King of the Gypsies

1978 "They have their own language... Their own codes of sex, honor and vengeance... And their own way of choosing a king."
6.2| 1h52m| R| en| More Info
Released: 20 December 1978 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Zharko, leader of the Romanis in NYC, passes his position of leadership on to his unwilling grandson, Dave, leading to infighting between Dave and his father.

Genre

Drama

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Director

Frank Pierson

Production Companies

Paramount

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King of the Gypsies Audience Reviews

Tacticalin An absolute waste of money
CrawlerChunky In truth, there is barely enough story here to make a film.
Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
rodrig58 ...not as good as "Time of the Gypsies" (1988) Dom za vesanje (original title) or "Black Cat, White Cat"(1998) Crna Macka, Beli Macor (original title), both directed by Emir Kusturica or "I Even Met Happy Gypsies" (1967) Skupljaci Perja (original title) of Aleksandar Petrovic. Despite the fact that we have an entire orchestra of good and very good actors, such as Sterling Hayden, Shelley Winters, Susan Sarandon, Judd Hirsch, Eric Roberts, Brooke Shields, Annette O'Toole, Annie Potts, the film does not have consistency, it's only a mediocre attempt to show how gypsies really are. Eric Roberts is honest in his role debut. Susan Sarandon is more beautiful than ever and very talented as always. Best of all is Judd Hirsch he's the most natural and believable gypsy. Beautiful music with Stéphane Grappelli, accompanied by other talented musicians.
Wuchak Released in 1978, "King of the Gypsies" chronicles the life of an American gypsy (Eric Roberts in his debut) who resists being made the king of his clan by his grandfather (Sterling Hayden). Meanwhile his villainous father (Judd Hirsch) resents that he was passed up and hostilities mount. Susan Sarandon plays the mother, Shelley Winters the grandmother, Brooke Shields the young sister and Annette O'Toole & Annie Potts the potential girlfriends. The movie plays like a less-epic and lower-budgeted version of 1972's "The Godfather," albeit about Gypsies rather than a Mafia family. The cast and acting are superlative and the tone is gritty realistic. The screenplay was based on Peter Maas' true-life book. The story covers three generations of a Gypsy family from the 40s into the 70s and is narrated by Robert's character, which provides an interesting continuity. It's not great, but it's good enough and provides a window into this unconventional culture, their traveling lifestyle, interactions, work (including "fortune telling"), schemes, music, dancing and misadventures. The film runs 112 minutes and was shot in New York/New Jersey area. GRADE: B
Kaya Ozkaracalar Life of a young man who wants to escape his "gypsy destiny." He wants to adopt to the American way of life, he has a blonde non-gypsy lover, his dream is to move to California and spend his time surfing (really). He hates and looks down on everything about his gypsy heritage, which is epitomized in the character of his monstrous father. Alas, his responsibility towards his sister means there is no easy escape from his "gypsy destiny." Above summary is the gist of the movie. If such a deplorable premise is not bad enough, the lead actor, Eric Roberts in his screen debut, aggravates this mess with his awful acting, esp. when he is in fits of anger. The guy who plays the bad father does not put up a very bad performance though. Susan Sarandon, who plays the mother, is very good-looking, but she can't help looking fake in all this stereotyping.For Brooke Shields fans like me who may go for this movie just for her: She doesn't appear at all in the first 40 minutes or so and has got three scenes later on. She is largely a bystander in the first two, but has a major presence towards the end. For fairness, the only merit of the movie is the music.
bkoganbing You will get a wide and varying reaction as to the veracity of what Peter Maas wrote about the Romany culture in his non-fiction book, King Of The Gypsies. The information from that source yielded a screenplay with both Hamlet and Oedipal like qualities in it about the succession in leadership to a gypsy clan.The title role in King Of The Gypsies is played by Sterling Hayden and he and his Queen Shelley Winters have as much responsibility to their clan as the Corleones do. But they've got a son in Judd Hirsch who has the worst qualities of Fredo and Sonny Corleone in one package. This is not a guy you want running the clan.Hayden pins his hopes on his grandson Eric Roberts. But Roberts has walked away from gypsy life and now is even courting a nice all American girl in Annette O'Toole. He's a singing waiter at Mama Leone's which is no more. Hirsch of course has no desire to be John of Gaunt in his family, son of one king and father of another. This sets up the conflict within the clan that goes active when Hayden dies.Eric Roberts made his screen debut here and does fine, but the guy to really watch in this film is Judd Hirsch. You can hardly believe that the amiable Alex Reiger from Taxi is played by the same actor. Hirsch's part of Grozzo should be his career role. Had it been played by someone like Al Pacino and would have had King Of The Gypsies come to the screen some 15 to 20 years later it might have gotten an Oscar nomination. At this point Pacino would have been cast in the Roberts part. How Hirsch was overlooked is a mystery that only the gypsies know.For an insight into a part of human society overlooked, King Of The Gypsies is highly recommended.