Micitype Pretty Good

Pacionsbo Absolutely Fantastic

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Kevin Shields I'm giving this a 10 because I seriously love this movie. I've seen far better, more profound plots, better acting etc. - but then again, I forgot about most of them. Yet Human Traffic is one of those movies that stuck with me. The movie is just pure fun and a look at what life is like for a rather sizable amount of young adults struggling with how to deal with a life dictated by a shitty job, which is, let's face it, the harsh reality for most people on the planet. The Answer is simple: go out on the weekends, go nuts, party and forget for the moment. Drugs play a prominent role in this one as well of course, but I wonder why people that didn't like the film get all cranky about it. It wasn't the main plot point unlike in Fear and Loathing in Las Vegas, which is hailed as a cult classic. Last time I came around to watch it I saw it completely sober (not even a sip of beer) together with a friend and I thoroughly enjoyed it and was somewhat envious of the fun the actors were successfully conveying. So no worries, you need not be high or drunk to enjoy this movie, as some suggest in the discussions. And afterwords I wanted to go out and dance and party so badly. It had a really energizing effect on me. Yet sadly, it was a Sunday...All in all, it's one of those movie's that people easily put down, cause it doesn't seem like much. But perhaps you're like me and it sticks with you, in a good way. It's worth a try. Oh and if you get the chance to watch this on a Friday, sitting together with friends before you got out, getting drunk, so you don't need to pay so much in the club(s), PLEASE DO. It'll most DEFINITELY get you in the right mood ;)

Mark David Fisher Seen this film many times now and always makes me want to get my gear on and turn the amp up and get myself out to a club with my mates. It seems to be s common understanding with most reviews I have read here that this film is something that has a periodic and contextual feel to it. and if you are not within this small window of opportunity you don't seem to understand it. The period was the 90's rave scene, but too many people get transfixed by the drug taking the rave music, and the lack of plot and substance to the characters. Get real peeps, it is what it is, it shows five people with everyday problems, tedious jobs like most of western society letting loose and going out and letting loose allowing there mind and body to expel all the boring mundane rubbish that has built up over the week, (you know what I'm talking about, some people drink, smoke, eat, read, have sex, etc, etc) Yes it is what it is and I loved it because I lived it. all those that didn't oh well, you're loss, and you can tell who did and who didn't due to your low ratings, its a shame that you are gonna spend life so opinionated about these type of film and you're gonna die a stiff. Sit back roll a joint, take a pill and see where it takes you, you never know you may enjoy it. as your chosen drug of realty seems to be a little tedious and boring.

Jafar Iqbal It is Cardiff in the late nineties; five friends head out for a weekend of drugs, alcohol, sex and clubbing. Through the Ecstacy-induced high to the alcohol-assisted comedown to the feelings of the morning after, their lives are on the brink of changing forever When 'Human Traffic' was released, many critics claimed that this was the last great British film of the nineties – and how right they were. This film is so inherently a nineties movie, it's like opening a time capsule. To be young was to be a clubber; to be living for the weekend, when mixing alcohol with drugs was a given. Writer-director Justin Kerrigan captures that oxymoronic feeling of immortality and insecurity beautifully, through five characters that complement each other so well.Obviously, the success of the characters hinges entirely on the success of the actors, and what 'Human Traffic' also gives you is a snapshot into what would (and could) become the future of British cinema. Top of the pile is John Simm, who went on to achieve well-deserved acclaim for Life On Mars. This is arguably his breakthrough performance, and he's a joy to watch.But, in my honest opinion, the plaudits need to go to Danny Dyer. For those with a decent knowledge of Dyer will know that he is mostly known now for playing really rubbish characters in really rubbish films. But in 'Human Traffic', he is brilliant. The character of Moff isn't the nicest – he is hooked on drugs, isn't overly intelligent, and is desperate for friends – but Dyer imbues that unlikeable character with a childlike innocence which you warm to. It's by far the best performance I've ever seen from him, and makes me realise why he managed to keep a career going. The rest of the cast is made up of actors who have since faded into the distance; which, to be honest, isn't surprising as the performance levels don't match up to Simm and Dyer. While everyone has moments of good work, it is never quite as consistent. I feel like there were better young actors at the time who could have done a better job.You could argue that the film is a bit dated, and it's not a bad argument to make. Obviously, the youth of the nineties is a lot different from the youth of today. But for those who were part of the nineties generation, 'Human Traffic' provides the same feeling of nostalgia that 'Trainspotting'. Both are films stuck in time, but not in a way that hurts them. 'Human Traffic' is a love letter to the nineties, and well worth a watch.

em_blem If I wouldn't have had any expectations of this film, it might have received a 5 or 6. As it stands, I give it a 3. The acting is poor, the factual accuracy of the drugs it discusses is lacking, and I feel no empathy whatsoever for the characters.I watched 'Adam & Paul' immediately before watching this film, and I both laughed and cried on several occasions. This film did not strike even a similar chord. The directors of 'Human Traffic' may have some off-hand experience of ecstasy, but there is no demonstration of actual drug-related semantic knowledge here. In fact, I find it rather offensive and contraproductive to the strife of making current drug laws less politically oriented.Watch 'Requiem for a Dream' if what you're looking for is an amazing, touching film about drugs.