Malice in Wonderland

2010 "Guns, Gangsters, Pimps & Prostitutes. Wonderland just got dirtier."
5.8| 1h27m| R| en| More Info
Released: 05 February 2010 Released
Producted By: Mark Williams Films
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A modern take on the classic fairytale, Alice in Wonderland, set in South East England.An American law student in London. Knocked down by a black cab, she wakes with amnesia in a world that's a million miles from home - Wonderland. We follow her adventures as she's dragged through an underworld filled with twisted individuals and the lowest low-lifers, by the enigmatic cab driver, Whitey. She needs to find out who she is, where she's from and use what wits she has left to get back home in one piece. As her journey progresses she discovers nothing is what it seems, realizes that fate and life are terminally entwined, and finds true love lurking in the unlikeliest place.

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Director

Simon Fellows

Production Companies

Mark Williams Films

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Malice in Wonderland Audience Reviews

Solemplex To me, this movie is perfection.
Bereamic Awesome Movie
Beanbioca As Good As It Gets
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
baius I felt sorry for Maggie Grace in this; Danny Dyer's one liners were so funny I was in stitches. However, she couldn't help but laugh too. The camera tried to take her out of focus for some shots, but I spotted her giggling in the background. Thought it was really cute. (Her good looks probably helped there too...) In fact, Dyer and Grace's chemistry (and don't ask me to define what chemistry "is") was touching.BBC Radio 1 recently reviewed this film. Instead of reviewing new-to-cinema films, for one week, they chose "rubbish" films instead. This was one of the films they picked! The reviewer gave it a mixed/average review.Well, hey, I can understand: with a lot of films like this, some just aren't going to like it.However, I was bowled over. It was intense and gripping, for me, all the way through. I really wanted to know what happened next, due to how random the plot was.Then, out of nowhere, at the very end, I saw the most moving scene that I can remember ever watching in a film. It made me cry quite badly. I'm a bloke, and I endeavour NOT to cry during films.Going from such intense, and often violent, scenes to something so gentle and tender, actually left me emotionally confused and physically drained (but in a good way, if that makes sense).If you're into Dyer's stuff, watch this.... and please, if you start it - finish it. The ending is superlative.
sarpesin There is one reason this is the perfect Alice adaptation. Besides an amnesia thread, there is barely a plot. In fact, I'd go so far as to say, there is no plot. That's what makes it the perfect adaptation."Malice in Wonderland" is basically an amnesiac girl lead on and pushed around by a bunch of crazy characters, into stuff she doesn't understand one bit. All this happens in her attempt to make sense of her situation. She makes a few friends on the way or has a few helpers, but in the end, there is always a villain waiting to find out just who stole their tarts, and is willing to behead our heroine in a mockery of a fair trial. Catchphrases such as "she stole me tarts", "look at the time" and quirky rhymes at times (whoah, pinch me) are abound.And THAT, my friends, is Alice's Adventures in Wonderland - and Malice in Wonderland. I love how some are raving there is no plot in this movie, as if the source material had any, or was meant to incorporate/integrate any. Alice has no plot simply because it shouldn't have a plot, and Malice in Wonderland has no plot because it sticks to the original tale: it's a bunch of nonsense leading to other bunch of nonsense, and when you wake up from the dream, it's always bittersweet.Performances are good, though I found Maggie Grace to be kind of over- the-top, the visuals are quirky enough to keep you interesting but not weird enough to put you off, Dyer is an incredible figure, he's straight out of a Guy Ritchie movie, the characterizations are incredible, the parallels are good, shout-outs are nice, and there is a near-instance of a sex scene. What more do you want from an Alice adaptation anyway!?Like I said, this is the perfect Alice adaptation. Suck it Tim Burton.
