Hush

2005 "Dirty secret... A deadly obsession."
4.8| 1h30m| PG| en| More Info
Released: 23 May 2005 Released
Producted By: Front Street Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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A married man must deal with an obsessive former girlfriend after he moves back to his hometown.

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Director

Harvey Kahn

Production Companies

Front Street Productions

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Hush Audience Reviews

ShangLuda Admirable film.
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Baralai Gippal I caught this movie while doing something else online, and I generally found myself wanting to see some scenes, but ended up mostly listening until the end. All I can say is that it's worth seeing maybe once when there's nothing better on, but beyond that? Obviously there's better, more intelligent movies out there.What I liked about this one is that it wasn't over-the-top like similar movies nor was it full of screaming and explosive intensity. Cellie was a but more subtle and "tightly coiled" in her obsession and rage. In fact, Victoria Pratt was the only great actress in the movie. I viewed Cellie was more sad creepy than scary creepy, honestly. Sure, she's still a creep, but she's much more understated than many other obsessive characters. Everyone else is generally okay and Tori Spelling does a fairly good job as Nina.The movie felt more like a drama than anything. However, the ending...gah. Here's where Cellie turns into a Voldemort, and basically throws out any devious intelligence that she had in the beginning. Sure, she's still soft spoken in her rage, but apparently her brain got burnt because she just does things that even a bumbling fool wouldn't think of doing. Here's a few hints: 1. People that kill/ruin/commit crimes against others WITHOUT getting caught don't say anything to anyone about it unless the other person is dying or dead. 2. They don't just make threats like, "If you do this, then I'll"...nope. They just DO IT. Leave no witnesses and they NEVER tip their hands. 3. They do things themselves and never turn their backs on their enemies. Then again, if she really was so brilliant, then the movie would have ended halfway through with a "it was an accident, I'm so sorry. She slipped from my grasp." *sob*.Honestly, it's not that bad, but there's a reason why it has the rating that it does.
caa821 This is one of those films you can have on for a couple of hours on a Sunday morning -- able to do other things with no real complications in losing any understanding of the proceedings, and gaining some fascination in wondering why such mediocrities acquired the manpower and financial resources to be produced in the first place.Of course, with all the cable channels, as well as Lifetime's need to fill its time slots with 100 or so hours worth of movies per week (along with incessant "Golden Girls" reruns), this type of fare is now a t.v. staple. Also, it seems these flicks provide livelihood to the Canadian locales where most are made, as well as the host of Canadian actors appearing in them.Tori Spelling, like the ferret-face Paris Hilton, is somebody who - if not for family connections and resources - would likely be working at The Gap. But at least Tori has become, say, a C+-level thespian, appearing in occasional presentations appropriate to this level.This story is one which has been seen on Lifetime and similar venues God-knows-how-many times. Devious woman, a total sociopath, trying to screw-up everyone else's lives, operating during the initial parts of the story with more cleverness than a CIA operative could muster, committing murder when necessary, and out to wreck the life of the flick's "heroine."As usual, the male lead is a completely clueless dolt. And in these types of films, one finds, say, characters about whom one can really "care," about 10% of the time. This one is in the other 90%.
guilfisher-1 Terrible terrible movie for Television. Once again Lifetime brings us the predictable triangle; scheming bitchy woman out to get stupid unknowing wife of yet another stupid husband who doesn't have a clue.I get antsy when I see these films. You may ask, why do I watch them then? I haven't a clue. Usually by mistake. And the movie is so bad I can't get away from it. I wait for the bitch to get her come up-pence. And usually I'm not satisfied in how she gets her just desserts.Now if you can believe our vixen, she steals embryos from the clinic, and how does one do that? Without blood tests, DNA, inquiries and recommendations. She proceeds to kill the Realtor, Gabrielle Rose, who is on to her, in broad daylight in the front yard of a house for sale and no one sees her? She kills the mother, Susan Hogan, and you could predict that surmise when the mother off handedly mentions she's allergic to peanuts and that the pills to combat this allergy are in her pocket book. Guess what? I won't continue on this.Finally you are left in the house alone with the wife and the bitch. Well good triumphs evil, but much too slowly. Victoria Pratt as the evil girlfriend is adequate in the role, looking a bit too disheveled and obvious. Tori Spelling just stands around looking blank most of the time. She's got those big big Bette Davis eyes that look like they're popping out of her head. I liked her better in TRICK. And Tahmoh Penikett plays the husband going around assuring his wife there's nothing too he and his ex-girlfriend, even though he's spotted all over town being very chummy with her, standing half naked with her in his house when he sent the wife off to the city to stay overnight. Yet he continues to deny the romance.Lifetime never disappoints the viewers with their inane plots and stories about women and their stupid husbands. Wish I could give this chestnut a "0" rating.
dpisthebest if you're a sucker for corny movies and are looking to see something you don't need to pay close attention to, this might be worth watching. the story itself is very unrealistic. the dialogue is also not very believable. it is doubtful you will find yourself relating to any of these characters because none of them are very likable. the acting could've been a lot worse. victoria pratt is noticeably out of place with the rest of the cast, as she seems to have a lot of potential and talent as an actress. while it's not saying much, this is one of the best acting performances i've seen from tori spelling. she appears to be getting better with age. overall, this extremely melodramatic movie is mediocre at best.