Last Call

2002
6.5| 1h36m| NA| en| More Info
Released: 25 May 2002 Released
Producted By: Showtime Networks
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Renowned writer F. Scott Fitzgerald is living the last months of his life with his youthful secretary, confidant, and protégé who later wrote a memoir of their time together.

Genre

Drama

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Last Call (2002) is now streaming with subscription on Prime Video

Director

Henry Bromell

Production Companies

Showtime Networks

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Last Call Audience Reviews

Maidgethma Wonderfully offbeat film!
Spoonatects Am i the only one who thinks........Average?
Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.
Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
trimmerb1234 Does Jeremy Irons ever give less? This is currently being shown on the British Movies24 channel. Jeremy Irons gives a perfectly judged performance, perfect for every expression, spoken word or even glance. He had though good material to work with - its basis in the recollections of one of the films main protagonists, his secretary, Frances Kroll, who herself was a would-be writer. The direction too seemed to perfectly follow the mood - even Frances' unspoken thoughts especially expectations. The only thing to jar was that at these moments of unspoken thoughts, a song would be played in the background spelling out exactly these unspoken thoughts.Neve Campbell was excellent as Frances - in her playing perhaps her attitude was a little wrong - he the great writer, she rather mousy unknown secretary would have been perhaps a bit more reverential. But it may be Frances Kroll's writing which reveals the true nature of their relationship, that moment nearly at the end when he stops, turns to her and she (and the audience) could imagine an offer of marriage yet he "merely" wants to say something about writing. Overall it is a rich and revealing biography from someone who was both closely involved as well as being a good and honest writer. Perhaps this is why Jeremy Irons gave it his best shot.
joaocruzferreira In "Last Call", Jeremy Irons is, in short, F. Scott Fitzgerald himself. Very much like Phillip Seymour Hoffman in "Capote", Irons has captured every mannerism and the speech of the controversial writer.A level of "classiness" is attained, often on accord of the dynamic chemistry between Irons and Campbell, who in my opinion surprised Hollywood with this great performance in an extended supporting role. Sissy Spacek was also impressive, despite her only being in the film for about twenty minutes, her appearances are very memorable, and she is absolutely magnificent.Other than the acting by Irons, Campbell and Spacek, there's really nothing that jumps out about this film. However it is an interesting look into the life of the influential and controversial writer F. Scott Fitzgerald. 6/10
ween-3 Checking the credits on writer/director Henry Bromell, it seems that we have someone who's written for "Chicago Hope", "Homicide" and "Northern Exposure". So a class act chooses to write about a screenplay about a writer, and the results are about what you'd expect. Pretty exceptional stuff. Jeremy Irons tosses his hat into the ring for an Emmy nom here. Another standout performance.However..the big surprise to me is the performance of Neve Campbell. Get this girl off the "Scream-4" set and into some period pieces in a big hurry, fellas. She's ready to rock and roll. Pair her up with a decent script and an Oscar-caliber actor or two and she holds her own rather nicely, thank you.Thanks to Showtime for the "Last Call" 15-minute addendum with Irons, the omni-present George Plimpton and Frances Kroll Ring briefly discussing F. Scott's greatest hits.
George Parker Irons breathes life into F. Scott Fitzgerald in this superb accounting of the last months of the renown writer's life during the tenure of his youthful secretary, confidant, and protege Frances Kroll (Campbell) who later penned a memoir of their time together. An excellent story of unrequited love and a good watch for those into the work of either Fitzgerald, Irons, or Campbell with some interesting didactics for novice writers.