Acensbart Excellent but underrated film

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

kinopravda68 "Last Letters from Stalingrad", the 1950 compilation of the supposedly authentic war letters of Nazi soldiers caught in the bloodiest WW2 battle, has become the primary source of inspiration for the unprecedented war epic portraying the last days of WWII fighting in Italy - "The Fallen" and its second part "The Last Letters of Monte Rosa". Authenticity, viewed here as a meticulous, accurate re-enactment of the historical details - battleground weapons from period rifles to tanks and planes, soldiers' uniforms, etc - is more than sufficient condition for the compassionate and intimate presentation of the war daily routine with its sudden changes and upheavals, its cruelties and its rites. In this shoe-string budget production the up-and-coming filmmaker Ari Taub brings fear, absurdity and humor (all related to everyday realities of war) - into their proper balance. In "Letters" the enemy (the Allies) is not personified, and our attention is focused instead on the uneasy relations between the German infantry and the Italian troops mercilessly raided by the partisans. Hollywood storytelling conventions are inevitable for such a traditional narrative, shot at the same time with - but started even before - the late-nineties wave of WWII epic blockbusters like "Thin Red Line", "Saving Private Ryan" or "Ivo Jima". At the same time a certain theatricality of the everyday, certain comical twists of even the most sad episodes, a true indie spirit of his "Letters" has radically distinguish the film from the glitz and glamour of the "dream factory". Almost as ambiguous as "Last Letters from Stalingrad", Taub's retro-version also does its best to show a "human document which bares the soul of the man at his worst hour". Moreover, due to its unique balance between the tragic and the comical it provides a true Aristotelean, cathartic release of the emotions, especially in the final scene of German martyrdom and their last photograph for the American magazine (hence for posterity). After all, Ari might be short for Aristotle.

scoutmanmark Letters from Monte Rosa is a solid addition to the WWII genre. It is told from the point of view of Italian and German soldiers, who, as men of enemy nations, have seldom been the central subject of films widely seen by American audiences. Only a few titles -- The Bridge, Stalingrad and Cross of Iron among them -- have ever gotten meaningful exposure to the same aficionados who have seen Saving Private Ryan and the many WWII big studio battle action films made in the 1960s and '70s. In those films, almost invariably, the Germans of the Wehrmacht were automatons with Schmeissers and Tiger tanks defending an evil regime, and too seldom given human dimension as men who also longed for home, family, safety, and days without fear and suffering. As their worlds collapsed and death chased them, each soldier had to decide and to prove if he was a coward or courageous, if he would seek escape or do his duty. Letters from Monte Rosa shows us the horror of war, that there is seldom any glory in the ugly business of killing or dying. Still, sardonic humor pervades several scenes, and a few good belly laughs ease the tension even while building it. Director Ari Taub directs the actors well, asking them to show us the charisma and frustration, leadership and anguish of men in situations where there is little hope of survival. Tech credits are very good: the camera moves crisply, a textured sound scape provides a real sense of place, editing is proficient and puts us in the action. Production design is excellent for a low-budget effort. Also commendable is that the film strives to avoid the clichés so common to the war genre, and in so doing reveals a great passion for the theme that even enemy soldiers had dignity and souls.

robinJudeonspeed Yes, I can't say I've done the same. Heck, I had to walk out of Observe and Report and I'm not the biggest critic around.....I hardly walk out of anything. the acting really kept your attention and I felt like there was a poignant story being told and it was a challenge to keep up with the subtitles when you're not fluent in English or German. What do I know I've never produced a film but I know what I like so I say Congratulations on producing a worthwhile piece of work.I can't wait to see the comedy he's got in the works and hope to be a part of it. It's wonderful to be able to make people laugh such that we're not soooo alone on this planet. Film can definitely be a unifying medium.

iva0303 Last Letters from Monte Rosa tells a story that hardly has ever been told before on the screen. The action takes place in Italy during the Second World War. Our heroes are the Germans and Italians, the ones we were fighting against in that war. Surprisingly, the film doesn't take anyone's side apart from that of a human being: an ordinary person trapped in the extraordinary circumstances. And it does not matter anymore whose side the characters of the film are fighting on, the audience becomes sympathetic with them and takes their side. It was amazing to watch how the tragedy of the situation was intertwined with a simple human humor. The occasional laughter only made the story even more truthful. Just like in real life, in Last Letters from Monte Rosa the desire to live walks hand in hand with death, the tragedy walks along with comedy. I was delighted to see such a beautiful work that awakens empathy to other human beings, fulfilling one of the most noble purposes of art.