Love, Marilyn

2013 "One icon, many voices"
7.2| 1h45m| NR| en| More Info
Released: 18 October 2013 Released
Producted By: StudioCanal
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.

Genre

Documentary

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Director

Liz Garbus

Production Companies

StudioCanal

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Love, Marilyn Audience Reviews

Matrixston Wow! Such a good movie.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Scarecrow-88 Marilyn Monroe's letters (diary, memoirs, whatever you want to call them) are "performed" by various actors/actresses to us, documenting her feelings (also shown in background as a visual device to add a degree of dramatics to the actors studio performances of those who look at us and try to live the feelings of those they depict) at the time she lived. From her beginnings as an actress to her "medicinal suicide", details about Marilyn's rise to an icon, her turbulent relations with 20th Century Fox, the general consensus that she was a ditz (or a really talented actress deserved of respect) flashing her marvelous figure which was responsible for capturing the lust of men (and disgust/jealousy of women) everywhere, the emotional/psychological problems always troubling her, complicated marriages and relationships to men, gaining notoriety and popularity through her intense sexuality, becoming a media celebrity of substantial popularity, and the mental downturn that left her an actress deemed unfit to hire, "Love, Marilyn" covers a lot of ground.While I found all the actors and actresses (this approach felt a bit too pretentious for my tastes) a bit annoying, the material was fascinating (particularly when documents from directors such as Billy Wilder and George Cukor are read, Arthur Miller's interviewed from the past, Amy Greene's candidly shared details (because she knew, lived, and had intimate conversations with her)) because it shed light on how Marilyn was viewed by those that worked with her and provided insight into that enigma so emblazoned in stunning photographic beauty. I have considered myself a fan of "The Misfits" (1961) for years, but after watching this, knowing Miller wrote it, this documentary left me rather unsettled that a husband who claimed he loved his wife would populate the script with blatant disregard for her "image" and talent. I have always felt that the need to stigmatize Marilyn as all style and no substance couldn't be further from the truth…there's real truth in "Bus Stop", if one is willing to see past just the allure and beauty. My personal favorite Marilyn Monroe film is "Niagra", mentioned a few times in the film (just throwing it out there)What happened during her final film project (ironically titled "Something's Got To Give"), the pugnacious contempt from Laurence Olivier (during "The Prince and the Showgirl"), Billy Wilder and George Cukor's teeming anger at her misbehavior on set (it would be called Monroe acting a diva in the obsessive celebreality of today's pop culture), John Huston's misappropriation of studio funds (gambling them away) and how it allowed them to blame it on her (because her reputation had become so tarnished) regarding the budget on "The Misfits", Miller using Marilyn to escape the scrutiny of possible Communist ties during the McCarthy era, and the Playboy nude pictorial are all featured subjects in this documentary. I would prefer the typical narrative device/approach, with emphasis on the resources that dissect and explore this fascinating personality, this woman, this actress, this sexual icon, but "Love, Marilyn" gives actors/actresses a chance to interpret in performance how certain people felt through her and perhaps how she felt in those words on paper. What I found most fascinating was how Joe DiMaggio reacted to the hoopla behind the "blowing dress" that provided an essential lasting prominence to Marilyn's legacy and Marilyn's relationship to Lee Strasberg and his wife Paula (Paula would be her coach on set during filming to give her insight and be an inspiration). Particularly funny to me was how Jack Lemmon, in an interview about her during "Some Like it Hot", spoke of her Strasbergian method behavior during filming, as a rather loopy bit of unnecessary time wasted. "Love, Marilyn" should be of interest to Marilyn's cult and fanbase.
mpurvismattp When I saw this documentary was on HBO I tuned in and wanted to see what it was all about, I wasn't that impressed. The letters straight from Marilyn's thoughts were interesting and heartfelt but having them read by Hollywooace actors just didn't work that well In my opinion. When SOME of these A listers read from the aforementioned letters they seemed like they themselves were making it all about them and not Marilyn at all. The lines from the letters were often over dramatized and poorly executed and would have been more effective had they just come from an unseen source. Overall this film seemed like it made everyone else out to be the bad guy when it came to Marilyn's unhappiness and misfortune and maybe that was the case, who can say. Although when Marilyn didn't know her lines and often didn't show up to the set for a variety of reasons I'm sure that it could wear on a director or producer who was probably under the gun to finish the picture as it is. Although Marilyn was often trouble on the set her performances on the big screen were always pure, genuine and special but the film made her out to be a troubled pawn in the chess game of Hollywood life and to me the film could have been more objective at times. Overall this is not a bad film (especially if you love Marilyn) but nothing to write home about, pun intended.
Michael_Elliott Love, Marilyn (2012) *** (out of 4) Nice documentary done on the fiftieth anniversary of the death of Marilyn Monroe. Through diary writings and other words written by the star, we hear these brought to life by various actors playing her as well as playing other people that surrounded the tragic star. A quick look at IMDb will show just how many familiar names were used to bring these words to life and I think for the most part the film is a success, although this technique doesn't quite work as well as I'm sure the producers were hoping. I will start off with the good and that's how the film pretty much starts from Marilyn's early days and leads right up to her death. We get to see everything in between including her personal life, her marriages, her film roles and of course her darker days. Throughout all of this one really gets a good idea of what frame of mind the actress was in whether it was her nerves getting the best of her or when everything came together and she managed to do some incredible work. I've read other reviews that have attacked the film for being too kind on Monroe but I guess this here will be based on the viewer and their opinion on the subject. One case is Monroe's final film, which Fox fired her from because she wasn't getting the work done. This documentary makes it seem that Fox was more to blame than anyone else. There's also the know issues Monroe had working with Lawrence Olivier but this film claims that Monroe was causing all these problems (not knowing lines, being late) not because she wanted to but because she was sticking it to the director for something rude he said to her. Either way, fans of Monroe should at least enjoy seeing the film clips and hearing some of these words that the legend wrote.
NJeagle Writing a review is not usual for me, but after watching this film I felt compelled to offer an alternative take to what another reviewer has described as "fairly insufferable". That is a personal view, not particularly objective, or even fair, in my opinion. I believe anyone who has seen any to all of Marliyn's movies will appreciate the insights this movie provides into her private life. I found the readings from her journals particularly enlightening. The content of these journals was deeply personal and well articulated, and the dramatic readings by various actors only amplified this fact. I've seen other documentaries about MM, but in my opinion this film does the best job of demonstrating the dichotomy between her movie persona and her personal life. It reveals that behind the sex symbol was a thoughtful, intelligent woman who worked hard for everything she got, and who was plagued throughout her life by psychological demons. It is an evenhanded approach, neither castigating her for her faults, nor deifying her for what she accomplished. Highly recommended for all MM fans.

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