Hungry Wives

1972 "Every Night is Halloween."
5.6| 1h29m| R| en| More Info
Released: 01 May 1972 Released
Producted By: Latent Image
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Joan Mitchell is an unhappy, middle-aged suburban housewife with an uncommunicative businessman husband and a distant 19 year old daughter on the verge of moving out of the house. Frustrated at her current situation, Joan seeks solace in witchcraft after visiting a local tarot reader and leader of a secret black arts wicca set, who inspires Joan to follow her own path. After dabbling in witchcraft and believing she has become a real witch, Joan withdraws into a fantasy world and sinks deeper and deeper into her new lifestyle until the line between fantasy and reality becomes blurred.

Genre

Drama, Horror

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Director

George A. Romero

Production Companies

Latent Image

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Hungry Wives Audience Reviews

Linbeymusol Wonderful character development!
JinRoz For all the hype it got I was expecting a lot more!
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Kimball Exactly the movie you think it is, but not the movie you want it to be.
poe-48833 SEASON OF THE WITCH/JACK'S WIFE/HUNGRY WIVES/CONJURE WIFE isn't, as many seem to think, a train wreck. There are some good performances (including Ray Laine, more or less reprising his role from THERE'S ALWAYS VANILLA) and Romero's STYLE becomes more recognizable here. As with NIGHT OF THE LIVING DEAD and THERE'S ALWAYS VANILLA (as well as the forthcoming shockers THE CRAZIES and MARTIN), SEASON OF THE WITCH concerns itself with sometimes-twisted Human Relationships: it's THE common Theme running through everything that Romero has done. Like Fritz Leiber's classic novel CONJURE WIFE, SEASON OF THE WITCH touches upon the notion of Witchcraft as a cure-all for what ails us; but, like most of what Romero has done, the Truth is Ephemeral at best: what ails us most is mostly just US...
Rainey Dawn "Hungry Wives" aka "Season of the Witch". OK there are movies that work better when they are fast-paced, some that work better at a mid-pace, and other films are better at a slow-pace. This film is not slow-paced it's slower than a snail's pace - it's at a dragging-pace, painfully slow.A housewife is bored. She has a husband that is not home most of the time and when he is home it's a stale relationship. She has a daughter that has her own life and really doesn't care about her. She has gossipy friends that are rather a bore as well. So she's alone most all the time and utterly bored so she decides to try witchcraft as a solution - to spice up her life I guess. Well, we finally get about 10 minutes of her witchcraft which doesn't amount to a hill of beans - a love spell of all things - this leads us to adultery which she seems to like more than her new found hobby witchcraft. At the end, she grows tired of her lover. Oh and she starts telling others "I'm a witch".I think the witchcraft is suppose to be a metaphor for real life women's lib movement that was still going on at the time of this film - but was shown as literal witchcraft in this film.There was some stink about the releasing of this film - and was marketed as soft-core porn much to the displeasure of Romero -- so I read somewhere. Makes no sense to me after watching this film... it would barely qualify as soft-core porn if it does at all. And the cut footage was cut to qualify it as soft-core porn in the 70s - do what?! Seems that is what they cut was soft-core porn bits but whatever. I just know there is cut footage that was later found and pieced back to create another release of this film. The film is boring and talky not close to soft-core porn that I can tell.2/10
Gavin567 This is a wonderful film, psychologically complex, well-made, written, paced, edited, and acted. It tells a compelling tale of a housewife's experimentation with witchcraft as she tries to free herself from a monotonous and unfulfilling life. The off-the-cuff, naturalistic acting and camera-work are refreshing and feel very real and palpable. Jan White is beautiful and competent as the lead. This is an important '70s feminist drama, and my favorite Romero film. It deals with the real reason that women get into witchcraft, which is to find meaning for themselves in a man's world. Some of the dialogue sequences are reminiscent of Cassavetes' work, as characters talk in an improvisational style and emotions fly high. Especially chilling is a scene in which the jerky young college professor turns a middle-aged woman on to pot and then needles her about her insecurities until she is hysterical. The protagonist and the other women she knows are trapped in dead-end suburban lives with controlling husbands, and witchcraft here is equated with women's lib and the taking back of their own freedom, feminine energy, and sexual power.
savvymoon5 This movie was boring, badly produced, the audio was terrible, the acting was amateurish, and the story line was simply ridiculous. It should have been titled; "The Season of the Sexually Frustrated, Bored, 70's Housewife".Any "witchcraft" in the movie was limited to about 10 minutes total-- and was so off the mark, it was ludicrous. Summoning "the Devil" to do a Love spell... Puh-leeez. This is the kind of movie that gives Pagans and Witches a bad rap. Avoid at all costs! You know people, you have to look at a movie as a stand-alone project and forget which "famous" director (etc) had a hand in it. Doesn't matter if they've made masterpieces before or after... when a movie stinks, it stinks! Use a critical and discerning eye!