Matchstick Men

2003 "Lie. Cheat. Steal. Rinse. Repeat."
7.3| 1h56m| PG-13| en| More Info
Released: 12 September 2003 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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A phobic con artist and his protege are on the verge of pulling off a lucrative swindle when the con artist's teenage daughter arrives unexpectedly.

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Director

Ridley Scott

Production Companies

Warner Bros. Pictures

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Matchstick Men Audience Reviews

Actuakers One of my all time favorites.
Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Benedito Dias Rodrigues At last Nick Cage had a good character for redemption for such bad roles in late years,Ridley provides a great plot with a disturb leading role which is the best of the picture,the whole sting stay in backdrop or in second plane,this kind of disorder is very usual nowadays,the behavior obsessive compulsive reach around 20% of population,and how it is great bring it a movie as shown in this one,great approach by Ridley Scott and magnificent acting by Cage!!Resume:First watch: 2018 / How many: 1 / Source: DVD / Rating: 8
FilmBuff1994 Matchstick Men is a good movie with a relatively well developed plot and a terrific cast. The highlight of the film is without a doubt Nicolas Cage and Sam Rockwell, who make the whole thing worthwhile. They have a terrific chemistry with one another that is a pleasure to watch, and their unconventional styles of acting mesh together really well. I did find the story to be immensely bland, it never pulled me in, feeling as if the screenwriters were really just going through the motions and writing everything for the sake of getting a paycheck afterwards. I was also never given a reason to care for these characters when they were in danger, they were not good people, but they also were not anti-hero's that we love to hate, they were just simply characters that we could not root for. Enjoyable, but forgettable. Fun while it lasts, Matchstick Men certainly has its flaws, but its worth the watch if you are a fan of Cage or Rockwell.A neurotic con man and his partner are about to pull off a big job, until one of their daughters turns up. Best Performance: Sam Rockwell
hewlett61 did this illogical mess of a film receive such high reviews? I usually avoid Nicholas Cage movies, but saw this on HBO and I like Sam Rockwell. It was a decent enough movie, a little schmaltzy, but not horrible. That is until the twist, that completely invalidates the first 90 minutes of the movie from having any logic to it at all. The plot is like an extended Rub Goldberg machine, that the protagonist thinks he is in charge of, but EVERYONE ELSE is playing against him, simply for the benefit of his partner. For the whole movie! Can anyone explain how, or why, the characters behaved the way they did when Cage was not in the scene? As they were plotting against him, when they were alone, they remained the characters Cage's character thought they were. If you were conning someone, would you keep the con facade going even when you are alone, or only with other people you are conspiring with? I don't think so. Simply one of the worst plot holes I have ever seen, yet the professional critics, and the other reviews posted here, simply seem to ignore pure cinematic ridiculousness when they see it.
Jawbox5 Matchstick Men represents a pleasant change of pace for Ridley Scott. For a director known for doing films that are both large thematically and in scope, it's nice to see him tackle a film that has a simple premise which allows him to build the themes that he wants to discuss. Matchstick Men is a difficult film to categorise, as is the case for most con films. It has touches of dark comedy and pieces of crime thriller, plenty of drama without losing its quirkiness. It often plays out like a character study of a man who struggles to balance his dirty deeds with his mental issues. All of this delivered in a very free-flowing and vibrant way, much like the majority of Scott's work.At its core the film is about con man Roy Waller who suffers from serve OCD which become even worse once he loses his pills, shown in a scene that is both funny and sad where he spends a day cleaning his entire house. He then goes to see doctor who takes an interest in his life and wants to help him defeat his illness. Cage is the star centrepiece of the film. He also provides one of his best performances. In a way it is prefect casting, Cage has always been at his best playing edgy and jittery characters and here he gets a legitimate reason to act that way. His performance provides a surprising amount of sympathy as well as humour, he gets so into the character that his frequent ticks seem natural. The story develops further when it turns out Roy has a 14 year-old daughter called Angela who he decides to meet, which leads to him struggling to balance out both sides of his life. Enter Alison Lohman who is fantastic. It's hard to believe that she is playing a character ten years younger than she was at the time given how natural her performance is. She manages to capture the essence of what a character that age would be like, without detracting from the emotional weight and likability that she brings. I also think that Sam Rockwell (who I swear has never put in a subpar performance) deserves some praise for his role as Roy's confident business partner.It is tough to reveal much more about the plot without giving away pieces of information that might spoil its ending. Scott's direction is certainly a highlight, as usual with his films. It is possibly his most fluid film and he manages to convey Roy's breakdowns with his subtle use of the camera, whilst the frequent use of blue shade invokes the calmness of water which becomes something of a motif. From a visual standpoint the film reminded a lot of 'Catch Me If You Can' given its vibrancy and colour scheme. Adding to this is both the editing and the transitions which are seamlessly done. Hans Zimmer's score is also worth a mention, trading in his usually bombastic compositions for more jazzy and bass heavy pieces that fit the film perfectly.The only part of the film that left me cold was its climax and its eventual twist (which I won't reveal). For me the twist did disrupt a lot of the film's emotional and grounded aspects that had been developed excellently throughout. It brings a jolt that almost pushes you out of the film and instead of feeling that the twist transformed the film into something completely different, it simply felt like an unnecessary addition. I think the film would have been even stronger had it avoided said twist all together.Matchstick Men ends up feeling exactly like what Ridley Scott wants it to be. It's a film that blends multiple genres together and basically plays them off against the typical con man film style. It does go deeper than the story initially suggests, almost working as a psychological study of Roy and the building of his relationship with the daughter he never knew existed. On a surface level however, the film is constantly entertaining. Whether it is for the excellent acting, the charming central narrative, the tension building con or Scott's wonderful direction it doesn't really matter because all of these aspects blend with and play off of each other so well. I don't think the twist works, but it's a testament to the films strength that it isn't overly damaged by that. For me it's a film that is meant to be enjoyed on the surface, before you start to analyse what is underneath.