Little Evil

2017 "Samantha is his dream. Lucas is his nightmare."

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Little Evil

5.7 | 1h34m | en | Horror

Gary, who has just married Samantha, the woman of his dreams, discovers that her six-year-old son may be the Antichrist.

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5.7 | 1h34m | en | More Info

Released: August. 08,2017 | Released Producted By: Mandalay Pictures , Bluegrass Films Country: Budget: 0 Revenue: 0 Official Website: https://www.netflix.com/title/80139506

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Gary, who has just married Samantha, the woman of his dreams, discovers that her six-year-old son may be the Antichrist.

Genre

Horror , Comedy

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Little Evil (2017) is now streaming with subscription on Netflix

Cast

Adam Scott , Evangeline Lilly , Owen Atlas , Bridget Everett , Donald Faison , Chris D'Elia

Director

Maher Ahmad

Producted By

Mandalay Pictures

Little Evil Videos and Images

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Top Credited Cast
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Crew

Adam Scott

as Gary Bloom

Fortnite: The Film Strip Law Hokum The Saviors The Whisper Man The Monkey Severance - Cold Harbor Hot Ones Versus : Severance's Adam Scott vs. Patricia Arquette Madame Web Severance

Evangeline Lilly

as Samantha

Getting LOST Disney 100: Remember That Ant-Man and the Wasp: Quantumania LOST: Circle Marvel Studios Assembled: The Making of Ant-Man and the Wasp: Quantumania South of Heaven Crisis Celebrating Marvel's Stan Lee Avengers: Endgame Ant-Man and the Wasp

Owen Atlas

as Lucas

Hacked: A Double Entendre of Rage Fueled Karma Breathing Happy The Starling Little Evil Hacked The Gentleman Thief

Bridget Everett

as Al

Wake Up Dead Man: A Knives Out Mystery Somebody Somewhere Rumble Breaking News in Yuba County Call Your Mother Expecting Amy Permission Little Evil Patti Cake$ Love You More

Donald Faison

as Larry

Scrubs Backyard Sports: The Animated Special Garden State - The 20th Anniversary Concert Home Delivery Extended Family Lightning Wolves Reindeer in Here Church People Embattled Emergence

Chris D'Elia

as Wayne

Chris D'Elia: The 'B Side' Special Untold: Hope Solo vs. U.S. Soccer Chris D'Elia: Grow or Die Life in a Year Chris D'Elia: No Pain Half Magic Band Aid Chris D'Elia: Man on Fire Little Evil XOXO

Maher Ahmad

Production Design

Michael Scott Manne

Set Designer

Matthew Clark

Director of Photography

Lynn Falconer

Costume Design

Eli Craig

Director

Tia Nolan

Editor

Mary Vernieu

Casting

Michelle Wade Byrd

Casting

Scott Stuber

Executive Producer

Dylan Clark

Executive Producer

Mark Moran

Executive Producer

Ian Bricke

Executive Producer

Nicholas Nesbitt

Producer

Jason Michael Berman

Producer

Richard Gould

First Assistant Sound Editor

Marco Beltrami

Original Music Composer

Brandon Roberts

Original Music Composer

Marcus Trumpp

Original Music Composer

Mac Smith

Sound Designer

Mac Smith

Supervising Sound Editor

Little Evil Audience Reviews

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Inclubabu Plot so thin, it passes unnoticed.

Kailansorac Clever, believable, and super fun to watch. It totally has replay value.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Staci Frederick Blistering performances.

ilovemovies2016 This movie was bland and a little boring to be honest.the characters are not that believable acting is mediocre funny at times but this still dose not save the movie

violethill-56364 The movie begins interesting enough and delivers a few laughs, but the ending really just ruins it. The acting is contrived, the effects are laughable, and the plot is predictably stupid.

Alexander_Blanchett Well I get that it tried to be a self ironic parody of some rather famous horror films in the tradition of The Ecorcist or The Omen however it failed miserably in my eyes. The jokes were just too try-hard, it made every Adam Sandler comedy look like a piece of Shakespeare. Don't get me wrong, some of the dark humor was really funny that is why I give it the score it received BUT that were 10% the other 90% overshadowed the rest left me at the end of the film with a really bad taste. Adam Scott was okay, also one of the better aspects of the film, at least he had some recognizable comedic timing. Evangeline Lilly however was awful. I think its two ways: Either she really took the film she is in seriously OR she has absolutely zero comedic timing whatsoever. I also did not like Owen Atlas who was fla out horrible, sorry kid. I understand Sally Field did it because her son was directing it but why did not even she try to save this mess? I mean her performance was really not good nor was it funny nor was it in any way an upgrade. Oh and that character AL was funny at first, original yes, self ironic sure, but they really overplayed it and so did the actress. No , the few funny bits that actually worked are not worth the time to stay through this from the beginning to the end.

Shred_Master Since Netflix started making its own movies and shows, they have pretty much been justifying keeping the monthly subscription, despite their increasingly pitiful movie collection. With programs like House of Cards, Orange is the New Black and the Marvel shows, they stand out among the pay streaming services that try to seduce cord cutters.Of course though, as this particular movie points out, they can't all be home runs. The first mistake was, this showed up in the horror movie category. Really, the best place for it is comedies but a very dark comedy at that.The movie was all over the place with what it was trying to be. If I could sum it up, I would say maybe a very loose adaptation of The Omen (which is actually referenced), except with less scare and more attempts at jokes that mostly fall flat and attempts at action, where they have zero knowledge of competent stunt work and special effects. Then there is the family aspect, which is meant to be heartwarming but mostly comes off cheesy, due to the abrupt changes of tone throughout.The 2 main actors are decent enough and they are well known. Most of the other actors are forgettable and one dimensional. If this seems interesting to you, there may be some entertainment value to keep you occupied. If however, you're looking for Netflix's next great thing, this ain't it.