FeistyUpper If you don't like this, we can't be friends.

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Princeton89 pacing was good, dialogue mediocre to fair, but the visuals had me on holiday on the French Riveria (out of season)at first, the chemistry seems a little off as the genre of French mob movies has been infiltrated by the American sense of darkness and Tarantino admirers. yet, given the violent subtext, very little actual bloodshed, which works for me.Bellucci as the femme fatale owns the screen (and I'm watching on a PowerBook) - a luminous grace that you can't help but stare as an oncoming car runs over you in the street sort of look.plot is basic and resolves without loose ends, and the character development of the patsie picks up the last few minutes. you almost want the arc sooner, but you're paying too much attention to the idiosyncratic "bad guys" crowd that it almost doesn't matter.watch this on a Sunday afternoon when you should be doing errands or stay in on a rainy night. a good Seattle, weeknight movie.

bgbdesign I enjoyed this film. I'm not sure what that may say about me but when it finally made it to the end it was surprisingly satisfying.Yes there were many flat moments and darkish comedy that didn't seem to work as well as it could have but still............. Tcheky Karyo in a parody inept gangster role was just great.He really got it down- such a pro, such an overactor. His partner Dominique was just OUT THERE,high on death,crime,crazy to hurt and kill and loving his named family of guns- reminded me of Quentin Taratino in dusk to dawn. Just great/mean/born-to-die badness. Of course he makes no sense but his purpose is clear here.More guns that Smith and Wesson and I like it! Just don't let him treat your upset stomach! Michel Muller as the poor victim of Myrtille Adoration (Was this Harold from Harold and Maude?) I am however,thankful that he becomes more of a presence as the story unfolds and I do share his adoration of Myrtille.He reveals the steel when he doubles the money! yeah! Ahhhhh, Monica Bellucci.......... she is beautiful! Garbed in black and deadly to anyone in her way.And can she handle a fish! a well done scene. But what is she doing here in this film? Carrying the film perhaps? eye candy? whatever it worked for me. I am not sure if I want to compare this to Dusk to Dawn or maybe Raising Arizona. Was it a comedy trying to be serious? just dark? or neither? I need to see it again to be sure.By all means see it for yourself ....it deserves to be seen.Bgbdesign

FlorenZO It seems to be a common thing in the 90's to play with cliches. Some manage to do so with great talent. Hervé Hadmar doesn't. On the paper, the movie looked interesting though: the weak plot could have been saved by great moments of comedy, dark humour, and a very "décalé" style. Director Hadmar, unfortunately, kills his direction with his camera angles and his absolute lack of rhythm. Every joke is embarassing as no one reacts in the theater. The movie is incredibly slow, and the actors seem to be wondering what the hell they're doing in this ridiculous mascarade. What could have been a stylish funny mindless comedy ends up being a cathedral of boredom.

Guy33134 This is a pretty standard French gangster film. However, it is much prettier to look at than most films of this genre. Not only are the locales in Paris, and the French Riviera ideally captured, providing one of the best features of this film, but the gorgeous Monica Bellucci is similarly exposed. If you are a fan of Monica's, the great French villain Tcheky Karyo, and/or France's most beautiful panoramas, this film is definitely for you.