Laaga Chunari Mein Daag

2007 "Journey of A Woman"
5.4| 2h17m| NA| en| More Info
Released: 12 October 2007 Released
Producted By: Yash Raj Films
Country:
Budget: 0
Revenue: 0
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Info

Badki and Chutki live a fun-filled life in Banaras, playing pranks, sneaking off to see a forbidden mujra, and soaking up all the excitement that goes on the ghats of the Ganga. Badki is aware that the family is in dire straits, but she and her mother protect Chutki at all costs. When things get worse, Badki decides to go to Mumbai and seek a living for the family.

Genre

Drama, Romance

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Director

Pradeep Sarkar

Production Companies

Yash Raj Films

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Laaga Chunari Mein Daag Audience Reviews

Rijndri Load of rubbish!!
Spidersecu Don't Believe the Hype
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
elshikh4 True it is a very old story, but the movie is done with class this time. The thing is it couldn't avoid the weak effect eventually.The "class" side; (Rani Mukherjee) looks so beautiful, giving a fine performance. (Konkona Sen Sharma) was unforgettable too. The cinematography made a colorfully dazzling image. The directing showed sensitive eye with smart vitality while being so rational as well (something I don't meet everyday in the Indian cinema). One of the songs, about transforming into a prostitute, was distinctly made; using shots for; spider's web, broken mirror, etc. that embodied the feelings of the lead at the moment in rare expressional way; being the most important thing this movie has.Now, the "weak" side; (Abhishek Bachchan)'s performance. And the character he played didn't help him as it was badly written (a lover boy who wears chic suits !). Which leads us to that script. Annoys me much the way the third act was written; OK, the heroine is someone, driven by bad circumstances, turns into a hooker, to separate from her family, which she supports, hiding her ugly truth. Now when her sister knows, she forgives her. When her mother knows, she forgives her. And when her lover knows, he – guess what – forgives her too and in one of the worst scenes I have ever seen in my life ! Before thinking that that is so-easy-it's-provocative, then wait till you know that the other conflict (some evil guy who wants to control the land of the heroine's father) finishes ridiculously in just one laconic moment, with (Abhishek Bachchan)'s character along with his brother putting their hands on that guy's shoulder, which ends up the movie suddenly !The old Indian cinema could deal with the same material in totally opposite way; overdone melodrama, loud tone, and sure big fight at the end where the 2 grooms beat up the hell out of (Prem Chopra) or (Amrish Puri) or whoever used to vex the leads back then! As you see, we have one cinema that mostly doesn't know how to be moderate. So it's whether hot-tempered or just cold !There is a nice scene in which the sister knows about her sister's job under the rain. That was effective. However, some scenes were, while nicely shot, highly predictable, and so reused from older movies; there is always an evil man who knows about the prostitute, blackmailing her for not telling her lover, her family, asking for big sum of money…etc. It's obvious by now that this is a movie where the problem is mainly in its script, not its direction or else.One very interesting point I must refer to. Remember how the character of the mom knew about her daughter's situation only by her heart, as if she has a telepathic relationship with her, being discerning when it comes to the fate of somebody she loves. These spiritual matters, supernatural for others, is so usual and natural not only in India, but in the eastern communities. I even believe that most of the moms got it, it's just the Western cinema that don't respect, or at least care much, about that in the first place.While being not the extravagantly hard melodrama, it wanted to be different, as merciful and so easy; yet to the extent of being extravagantly easy melodrama ! So yes, it's a fair show of colors and symmetry. But don't wait much from its drama. It can sum up one of the top dilemmas of the modern Indian cinema, where the irony is always on between tasty surface and weak substance.
bk_connection What can I say except for the Golden Triangel of Bollywood has made the film a master-piece in superb acting.Jaya Bachan Rani Mukerjee Konkona SenWhat a golden Triangle, all of the have excellent skills in acting and the whole movie is carried on these girls shoulders, and they have done a really good job.Iam trying to understand why this movie was a flop in India, was it the critics or the public who didn't wanna see it ? Do the public only want Masala Movies with no meaning like Om SHanti Om (eventhough SRK is a brilliant actor). I don't wanna tell about the story but Laaga Chunari Mein Daag is a must see movie, and if you liked Saawaria and Om Shanti Om, I can guarantee that this movie has more dept to offer.One of this years best movies in Drama is :Laaga Chunari Mein Daag, And thriller : Bhool Bhulayaa
mazharusman Well, I have watched this movie yesterday and I am really disappointed. Firstly in doesn't happen like this in real life and also no one accept anyone like this. I got the idea of the movie plot from the name and there are may films on the same issue. I think there should be a movie which really guide to get rid of such situation rather to guide what happened in this movie. There should be some different concept like chukde India or like black. The movie makers should concentrate on how to take someone out of that market and struggle rather making a path for it. I am really disappointed and its a really waste of time of watching movie on same issue without any solution to it.
ijenuse-1 Parineeta was among the best films to come out from bollywood in the past five years or so. Pradeep Sarkar had become a highly renowned name with that one subtle masterpiece alone. And when Yash Raj roped him in to direct 'Laaga Chunari Mein Daag', expectations were inevitable huge. And with the kind of star cast it boasted of, a quality offing was imminent. Alas, how you wish they had thought of making something worthwhile of their talents than this done and tested excuse of a story. I am not even bothering to write a synopsis as it would seem outdated even for a 70s audience. Each scene and sequence is ever-so-cruelly predictable. It does have its moments though. It is a beautifully presented film. The cinematography and the design and choreography are absolutely fascinating. The performances are top notch as well. Rani Mukerjee is excellent as you would expect, but she is betrayed by the film writer. Abishek Bachan and Kunal Kapoor have gone completely mental. How else could they have opted for such pathetically portrayed characters? Jaya Bachan shows her class but its Konkona Sen who shines. She comes as a whiff of fresh air in the otherwise dry and pointless enterprise. Sadly these glimpses of brilliance are not enough. Disappointing!