thylacine had patterned stripes along their backs and were misunderstood and feared by humans, who wrongfully blamed them for killing their sheep and livestock when that wasn't actually the case. The few surviving thylacine in zoos were apparently mishandled and poorly treated until they existed no more. The film includes rare film footage of the now-extinct animal taken at a London zoo.The expected lycanthrope mythology is also refreshingly thrown right out of the window. Full moons and silver bullets don't factor in at all and the transformations of man to wolf can be willed by the werewolves or caused by fear, stress or flashing lights. Mora also includes both nods to his previous films (a poster for THE BEAST WITHIN [1982] hangs above a bed) and some amusing references to the first "Howling" film, including a mock Oscar ceremony with a cameo appearance by Dame Edna (Barry Humphries) directly referencing the the original film's ending.

AaronCapenBanner Part III is a change of direction for this franchise, set in Australia(no overt links to the first two) where a young woman finds herself involved with an oddball film director and some very strange werewolves related to a secluded aboriginal tribe, where expedition members are being killed.Though different from Part II, this is no less bizarre and ridiculous, with a plot that doesn't hang together at all, truly bizarre characters and music, and an ending sequence so self-defeating and crass that you would think returning director Phillippe Mora was intending to kill this budding franchise(not a bad idea really...shame it didn't happen!)