aimless-46 Had I made the film "Malace in Wonderland" (2009) I would be quite proud of it. But it is not something that I would casually show to a random group of people expecting an enthusiastic response. Its target audience is the off-kilter and twisted, and not even all of those will wildly embrace this effort. But if you get off on oddity, quirkiness, and fun you should seek out this film.This is the fourth of five relatively recent efforts to "out-weird" Carroll by taking the framework of his story and constructing a feature film that reflects the director's inner child at the expense of the wit and wisdom of the source material.If a perverse homage is your cup of tea and you don't hold your own image of the Mad Hatter sacred, then you should check out this film along with the other four: Tim Burton's recent release, Terry Gilliam's "Tideland" (2005), Czech animator Jan Svankmajerand "Alice" (1988), and the one that started the trend-Richard Elfman's "Forbidden Zone (1982). "Malace" is the best of the group if only because it captures more of the original's spirit. It's gotten to be a rather well-traveled path but this one benefits from a closer association to the original "Wonderland".In this case Carroll's story is transported to the gritty underworld of modern day East London (insert lowlifes, drug lords, addicts and pimps here). But not so gritty that there are not a lot of bizarre characters with counterparts in the original wonderland and looking glass worlds.Lost's Maggie Grace plays Alice Dodgson (Carroll's real last name although she has amnesia and is nameless for most of the story - perhaps a symbolic connection to his use of a pen name). Danny Dyer is a London Taxi driver named Whitey, and like the White Rabbit he is often running late despite being obsessed with time. Nathaniel Parker is a recently released from prison underworld boss, like the Queen of Hearts he holds a trial when his tarts (in this case a string of hookers) are stolen.Bronagh Gallagher is Hattie, the operator of a truck stop brothel, she holds Mad Hatter tea parties with the assistance of a sleeping Dormouse. Gallagher's character is by far the best of the ensemble and you wish that she had more screen time.Gary Beadle is DJ Felix Chester (the Cheshire Cat) and Paul Kaye is the Caterpillar. The Tweedle twins are employed as burly nightclub bouncers . Matt King plays a hustler named Gonzo, a significant character who apparently was kidnapped from the set of a Muppet parody and has no Wonderland parallel (go figure??).Grace's Alice is your basic still coltish Homecoming Queen who does not yet realize (or at least convincingly pretends to not realize) how incredibly hot she has become. I have read that she was a last minute replacement for Misha Barton, who also has that quality. Apparently Fellows knew exactly what he wanted for the role and why he wanted it. He effectively utilizes her face in frequent close-up, building a connection with viewers to Alice's very confused point-of-view. It works!! The film has excellent production design, cinematography, and acting for the camera direction. The writing is the only weak area, not that it is poor but rather the project is so ambitious that another rewrite would have been a good investment. The romance and the search for the birth mother have some emotional impact but are poorly integrated into the story. You can overlook a lack of logic (this is "Wonderland" after all) but those two elements seek to provide a resolution to one of the few stories where one is not needed.I just don't see Carroll going out of his illogical lunacy with a logical and predictable ending.Then again, what do I know? I'm only a child.
johnstonjames I really liked this a lot. It was definitely one of the more original visions of the 'Alice' stories. A little scary at times but probably no scarier than say Svankmajer's 'Alice' film. Svankmajer's film is more brilliant but this film is not to be dismissed either. I don't know if I think this movie is genuine film noir or not. It's photography and color are so vibrant they are almost psychedelic. Something not typically film noir. But the story and screenplay definitely qualify as film noir.I don't think I've seen many movies that are as dark and sinister as this while being kind of light hearted and fun at the same time. The story can be both dark and dreary but also very whimsical and full of wonderment.The acting is excellent. The actress who plays Alice is cute and funny and also tough. The cab driver(whitey?)was great. And it's always nice to see Nathaniel Parker who is such a good actor and is hilarious and sinister as a Gay underworld king(or should I say queen?).I thought Tim Burton's movie was probably better, but this was decidedly more interesting. And it was even more for adults than Nick Willing's hilarious SyFy 'Alice'. If you are a die hard 'Alice' fan like myself, you gotta at least check this out. It's a lot of fun.